background preloader

12 Essential Blues Turnarounds

12 Essential Blues Turnarounds
by Andy Ellis Are your blues a little tired? Crave some fresh sounds? Guitar Lesson Click here to download the power tab for this guitar lesson. Form and Function First, a definition: A turnaround is a short (typically two-bar) passage at the end of a blues progression that’s designed to elegantly walk you to the V7, which in turn resolves to the I7 in bar 1. Contrary Motion A turnaround derives its energy from tension and release. Take a close look at the intervals in bar 1’s second, third, and fourth beats. Contrary motion also powers Ex. 2. You don’t have to arpeggiate the intervals. Contractions Many turnarounds feature a moving line against a repeated, static note. The Eaug functions as an uptown V7, adding a touch of jazzy sophistication. Let’s first analyze this turnaround in terms of scale degrees: The line comprises 3, 4, b5, and 5, and the root repeats above it. We’re in the key of C. That’s cool—but why stop there? Related:  manouche guitare tablatures echangesACCORDSGuitar stuff

Top 20 Easy Acoustic Guitar Tabs/Songs Lessons For Beginners You Can Start Playing Now! : Learn To Play Acoustic Guitar – Free How To Guitar Lessons For Beginners Online Easy Acoustic Guitar Songs For Beginners – Start Learning How To Play Today! Greetings fellow guitarist. I really appreciate your visit. So, I hear you are looking for some cool, easy songs to learn on the guitar? Very good then. It is true. That being said, below are 20 popular songs for you to dive into right now and start learning. As you are going through these songs, please keep in mind that the following 20 are only a small sample of our easy acoustic guitar songs. Browse Through More Easy Guitar Songs Here >> I have done my best to find video lessons, tablature, chords and other helpful resources for each song listed below. If you find this post helpful, please consider sharing this link on Facebook, Twitter or any other community you belong to by clicking the sharing buttons above and below this post. Song 1 : A Horse With No Name by America Song 2 : For What It’s Worth by Buffalo Springfield Song 3 : Feeling Alright by Dave Mason Song 4 : Knocking on Heavens Door by Bob Dylan Song 5 :

Home - Cathy's Chords - songs for guitar & uke Key Chords Key Chords app generates guitar chord progressions automatically. Use it free online, or get the app for Mac, Windows or iOS (iPad) - Click on a chord to preview how it sounds. - Drag and drop to arrange the chord progression - Tweak the settings to control the playback speed Or role the dice and Key Chords will automatically generate a nice sounding progression. Select a Key: Select a key and choose a the major or minor scale. The resulting chord chart will display applicable chords for the selected key. Click a chord: ... and you will hear a cheap computer generated guitar playing the chord. Drag & Drop: - Chords from the chart into the progression timeline. - Rearrange Chords in the progression. - Remove chords from the progression. Roll the Dice: ... and a random chord progression will appear in the timeline. The numbers below each chord in the progression refer to the number of "beats" the chord will linger for. The "Rake Speed" refers to the speed of a single "strum." The main chart areas.

OVERDRIVE MUSIC - La Gamme mineure mélodique et son utilisation Nous focaliserons notre attention sur 3 des modes de cette gamme (ne vous laissez pas impressionner par les noms de ces modes...) : - Le premier mode se joue sur un accord de Gm ou Gm7. Le but est de superposer cette fameuse 7ème Majeure avec la Fondamentale et surtout la 7ème mineure (ce qui va créer une dissonance plus ou moins forte). Le son obtenu est superbe, expérimentez-la pour vous en rendre compte. Sur le manche, les notes en violet sont les fondamentales. Les positions Ecoutez le son de ces gammes en SURVOLANT LE LOGO AUDIO SOUS CHAQUE IMAGE. Premier Mode C'est la première position de la gamme de Sol mineur mélodique. Quatrième Mode C'est la quatrième position de la gamme de Ré mineur mélodique. Septième Mode C'est la septième position de la gamme de La bémol mineur mélodique. Les Arpèges Voici juste quelques exemples d'arpèges (qui consistent à jouer successivement les notes d'un accord). Arpège G mineur Majeur7 Arpège D mineur Majeur7 Arpège Ab mineur Majeur7

