5 Annoying Trends That Make Every Movie Look the Same Hollywood: the dream factory, the place where joy is made and everybody craps rainbows and cocaine. But underneath the glitz is a bunch of working stiffs who are either just trying to get the job done, or hacks who get their original ideas by ripping off other hacks. That's why these days... #5. Movies are Color-Coded by Genre Have You Ever Noticed: There's some unwritten rule that horror movies should be blue: The Ring Saw The Nightmare on Elm Street reboot. Meanwhile, apocalyptic movies are gray and washed out: Then there are more subtle ones, for instance movies set in the desert tend to be yellow. Smokin' Aces (Las Vegas) The Hills Have Eyes (rural Nevada) Movies where reality is off-kilter will be green: Fight Club The Matrix films, aka The Greenest Movies Ever Made Honestly, half the time you can guess the genre of the film based on one still from the trailer. What's Going On? It's called digital color correction. Now? And while we're on color... #4. This is a color wheel: #3.
PDFmyURL Biography Kissing Sailor - Found at Last Glenn Edward McDuffie knows why the sailor kissing a white-clad nurse in that famous photo has his wrist bent back in an awkward position. Taken August 14, 1945 in New York City's Times Square moments after the crowd there heard World War II had ended, that photo has epitomized the jubilant mood of a nation who had won our hard fought victory. Glenn knows why that sailor has his wrist twisted because he is that sailor. Now ready to turn 80 this August 3rd, Glenn wants to celebrate the 62nd anniversary of his kiss of an overjoyed nurse by setting the record straight. "I rode the subway into Times Square, got off, and when I walked up the stairs, a woman at the top said she was so happy for me. Glenn McDuffie's chivalrous act is the only explanation that makes sense when one views the photo. Glenn will turn 80 this August 3, 2007. A video of McDuffie who lives in Houston was taken by Gibson.
Quetiapine: MedlinePlus Drug Information <span class="addthisnoscript">To use the sharing features on this page, please enable JavaScript.</span> pronounced as(kwe tye' a peen) URL of this page: Use in Older Adults: Studies have shown that older adults with dementia (a brain disorder that affects the ability to remember, think clearly, communicate, and perform daily activities and that may cause changes in mood and personality) who take antipsychotics (medications for mental illness) such as quetiapine have an increased risk of death during treatment. Quetiapine is not approved by the Food and Drug Administration (FDA) for the treatment of behavioral problems in older adults with dementia. Risk of Suicidality: A small number of children, teenagers, and young adults (up to 24 years of age) who took antidepressants ('mood elevators') such as quetiapine during clinical studies became suicidal (thinking about harming or killing oneself or planning or trying to do so).
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World Time Clock & Map - Check Current Local Time Around the World Occupy the infinite - Synaptic Stimuli - StumbleUpon External Stimuli : Peter Kogler works The Fortnightly Review › Vorticism. By Ezra Pound. It is no more ridiculous that a person should receive or convey an emotion by means of an arrangement of shapes, or planes, or colours, than that they should receive or convey such emotion by an arrangement of musical notes. I SUPPOSE THIS PROPOSITION is self-evident. Whistler said as much, some years ago, and Pater proclaimed that “All arts approach the conditions of music.” Whenever I say this I am greeted with a storm of “Yes, but”…s. Let me explain at leisure, and in nice, orderly, old-fashioned prose. We are all futurists to the extent of believing with Guillaume Appollonaire that “On ne peut pas porter partout avec soi le cadavre de son pere.” There is another artistic descent viâ Picasso and Kandinsky; viâ cubism and expressionism. IT IS VERY DIFFICULT to make generalities about three arts at once. Imagisme, in so far as it has been known at all, has been known chiefly as a stylistic movement, as a movement of criticism rather than of creation. I. II. III. Man.
Futurism Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 x 156.2 cm (63.6 x 61.5 in.), Museum of Modern Art, New York §Italian Futurism[edit] Futurism is an avant-garde movement founded in Milan in 1909 by the Italian poet Filippo Tommaso Marinetti.[1] Marinetti launched the movement in his Futurist Manifesto,[3] which he published for the first time on 5 February 1909 in La gazzetta dell'Emilia, an article then reproduced in the French daily newspaper Le Figaro on Saturday 20 February 1909.[4][5] He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo. Marinetti expressed a passionate loathing of everything old, especially political and artistic tradition. Publishing manifestos was a feature of Futurism, and the Futurists (usually led or prompted by Marinetti) wrote them on many topics, including painting, architecture, religion, clothing and cooking.[6] §Russian Futurism[edit]
BLAST (magazine) Blast was the short-lived literary magazine of the Vorticist movement in Britain. Two editions were published: the first on 2 July 1914 (dated 20 June 1914, but publication was delayed)[1][2] and published with uncharacteristic and shockingly bright pink cover art, referred to by Ezra Pound as the "great MAGENTA cover'd opusculus"; and the second a year later on 15 July 1915. Both editions were written primarily by Wyndham Lewis. [3] The magazine is emblematic of the modern art movement in England,[4] and recognised as a seminal text of pre-war 20th-century modernism.[5][6] The magazine originally cost 2/6. When the Italian futurist Filippo Tommaso Marinetti visited London in 1910,[7] as part of a series of well-publicised lectures aimed at galvanizing support across Europe for the new Italian avant-garde, his presentation at the Lyceum Club, in which he addressed his audience as "victims of .... traditionalism and its medieval trappings,"[8] electrified the assembled avant-garde.
Batman Artwork « gothamtrending We’ve been seeing some fascinating superhero inspired art in the past few weeks. These are the most striking Batman images from saturdaychurch and djstorm. Not really sure what the early twentieth century arts movement was that was so industrial, but this appears to be of that style. Like this: Like Loading... Stelarc Stelarc (born Stelios Arcadiou in Limassol in 1946, but legally changed his name in 1972) is a Cyprus-born performance artist raised in the Melbourne suburb of Sunshine,[1] whose works focuses heavily on extending the capabilities of the human body. As such, most of his pieces are centered on his concept that the human body is obsolete. Until 2007 he held the position of Principal Research Fellow in the Performance Arts Digital Research Unit at Nottingham Trent University in Nottingham, England. He is currently furthering his research at Curtin University in Western Australia. Performances[edit] Parasite: Event for Invaded and Involuntary Body, at the 1997 Ars Electronica Festival Stelarc's idiosyncratic performances often involve robotics or other relatively modern technology integrated with his body. In another performance he allowed his body to be controlled remotely by electronic muscle stimulators connected to the internet. Third ear[edit] Works[edit] Awards and honors[edit]