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Artemis

Artemis
In the classical period of Greek mythology, Artemis (Ancient Greek: Ἄρτεμις) was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and protector of young girls, bringing and relieving disease in women; she often was depicted as a huntress carrying a bow and arrows.[6] The deer and the cypress were sacred to her. In later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. Etymology Didrachm from Ephesus, Ionia, representing the goddess Artemis Silver tetradrachm of the Indo-Greek king Artemidoros (whose name means "gift of Artemis"), c. 85 BCE, featuring Artemis with a drawn bow and a quiver on her back on the reverse of the coin Artemis in mythology Leto bore Apollon and Artemis, delighting in arrows, Both of lovely shape like none of the heavenly gods, As she joined in love to the Aegis-bearing ruler. Birth Childhood Intimacy Actaeon

Arianrhod ( Welsh pronunciation: [arˈjanr̥ɔd] ) is a figure in Welsh mythology who plays her most important role in the Fourth Branch of the . She is the daughter of Dôn and the sister of Gwydion and Gilfaethwy ; the Welsh Triads give her father as Beli Mawr . [ 1 ] In the her uncle Math ap Mathonwy is the King of Gwynedd , and during the course of the story she gives birth to two sons, Dylan Ail Don and Lleu Llaw Gyffes , through magical means. According to the Fourth Branch, Arianrhod's uncle Math fab Mathonwy would die if he did not keep his feet in the lap of a virgin when he was not at war. Gwydion suggests his sister, Arianrhod. With her curses, Arianrhod denied Lleu the three aspects of masculinity: a name, arms, and a wife. [ ] One of the Welsh Triads, 35 by Rachel Bromwich 's numbering, establishes a different family connection for Arianrhod.

Chandra In Hinduism, Chandra (Sanskrit चन्द्र lit, Telugu చంద్ర Tamil சந்திரன். "shining")[1] is a lunar deity and a Graha. Chandra is also identified with the Vedic Lunar deity Soma (lit. "juice").[2] The Soma name refers particularly to the juice of sap in the plants and thus makes the Moon the lord of plants and vegetation.[1] Chandra is described as young, beautiful, fair; two-armed and having in his hands a club and a lotus.[3] He rides his chariot across the sky every night, pulled by ten white horses or an antelope. In astrology[edit] Chandra with Rohini Chandra (pronounced "CHUHN-drah") is a Sanskrit name meaning "illustrious." According to Hindu mythology Chandra has not been very fortunate in life. Chandra is known for having a series of disastrous love affairs. Dark spot on the moon[edit] One popular story to account for the dark spot on the moon is that Ganesha, once filled with food, fell from his mouse and broke his stomach. Other uses[edit] Chandra Vansh of Kshatriyas[edit]

Allah as Moon-god Ibrahim Hooper of CAIR calls the Moon-God theories of Allah evangelical "fantasies" that are "perpetuated in their comic books".[6] Etymology[edit] The word Allah certainly predates Islam. As Arthur Jeffrey states, "The name Allah, as the Quran itself is witness, was well known in pre-Islamic Arabia. The 19th-century scholar Julius Wellhausen also viewed the concept of "Allah (al-ilah, the god)" to be "a form of abstraction" originating from Mecca's local gods.[8] Alfred Guillaume notes that the term "al-ilah" (the God) ultimately derives from the Semitic root used as a generic term for divinity. "The oldest name for God used in the Semitic world consists of but two letters, the consonant 'l' preceded by a smooth breathing, which was pronounced 'Il' in ancient Babylonia, 'El' in ancient Israel. The word "Allah" was used by Arabic-speaking Christians and Arab Jews before the lifetime of Muhammad as the word for God. Crescent moon imagery[edit] Hubal and Allah[edit] Scholarly views[edit]

