Les collections photographiques du musée de Bretagne - Accueil
Le musée de Bretagne collecte des photographies depuis la seconde moitié du 19e siècle. Évaluées à 400 000 négatifs sur verre et films souples et à plus de 13 000 tirages, ces collections sont les plus importantes du musée. Pour la première fois, une partie de ces fonds a été présentée au public à travers l’exposition Reflets de Bretagne – 160 ans de photographies inédites (29 juin 2012 - 06 janvier 2013). Couvrant les cinq départements historiques bretons, elle offrait un large et riche panorama de la Bretagne à travers tirages originaux d’auteurs et prises de vues d’anonymes. A l’occasion de cette exposition, une base de données dédiée aux fonds photographiques du musée a été constituée : elle vous propose près de 13 000 notices et 15 000 images, des années 1840 jusqu’à nos jours. Bon voyage photographique à tous… Tapez un mot ou un groupe de mots. Mosaïque Recherche avancée
The Democratic Party: America's Oldest Party (Snapshots in History): Dale Anderson: 9780756524500: Amazon.com: Books
THE NEW AMERICANS . For Educators
Lesson Plan Index > Subjects: (U.S. History, World History), Mathematics Summary: Census data provides interesting demographic insight into immigrants living in the United States, and allows for comparative studies of past and present immigration trends and patterns. Standards > Procedure > Extensions and Assessment > Standards: This lesson addresses the following national content standards established at Objectives Students will: Analyze U.S. Materials Graph and plain white paper Pencils with erasers Procedure Preparation: Look at the "Historical Census Statistics on the Foreign-born Population of the United States: 1850-1990” 1. This is a working paper prepared by the U.S. Tell students to choose those tables best suited to their immigration studies. Table 1. Most sections of Tables 1-4 show information in total numbers. Table 1 Activities Table 2 Activities Table 3 Activities
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«Les Nouveaux Constructeurs», solo exhibition Galerie RX, Paris March 16 - April 25, 2019 Stéphane Couturier, solo exhibition Musée National Fernand Léger - Biot (France) October 6, 2018 - March 4, 2019 Extension until april 29, 2019 « Connectivités », Half permanent Exhibition MUCEM – Marseille November 29, 2017 - December 30, 2020 Sète #18 ImageSingulières Editions Le Bec en l’Air Editions Xavier Barral, Paris « Stéphane Couturier » 200 pages, 25 x 28 cm Festival ImageSingulières, photographic commission - Sète (France) 2017Musée de la Photographie - Charleroi, Belgium Galerie Kornfeld - « So far So close » - Berlin Artothèque - « Alger, Climat de France » - Caen, France ArTsenal, centre départemental d’art contemporain - Rétrospéctive - Dreux, FranceLa Galerie Particulière - «Alger la Blanche» - Bruxelles Musée Nicéphore-Niépce - Chalon-sur-Saône - « Alger, Climat de France » La Galerie Particulière - Paris - « Anaklasis » Paris Photo, Galerie Particulière Booth - Grand Palais, Paris
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Suffragists and Their Tactics - Procedure - Lesson Plans - For Teachers
Back to Lesson Plans Lesson Procedure Activity One (1 class period): Primary Source Analysis - Photos Activity Two (1 class period): Primary Source Analysis - Parades, Picketing, and Cartoons Activity Three (1 class period): Primary Source Analysis - Evaluating Broadsides Activity One (1 class period): Go to Votes for Women Suffrage Pictures: 1850-1920 and Browse to find a photo of one of the following suffragists: Carrie Chapman Catt Maude Wood Park Anna Howard Shaw Alice Stone Blackwell Alice Paul Print the photo in a large format. Work with a partner to complete a Primary Source Analysis Tool for each of your photos. What hypotheses can you make about this woman's personality based on her photograph? Top Activity Two Return to Votes for Women - The Struggle for Women's Suffrage. Work with a partner to complete a Primary Source Analysis Tool for each of your selections. Why did you match your woman with these particular images? Activity Three Activity Four Activity Five Extension
Robert Frank Collection Guide
The Collection The Robert Frank Collection at the National Gallery of Art is the largest repository of materials related to renowned photographer and filmmaker Robert Frank. Spanning Frank's career from 1937 to 2005, the collection includes vintage and later prints, contact sheets, work prints, negatives, three bound books of original photographs, technical material, and various papers, books, and recordings. For a complete account of photographs, contact sheets, and work prints in the collection, see Robert Frank photographs, contact sheets, and work prints in the collection. To search the collection by title, key words, credit line, provenance, or accession number, please visit the National Gallery of Art collection search page. Regarding titles: please note that many are descriptive only, derived either from information given by Robert Frank to the National Gallery, or from notes he wrote on the sleeves that held his negatives.
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What America’s immigrants looked like when they arrived on Ellis Island
We hear so often that America is "a nation of immigrants" or a "cultural melting pot" that the phrase has become kind of a tired cliche. But actually seeing that history is a different story. The fascinating photographs below — of people in their native dress passing through Ellis Island in the early 20th century — hint at just how incredible and unique America's history is as a nation of immigrants. These photos were taken by Augustus Sherman, an amateur photographer who worked as the chief registry clerk on Ellis Island from 1892 until 1925. Sherman snapped these photographs of people passing through customs in their native dress. New York began using Ellis Island as a way station for immigrants on Jan. 1, 1892, and between then and 1954, more than 12 million immigrants used the island to enter the United States. The history of the island is not always a happy one: It also reflects deep racism and ethnic divisions. Here is a young German man, who the notes classify as a "stowaway":
Musée de la photographie
Documenting "The Other Half": The Social Reform Photography of Jacob Riis and Lewis Hine
Progressive Era Reform While the Gilded Age was an era of prosperity for many Americans, economic depressions brought hard times to many businesses and made sporadic employment a reality for the working class. Economic Instability The industrial plants that survived became more demanding in terms of both the speed and the regularity with which their workers produced goods. Increasingly frustrated by unfair demands, many laborers chose to strike. Strikes enabled laborers to express disagreement with the idea of a permanent wage-laboring class. Few working-class citizens were able to own or operate a business, buy property, or upgrade to better housing. Child Labor Reform Concern for the conditions of the poor gave way to a growing interest in the rights of the working class. [4] One of the most persistent causes of Progressive Era reformers was child labor reform. Physical ailments were common. Progressive Era reformers believed that child labor was detrimental to children and to society.
