Violinist Hahn-Bin: A New Name, A Modern Look — And A Very Old Sound : Deceptive Cadence
hide captionThe violinist now known as "Amadeus Leopold." courtesy of the artist The violinist now known as "Amadeus Leopold." Recently, the audaciously dressed violinist Hanh-Bin — whose look crosses Lady Gaga with "Ziggy Stardust"-era Bowie — announced he was changing his name to Amadeus Leopold, in tribute to the Mozarts and a famed 19th-century master fiddler, Leopold Auer. Close your eyes, though, and Hanh-Bin could easily be a violinist from the 1930s, in both his very conservative repertoire and style. What's particularly fascinating to me is not so much the violinist's change of name — though there's been plenty of hand-wringing over that already — or his even over-the-top self-descriptions (as "the most critically acclaimed classical artist of his generation") and pronouncements, like how his new moniker is an indication of what he terms his role in the world: "to embody the renaissance of classical music itself." Museum of Modern Art/YouTube What do you think of his style?
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AFFECTIVE KEY CHARACTERISTICS
Affective Musical Key Characteristics The association of musical keys with specific emotional or qualitative characteristic was fairly common prior to the 20th century. It was part of the shared cultural experience of those who made, performed and listened to music. C Major Completely Pure. C Minor Declaration of love and at the same time the lament of unhappy love. D♭ Major A leering key, degenerating into grief and rapture. C# Minor Penitential lamentation, intimate conversation with God, the friend and help-meet of life; sighs of disappointed friendship and love lie in its radius. D Major The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. D Minor Melancholy womanliness, the spleen and humours brood. E♭ Major The key of love, of devotion, of intimate conversation with God. D# Minor Feelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depresssion, of the most gloomy condition of the soul. A♭ Major Key of the grave. code@wmich.edu
Stumblers Who Like The Cool Hunter - Amazing Places To Experience Around The...
Preachers Rock, Preikestolen, Norway Blue Caves - Zakynthos Island, Greece Skaftafeli - Iceland Plitvice Lakes – Croatia Crystalline Turquoise Lake, Jiuzhaigou National Park, China Four Seasons Hotel - Bora Bora Ice skating on Paterswoldse Meer, a lake just South of the city of Groningen in the Netherlands. Marble Caves, Chile Chico, Chile The Gardens at Marqueyssac Ice Canyon - Greenland Capilano Suspension Bridge, Vancouver, British Columbia Valley of the Ten Peaks, Moraine Lake, Alberta, Canada Multnomah Falls, Oregon Seljalandsfoss Waterfall on the South Coast of Iceland Petra - Jordan (at night) Verdon, Provence, France Wineglass Bay, Freycinet National Park, Tasmania, Australia Norway Alesund Birdseye of City Benteng Chittorgarh, India Riomaggiore, Italy Keukenhof Gardens - Netherlands. Sky Lantern Festival - Taiwan. Mount Roraima - Venezuela. Seychelles East Iceland. Lucca, Tuscany, Italy. New York City.
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45 Life Lessons, written by a 90 year old
1. Life isn’t fair, but it’s still good. 2. When in doubt, just take the next small step. 3. Life is too short not to enjoy it. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. (Source: reginabrett.com)
Lyric Writing Exercises: a 5-Day Workshop
Guest post by Maria Rainier If you’re anything like most songwriters, you’re all too familiar with that frustrating sensation of being stuck in a rut. You know it’s important to write something – anything – every day, but there are times when that just seems impossible. Maybe you don’t have enough energy, you might be too critical of your first attempts, or you could be missing out on the muse. Whatever the reason, you can still get your daily writing done in a productive way if you introduce new exercises into your routine. Day 1: Research Mix & Match The first step is to give yourself something interesting to work with. Day 2: Collaborative Brainstorming Contact a friend by chat or email. Day 3: Titles & Nuggets Using what you’ve written from the previous two exercises (or relying on your notebook), construct some potential song titles. Day 4: Songwriting Surgery Now, pick a popular song that appeals to you and completely rewrite the lyrics. Day 5: Open Season Related Articles
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Formal Analysis of Beethoven Sonata Op. 49, No. 2
Back to: Articles teoria.com Versión en castellano Formal Analysis of Beethoven Sonata Op. 49, No. 2 by José Rodríguez Alvira Daniel Vessey, piano.