10 Ways to Play the Most Beautiful Open Chord Shapes 10 Ways to Play the Most Beautiful Open Chord Shapes Part I A great way to make your chord progressions and songs sound awesome is to use open chord shapes. I always love to use these chords to add some flavor to my chord progressions. One of my favorite chords is Fsus2.That chord has got the whole package for me. It’s sounds beautiful, gentle, tight, cool and rough at the same time. When you move an open chord up the neck the name of the chord changes and the chord gets extended with 1 or 2 notes. While you can play barre chords at any fret on the fingerboard, open chords can only be played at certain frets. Because of all the extended chord names I didn’t bother to name every single one of them. It’s all about incorporating these chords into your songs and chord progressions, putting your creativity to the test, experimenting with all the possibilities, replacing some basic chords for these extraordinary ones, learning to hear what sounds right and what feels good. Have a great time!

Internet Archive: Digital Library of Free Books, Movies, Music & Wayback Machine The Chord Guide: Pt II – Barre Chords Barre chords are the most valuable weapon to have in any guitarists arsenal. This is because they are moveable, which means you only have to learn a few positions and you can move them around the entire fretboard. Of course, it is absolutely essential that you know the notes on all the strings, and at the very least, the notes on the E, A and D strings. This is an excellent guide on learning your notes. Be sure to read it first before you tackle barre chords. First of all know the notes of the open strings: from the 6th string (thickest string to the 1st string (thinnest string) they are: E A D G B E, also know that the notes repeat themselves at the 12th fret, so the notes on the 12 fret are also E A D G B E. There are three main barre chord positions, the E position, the A position and the D position, these are all related to their respective open chords: The O’s represent open notes while the X’s are notes you don’t play. Major Triad 1-3-5 Minor Triad 1-b3-5 Major 7 1-3-5-7 Chord Theory

Top 100 Best Acoustic Songs Ever -The Greatest of All Time | Acoustic Guitar Music | Here is a list of the best acoustic songs ever written. Acoustic music has come a long way over the years, so many are “oldies” and many are “newies.” We are basing this list off of historical album sales, the ever so objective factor of acoustic-ness, but mostly how easily they make us cry. They are mostly arranged in alphabetical order, by song – so make sure you check out the whole list! Feel free to give your input on suggestions, changes, discards, or songs we may have forgot about. Also, for those interested in a serious path to learning guitar, please see our trusted partner, Guitar Tricks: Click the links to listen to the songs. Listen 1-9 Listen 10-19 Listen 20-29 Listen 30-39 Listen 40-49 Listen 50-59 Listen 60-69 Listen 70-79 Listen 80-89 Listen 90-100 **ALPHABETICAL ORDER (Roughly)** 1. 3 AM – Matchbox 20 2. 10,000 Stones – Adrianne 3.

MATT WARNOCK GUITAR When improvising over a maj7 chord in a jazz or modern improvisational context, most guitarists will fall back on one of two sounds, the major scale and the Lydian mode. While both of these scales offer the right melodic content to navigate a maj7 chord, producing either a natural 11 or #11 interval in that context, there are a few other melodic devices that you can add to your repertoire to help you expand your maj7 improvisational pallet. One of these devices is the Lydian Pentatonic Scale. While this scale may not be as popular as its cousins the Major and Minor Pentatonic Scales, the Lydian Pentatonic Scale can offer a fresh approach to soloing over maj7 chords, while at the same time retaining the Lydian #11 sound and being related to the Major Pentatonic Scale that you may already have under your fingers. In this article we’ll explore the harmonic and melodic possibilities of the Lydian Pentatonic Scale, so grab your axe, crank your amp and let’s dig in! Lydian Pentatonic Scale

Harmonic Progressions | Learning and Loving Music Theory - StumbleUpon Kelvin, You actually caught a mistake on the roman numerals! Thanks, I’ll have to fix that. In the classical tradition, for the sake of stability, the first and last chords of a circle-of-fifths progression are usually triads, not 7th chords. Harmonic Sequences Part 2 In the jazz tradition all chords usually are 7ths, in which case the progression will start and end with 7th chords. Thanks again for your interest and input.

Related:  LeçonsMusicMikeys Music