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The MusicLab. Brought to you by ClubCreate

The MusicLab. Brought to you by ClubCreate
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TUBE+ Watch full length TV Shows and Movies online for free Musicovery Where Math meets Music Where Math meets Music Ever wonder why some note combinations sound pleasing to our ears, while others make us cringe? To understand the answer to this question, you’ll first need to understand the wave patterns created by a musical instrument. Now, to understand why some note combinations sound better, let’s first look at the wave patterns of 2 notes that sound good together. Now let’s look at two notes that sound terrible together, C and F#: Do you notice the difference between these two? Now let’s look at a chord, to find out why it’s notes sound good together. C – 261.6 Hz E – 329.6 Hz G – 392.0 Hz The ratio of E to C is about 5/4ths. Now let’s look at the ratios of the notes in the C Major key in relation to C: To tell you the truth, these are approximate ratios. You can see that the ratios are not perfect, but pretty close. The previous list shows only the 7 notes in the C Major key, not all 12 notes in the octave. Here is the equation to figure out the Hz of a note: Lucy Tuning

El sonido que nació con Adolphe Sax Pocos saben que el saxofón o saxófono es el sonido de Sax, del belga Adolphe SaxJohn ColtraneAdolphe Sax, nacido tal día como hoy de 1814 en Dinant. Hijo de un fabricante de instrumentos musicales, Sax fue iniciado desde pequeño en la fabricación de instrumentos. Con apenas 15 años, Adolphe Sax diseñaba algunos de los instrumentos que interpretaba, como flautas y clarinetes. Precisamente fue al intentar remediar las imperfecciones del clarinete para lograr una mayor calidad de sonido como Sax construyó el primer saxofón en 1840. Apenas tenía entonces 26 años y estaba obsesionado por inventar un instrumento que «por el carácter de su voz pueda aproximarse a los instrumentos de cuerda, pero que tenga más fuerza e intensidad», según recogieron Jean-Louis Chautemps, Daniel Kientzy, Jean-Marie Londeix en «El Saxofón» (Editorial Labor, 1990). La primera obra conocida para saxofón, el sexteto Canto Sagrado, la compuso Héctor Berlioz en 1844 y fue el propio Adolphe Sax quien lo tocó.

When Old School Was New: Nas It Aint Hard To Tell : The Record hide captionNas, in a photo from the mid-1990s. Courtesy of the artist Nas, in a photo from the mid-1990s. Since the heyday of hip-hop, one man has been broadcasting the music videos, the culture and the people in the community all throughout New York City. McDaniels knows everybody. The man widely known as Uncle Ralph has stories we want to share, so occasionally on The Record he'll pick a classic video and take us behind the scenes. Illmatic is now considered a classic — a masterwork of story-telling, lyricism and beat-making. In the early to mid-'90s hip-hop was at a creative peak, as regional styles were maturing and bleeding into each other. "I call it street corner rap," McDaniels says. The winter before Illmatic was due to be released, executives from Nas' record label asked McDaniels to make a video package they could send around the media to drum up coverage of the album. Ralph McDaniels: "Nas is from Queensbridge. "I had been familiar with Nas, and he had a big buzz.

Sound Chopper 2 V2.0 Sound chopper 2 is a stand alone application built in Max/MSP. Sound Chopper 2 features a granulator, stretcher, pitch shifter, slicer and tremolo, panner, bit crusher, 8 different delays (mono and stereo) and 8 filters. Those parameters can also be automated over time so you won’t need to touch 20 knobs all at once. All the parameters are midi compatible, also you can use your webcam as an xy pad, just grab a blue object and the software will track the position, also if you own a motion leap controller you can map the values to the position of your hand. Inside the software you’ll find a pdf (under “Option” – “Let’s get started”) that explains it in more details. Available for download How did this project use Max? built entirely on max msp 6

What’s bad about music festivals | The negatives of a music festival | People you see at outdoor concerts Actividad: Reconoce los instrumentos 25 Stunning HDR Wallpapers - StumbleUpon Credits (not in order): Trey Ratcliff, Others remain Unknown. If you are the owner or know the owner of any of theses HDR wallpapers, Please let us know. You are free to download these photos and enjoy them but you may not use them commercially. The copyright belongs to the respective photographers.

beatlab Profundiza El timbre es el atributo que nos permite diferenciar dos sonidos con igual sonoridad, altura y duración. Como se ve, el timbre se define por lo que NO es. En todo caso, se podría afirmar que el timbre es una característica propia de cada sonido, de alguna manera identificatoria de la fuente sonora que lo produce. Hay diferentes grados de generalización en la consideración del timbre de una fuente sonora. aquéllo que diferencia elementos de diferentes clases (por ejemplo, una guitarra de una flauta); aquéllo que diferencia elementos de una misma clase (por ejemplo, dos guitarras); aquéllo que diferencia las distintas posibilidades dentro de un único elemento (por ejemplo, diferentes posibilidades sonoras -tímbricas- en una misma guitarra); aquéllo que caracteriza las diferencias producidas por la variación temporal de un sonido (el sonido como fenómeno dinámico, que varía en el tiempo). Los principales factores que influyen en la determinación del timbre son:

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