Hippos In Tanks | Where Good Ideas Come From Now-Again | LetterCult — Custom Letter Culture Stones Throw Records BBC iPlayer - Free Wales Harmony: When Pop Went Welsh The Telegraph - Calcutta : Metro There is now a pretty solid body of evidence that for The Beatles, India was their most creative period. When they were in Rishikesh for several weeks in February, March and April of 1968, they wrote between 23 and 48 songs, 17 of which were included in their White Album, one of their best known. We know this from the account given by Paul Saltzman, now a distinguished Canadian filmmaker, who went up to Rishikesh in February, 1968, and was included for a week by The Beatles as part of their inner circle. Perhaps The Beatles felt sorry for him, for Saltzman, then 24, had received a letter from his girlfriend who had dumped him. Seeking solace for his painful heartbreak, he wandered up to the mountains and found the ashram in Rishikesh. It has been said that 1968 was the year that rocked the world. It was a year scarred by the assassination of Martin Luther King and the late President John F. For Saltzman, it proved a week that changed his life. 'We are not friends,' Saltzman warns me.
TUMBLR Type | A record label Dangerous Minds Cloud rap : de Lil B et A$AP Rocky à PNL, trip dans la galaxie du rap planant Un château au milieu des nuages Cloud rap : la légende raconte que le mot a été inventé par le surréaliste Lil B, en plein milieu d'une interview avec Andrew Noz. Pointant le doigt en direction d'un tableau représentant un château flottant dans le ciel, au milieu des nuages, il aurait déclaré : "voici le genre de musique que je veux faire. Elle doit ressembler à ça". Et le plus incroyable, c'est que cette métaphore aussi vague qu'improbable est extrêmement pertinente. Plus concrètement, la musique cloud possède trois axes cardinaux : Le premier, ce sont des beats ralentis. Le second, c'est une constante lyricale : le cloud est bien souvent accompagné de textes un brin mystique, d'interrogations métaphysiques, et de références culturelles improbables ... en somme, des paroles aussi perchées que la musique. La troisième caractéristique de ce sous-genre, c'est son aspect toujours très expérimental. Arizona tea, Nintendo 64, et vieilles VHS C'est aussi simple que cela.
DISEÑADORES | touchmusic.org.uk | Touch Artists | Oren Ambarchi » www.orenambarchi.com » Oren Ambarchi in the TouchShop BiographyDiscographyHi-Resolution PortraitFeatures & Reviews Biosphere » www.biosphere.no » Biosphere in the TouchShop BiographyDiscographyHi-Resolution PortraitFeatures & Reviews Fennesz » www.fennesz.com » Fennesz in the TouchShop BiographyDiscographyHi-Resolution PortraitFeatures & Reviews Soliman Gamil » Soliman Gamil in the TouchShop BiographyDiscographyReviews Hildur Ingveldardottir Gudnadottir » www.hildurness.com » Hildur Gudnadottir in the TouchShop BiographyDiscographyHi-Resolution PortraitFeatures & Reviews Jacob Kirkegaard » www.fonik.dk » Jacob Kirkegaard in the TouchShop Philip Jeck » www.philipjeck.com » Philip Jeck in the TouchShop BiographyDiscographyHi-Resolution PortraitFeatures & Reviews Phill Niblock » www.phillniblock.com » Phill Niblock in the TouchShop BiographyDiscographyHi-Resolution PortraitFeatures & Reviews BJNilsen » www. bjnilsen.com » BJNilsen in the TouchShop Rosy Parlane Sohrab Chris Watson Jana Winderen
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