Vishvakarman Viśwákarma (Sanskrit: विश्वकर्मा "all-accomplishing, maker of all," "all doer"; Tamil: (விசுவகர்மன்) Vicuvakaruman; Thai: Witsawakam ;Telugu: విశ్వకర్మ ) is the personified Omnipotence and the abstract form of the creator God according to the Rigveda. He is the presiding deity of all craftsmen and architects.[1] He is believed to be the "Principal Architect of the Universe ", and the root concept of the later Upanishadic Brahman / Purusha. In the Vedas[edit] Vishwakarma is visualized as Ultimate reality (later developed as Brahman) in the Rig Veda,[2] from whose navel all visible things Hiranyagarbha emanate. In the Vedic period the term first appeared as an epithet of Indra, Surya, and Agni. Later in the post vedic and brahmanic period, the term Vishwakarma is appeared both as the Rsi and the Silpi. Sanaga Brahma RishiSanaathana Brahma RishiAbhuvanasa Brahma RishiPrathnasa Brahma RishiSuparnasa Brahma Rishi Vishwakarma Puja[edit] Since Vishwakarma is the divine engineer of the world.

Ptah In Egyptian mythology, Ptah (/pəˈtɑː/;[1] Egyptian: ptḥ, probably vocalized as Pitaḥ in ancient Egyptian)[2] is the demiurge of Memphis, god of craftsmen and architects. In the triad of Memphis, he is the spouse of Sekhmet and the father of Nefertum. He was also regarded as the father of the sage Imhotep. The Greeks knew him as the god Hephaestus, and in this form Manetho made him the first king of Egypt. Origin and symbolism[edit] Ptah is the creator god par excellence: He is considered the demiurge who existed before all things, and by his willfulness, thought the world. In the Twenty-Fifth Dynasty, the Nubian pharaoh Shabaka would transcribe on a stela known as the Shabaka Stone, an old theological document found in the archives of the library of the temple of the god at Memphis. Ptah is the patron of craftsmanship, metalworking, carpenters, shipbuilders, and sculpture. He wears many epithets that describe his role in Egyptian mythology and its importance in society at the time:

Hecate Ancient Greek goddess of magic and crossroads Hecate was one of the main deities worshiped in Athenian households as a protective goddess and one who bestowed prosperity and daily blessings on the family.[5] In the post-Christian writings of the Chaldean Oracles (2nd–3rd century CE) she was regarded with (some) rulership over earth, sea, and sky, as well as a more universal role as Savior (Soteira), Mother of Angels and the Cosmic World Soul.[6][7] Regarding the nature of her cult, it has been remarked, "she is more at home on the fringes than in the center of Greek polytheism. Intrinsically ambivalent and polymorphous, she straddles conventional boundaries and eludes definition."[8] Name and origin[edit] The origin of the name Hecate (Ἑκάτη, Hekátē) and the original country of her worship are both unknown, though several theories have been proposed. Greek origin[edit] R. Egyptian origin[edit] Anatolian origin[edit] Later development[edit] Iconography[edit] Sacred animals[edit] Functions[edit]

Khonsu Khonsu, the ancient Egyptian moon-god, was depicted either as a falcon wearing the moon-disk on his head (left) or as the child of Amun and Mut. Khonsu (alternately Chonsu, Khensu, Khons, Chons or Khonshu) is an Ancient Egyptian god whose main role was associated with the moon. His name means "traveller" and this may relate to the nightly travel of the moon across the sky. Along with Thoth he marked the passage of time. Khonsu was instrumental in the creation of new life in all living creatures. At Thebes he formed part of a family triad with Mut as his mother and Amun his father. Mythology[edit] His name reflects the fact that the Moon (referred to as Iah in Egyptian) travels across the night sky, for it means traveller, and also had the titles Embracer, Pathfinder, and Defender, as he was thought to watch overnight travelers. Attributes[edit] Locations of Khonsu's cult were Memphis, Hibis and Edfu.[1] Evolution[edit] Notes[edit] External links[edit]

Phoebe (mythology) According to a speech that Aeschylus, in Eumenides, puts in the mouth of the Delphic priestess herself, she received control of the Oracle at Delphi from Themis: "Phoebe in this succession seems to be his private invention," D.S. Robertson noted, reasoning that in the three great allotments of oracular powers at Delphi, corresponding to the three generations of the gods, "Ouranos, as was fitting, gave the oracle to his wife Gaia and Kronos appropriately allotted it to his sister Themis."[4] In Zeus' turn to make the gift, Aeschylus could not report that the oracle was given directly to Apollo, who had not yet been born, Robertson notes, and thus Phoebe was interposed. Theoi.com: Phoebe

