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Venus figurines

Venus figurines
"Venus figurines" is an umbrella term for a number of prehistoric statuettes of women portrayed with similar physical attributes from the Upper Palaeolithic, mostly found in Europe, but with finds as far east as Irkutsk Oblast, Siberia, extending their distribution to much of Eurasia, from the Pyrenees to Lake Baikal. Most of them date to the Gravettian period, but there are a number of early examples from the Aurignacian, including the Venus of Hohle Fels, discovered in 2008, carbon dated to at least 35,000 years ago, and late examples of the Magdalenian, such as the Venus of Monruz, aged about 11,000 years. These figurines were carved from soft stone (such as steatite, calcite or limestone), bone or ivory, or formed of clay and fired. The latter are among the oldest ceramics known. In total, over a hundred such figurines are known; virtually all of modest size, between 4 cm and 25 cm in height. They are some of the earliest works of prehistoric art. History of discovery[edit] Notes[edit]

Terra (mythology) The word tellus, telluris is also a Latin common noun for "land, territory; earth," as is terra, "earth, ground". In literary uses, particularly in poetry, it may be ambiguous as to whether the goddess, a personification, or the common noun is meant. This article preserves the usage of the ancient sources regarding Tellus or Terra. Dedicatory inscription to Terra Mater fulfilling a vow (votum), 1st century AD The two words terra and tellus are thought to derive from the formulaic phrase tersa tellus, meaning "dry land". The 4th-century AD Latin commentator Servius distinguishes between tellus and terra in usage. Varro identifies Terra Mater with Ceres: Ovid distinguishes between Tellus as the locus ("site, location") of growth, and Ceres as its causa ("cause, agent").[13] Mater, the Latin word for "mother," is often used as an honorific for goddesses, including Vesta, who was represented as a virgin. Detail from a sarcophagus depicting a Mother Earth figure (3rd century AD)

Pachamama (fertility goddess, Andes) Pachamama is a goddess revered by the indigenous people of the Andes. She is also known as the earth/time mother. [1] In Inca mythology, Mama Pacha or Pachamama is a fertility goddess who presides over planting and harvesting. She causes earthquakes and is typically in the form of a dragon. Etymology[edit] Pachamama is usually translated as Mother Earth, but a more literal translation would be "World Mother" (in Aymara and Quechua. Modern Day Rituals[edit] Pachamama and Inti are believed to be the most benevolent deities; they are worshiped in parts of the Andean mountain ranges, also known as Tawantinsuyu (the former Inca Empire) (stretching from present day Bolivia, Ecuador, Chile and northern Argentina being present day Peru the center of the empire with its capital city in Cuzco). Household Rituals[edit] The Sunday Parade[edit] A main attraction of the Pachamama festival is the Sunday parade. New Age Worship[edit] Political Usage[edit] See also[edit] Notes[edit] References[edit]

Rhea (mythology) Rhea (or Cybele), after a marble, 1888. Then she hid Zeus in a cave on Mount Ida in Crete. According to varying versions of the story: Rhea only appears in Greek art from the fourth century BC, when her iconography draws on that of Cybele; the two therefore, often are indistinguishable;[10] both can be shown on a throne flanked by lions, riding a lion, or on a chariot drawn by two lions. Most often Rhea's symbol is a pair of lions, the ones that pulled her celestial chariot and were seen often, rampant, one on either side of the gateways through the walls to many cities in the ancient world. In Homer, Rhea is the mother of the gods, although not a universal mother like Cybele, the Phrygian Great Mother, with whom she was later identified.

Mythical Creatures List, Mythical Creatures A-Z Horus Horus is one of the oldest and most significant deities in ancient Egyptian religion, who was worshipped from at least the late Predynastic period through to Greco-Roman times. Different forms of Horus are recorded in history and these are treated as distinct gods by Egypt specialists.[1] These various forms may possibly be different perceptions of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality.[2] He was most often depicted as a falcon, most likely a lanner or peregrine, or as a man with a falcon head.[3] Etymology[edit] Horus was also known as Nekheny, meaning "falcon". Note of changes over time[edit] In early Egypt, Horus was the brother of Isis, Osiris, Set and Nephthys. Horus and the pharaoh[edit] Origin mythology[edit] Mythological roles[edit] Sky god[edit] God of war and hunting[edit]

List of legendary creatures (B) From Wikipedia, the free encyclopedia Buraq from a 17th-century Mughal miniature Queen of Heaven The title Queen of Heaven has long been a Catholic tradition, included in prayers and devotional literature, and seen in Western art in the subject of the Coronation of the Virgin, from the High Middle Ages, long before it was given a formal definition status by the Church. Theological basis[edit] Queen of Heaven (Latin Regina Caeli) is one of many Queen titles used of the Virgin Mary. Pius XII explained on the theological reasons for her title of Queen in a radio message to Fatima of May 13, 1946, Bendito seja:[3] He, the Son of God, reflects on His heavenly Mother the glory, the majesty and the dominion of His kingship, for, having been associated to the King of Martyrs in the ... work of human Redemption as Mother and cooperator, she remains forever associated to Him, with a practically unlimited power, in the distribution of the graces which flow from the Redemption. Biblical basis[edit] A statue of the Assumption of Mary typically crowned with 12 stars. Historical practice[edit]

Jupiter (mythology) The consuls swore their oath of office in Jupiter's name, and honoured him on the annual feriae of the Capitol in September. To thank him for his help (and to secure his continued support), they offered him a white ox (bos mas) with gilded horns.[10] A similar offering was made by triumphal generals, who surrendered the tokens of their victory at the feet of Jupiter's statue in the Capitol. Some scholars have viewed the triumphator as embodying (or impersonating) Jupiter in the triumphal procession.[11] During the Conflict of the Orders, Rome's plebeians demanded the right to hold political and religious office. During their first secessio (similar to a general strike), they withdrew from the city and threatened to found their own. The augures publici, augurs were a college of sacerdotes who were in charge of all inaugurations and of the performing of ceremonies known as auguria. The role of Jupiter in the conflict of the orders is a reflection of the religiosity of the Romans.

Mut Nineteenth dynasty statue of Mut, part of a double statue, c. 1279-1213 BCE, Luxor Museum Mut, which meant mother in the ancient Egyptian language,[1] was an ancient Egyptian mother goddess with multiple aspects that changed over the thousands of years of the culture. Alternative spellings are Maut and Mout. She was considered a primal deity, associated with the waters from which everything was born through parthenogenesis. She also was depicted as a woman with the crowns of Egypt upon her head. Some of Mut's many titles included World-Mother, Eye of Ra, Queen of the Goddesses, Lady of Heaven, Mother of the Gods, and She Who Gives Birth, But Was Herself Not Born of Any. Changes of mythological position[edit] Much later new myths held that since Mut had no parents, but was created from nothing; consequently, she could not have children and so adopted one instead. Making up a complete triad of deities for the later pantheon of Thebes, it was said that Mut had adopted Menthu, god of war.

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