Selene Names[edit] The etymology of Selene is uncertain, but if the name is of Greek origin, it is likely connected to the word selas (σέλας), meaning "light".[3] Origin[edit] Lovers and offspring[edit] Endymion[edit] "And the Titanian goddess, the moon, rising from a far land, beheld her [Medea] as she fled distraught, and fiercely exulted over her, and thus spake to her own heart: 'Not I alone then stray to the Latmian cave, nor do I alone burn with love for fair Endymion; oft times with thoughts of love have I been driven away by thy crafty spells, in order that in the darkness of night thou mightest work thy sorcery at ease, even the deeds dear to thee. Others[edit] Quintus Smyrnaeus makes Helios and Selene (the Sun and Moon) the parents of the Horae, goddesses of the seasons.[31] Smyrnaeus describes them as the four handmaidens of Hera, but in most accounts their number is three, and their parents are Zeus and Themis. The moon chariot[edit] Depictions[edit] Cult[edit] Notes[edit]

Indra Origins[edit] Aspects of Indra as a deity are cognate to other Indo-European gods; they are either thunder gods such as Thor, Perun, and Zeus, or gods of intoxicating drinks such as Dionysus. The name of Indra (Indara) is also mentioned among the gods of the Mitanni, a Hurrian-speaking people who ruled northern Syria from ca.1500BC-1300BC.[5] Vedic Indra corresponds to Verethragna of the Zoroastrian Avesta as the noun verethragna- corresponds to Vedic vrtrahan-, which is predominantly an epithet of Indra. In the Rigveda[edit] The Rigveda states, He under whose supreme control are horses, all chariots, the villages, and cattle; He who gave being to the Sun and Morning, who leads the waters, He, O men, is Indra. (2.12.7, trans. It further states, Indra, you lifted up the pariah who was oppressed, you glorified the blind and the lame. The Rig-Veda frequently refers to him as Śakra: the mighty-one. Status and function[edit] Characteristics[edit] Appearance[edit] Other characteristics[edit]

Amun "Amen Ra" redirects here. For the Belgian band, see Amenra. Amun (also Amon (/ˈɑːmən/), Amen; Ancient Greek: Ἄμμων Ámmōn, Ἅμμων Hámmōn) was a major Egyptian deity. After the rebellion of Thebes against the Hyksos and with the rule of Ahmose I, Amun acquired national importance, expressed in his fusion with the Sun god, Ra, as Amun-Ra. Early history Amun rose to the position of tutelary deity of Thebes after the end of the First Intermediate Period, under the 11th dynasty. Temple at Karnak The history of Amun as the patron god of Thebes begins in the 20th century BC, with the construction of the Precinct of Amun-Re at Karnak under Senusret I. Major construction work in the Precinct of Amun-Re took place during the 18th dynasty when Thebes became the capital of the unified Ancient Egypt. Amon-Ra (l'esprit des quatre elements, lame du monde matérial),N372.2., Brooklyn Museum New Kingdom Bas-relief depicting Amun as pharaoh Identification with Min and Ra Atenist heresy Theology Decline

Hathor Hathor (/ˈhæθɔr/ or /ˈhæθər/;[2] Egyptian: ḥwt-ḥr and from Greek: Άθωρ, "mansion of Horus")[1] is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood.[3] She was one of the most important and popular deities throughout the history of Ancient Egypt. Hathor was worshiped by Royalty and common people alike in whose tombs she is depicted as "Mistress of the West" welcoming the dead into the next life.[4] In other roles she was a goddess of music, dance, foreign lands and fertility who helped women in childbirth,[4] as well as the patron goddess of miners.[5] The cult of Hathor predates the historic period, and the roots of devotion to her are therefore difficult to trace, though it may be a development of predynastic cults which venerated fertility, and nature in general, represented by cows.[6] Hathor is commonly depicted as a cow goddess with horns in which is set a sun disk with Uraeus. Early depictions[edit] Temples[edit] Hesat[edit] Notes[edit]

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