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Swing

Swing
History[edit] 1920s: Origins[edit] Like jazz, swing was created by African Americans, and its impact on the overall American culture was such that it marked and named an entire era of the USA, the swing era – as the 1920s had been termed "The Jazz Age".[1] Such an influence from the black community was unprecedented in any western country.[1] Swing music abandoned the string orchestra and used simpler, "edgier" arrangements that emphasized horns and wind instruments and improvised melodies. Louis Armstrong shared a different version of the history of swing during a nationwide broadcast of the Bing Crosby (radio) Show.[2] Crosby said, "We have as our guest the master of swing and I'm going to get him to tell you what swing music is." Armstrong said, "Ah, swing, well, we used to call it syncopation — then they called it ragtime, then blues — then jazz. Now, it's swing. 1930: Birth of swing[edit] 1935-1946: The Swing Era[edit] In his autobiography W.C. Peak and decline[edit] Frank Sinatra Related:  Music - More #2Music A

Big Band A big band is a type of musical ensemble that originated in the United States and is associated with jazz and the Swing Era typically consisting of rhythm, brass, and woodwind instruments totaling approximately 12 to 25 musicians. The terms jazz band, jazz ensemble, jazz orchestra, stage band, society band, and dance band may describe this type of ensemble in particular contexts. Instrumentation[edit] Typical seating diagram for a big band. A standard 17-piece instrumentation evolved in the big-bands, for which many commercial arrangements are available. Some arrangements call for saxophone players to double on other woodwind instruments, such as flute, clarinet, soprano sax, or bass clarinet. History and style[edit] Paul Whiteman and his orchestra in 1921 Radio and movies[edit] Big Bands also began to appear in movies in the 1930s right on through to the 1960s. Rise and fall of swing[edit] Benny Goodman and Peggy Lee Big Bands played a major role in lifting morale during World War II.

Briefcase Full of Blues Track listing[edit] Personnel[edit] Charts[edit] Album - Billboard (North America) Singles - Billboard (North America) External links[edit] The 1940's Radio Hour The 1940's Radio Hour is a Play with Music by Walton Jones. Full of 1940s music, dancing and old-time sound effects the play portrays the final holiday broadcast of the Mutual Manhattan Variety Cavalcade on the New York radio station WOV in December 1942. Plot[edit] The narrative concerns the harassed producer, the leading singer who is often drunk, the second banana who dreams of singing a ballad, the delivery boy who wants a chance in front of the mic, and the young trumpet-player who chooses a fighter plane over Glenn Miller. Characters[edit] Clifton Feddington: The announcer and general manager (head of everything at WOV). List of Musical Numbers[edit] Awards and nominations[edit] Original Broadway production[edit] References[edit] Notes External links[edit] The 1940's Radio Hour at the Internet Broadway Database

Gospel Gospel music is a music genre. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Style[edit] Gospel music in general is characterized by dominant vocals (often with strong use of harmony) referencing lyrics of a Christian nature. Many attempts have been made to describe the style of late 19th and early 20th century gospel songs in general. Patrick and Sydnor emphasize the notion that gospel music is "sentimental", quoting Sankey as saying, "Before I sing I must feel", and they call attention to the comparison of the original version of Rowley’s "I Will Sing the Wondrous Story" with Sankey's version.[2] Gold said, "Essentially the gospel songs are songs of testimony, persuasion, religious exhortation, or warning. Roots and background[edit]

Free Relaxation Music Music history of the United States (1940s and 50s) Many musical styles flourished and combined in the 1940s and 1950s, most likely because of the influence of radio had in creating a mass market for music. World War II caused great social upheaval, and the music of this period shows the effects of that upheaval. (Mitch) Miller and the producers who followed his model were creating a new sort of pop record. Instead of capturing the sound of live groups, they were making three-minute musicals, matching singers to songs in the same way that movie producers matched stars to film roles. As Miller told 'Time' magazine in 1951, 'Every singer has certain sounds he makes better than others. Whereas Big Band/Swing music placed the primary emphasis on the orchestration, post-war/early 50s era Pop focused on the song's story and/or the emotion being expressed. Although often ignored by musical historians, Pop music played a significant role in the development of Rock 'n' Roll as well: Frankie Laine (at piano) and Patti Page, circa 1950.

Ragtime Second edition cover of "Maple Leaf Rag." It is one of the most famous rags. Ragtime (with Joplin's work at the forefront) has been cited as an American equivalent of minuets by Mozart, mazurkas by Chopin, or waltzes by Brahms.[10] Ragtime influenced classical composers including Erik Satie, Claude Debussy and Igor Stravinsky.[11][12] Historical context[edit] Ragtime originated in African American music in the late 19th century, descending from the jigs and march music played by black bands.[13] By the start of the 20th century, it became widely popular throughout North America and was listened and danced to, performed, and written by people of many different subcultures. Some early piano rags are entitled marches, and "jig" and "rag" were used interchangeably in the mid-1890s.[13] Ragtime was also preceded by its close relative the cakewalk. The emergence of mature ragtime is usually dated to 1897, the year in which several important early rags were published. Musical form[edit]

Top 100 Best Acoustic Songs Ever -The Greatest of All Time | Acoustic Guitar Music | TopAcousticSongs.com Here is a list of the best acoustic songs ever written. Acoustic music has come a long way over the years, so many are “oldies” and many are “newies.” We are basing this list off of historical album sales, the ever so objective factor of acoustic-ness, but mostly how easily they make us cry. Also, for those interested in a serious path to learning guitar, please see our trusted partner, Guitar Tricks: Click the links to listen to the songs. Listen 1-9 Listen 10-19 Listen 20-29 Listen 30-39 Listen 40-49 Listen 50-59 Listen 60-69 Listen 70-79 Listen 80-89 Listen 90-100 **ALPHABETICAL ORDER (Roughly)** 1. 3 AM – Matchbox 20 2. 10,000 Stones – Adrianne 3. Jazz Jazz is a type of African-American music that originated in the late nineteenth and early twentieth century in the Southern United States as a combination of European harmony and forms with African musical elements such as blue notes, improvisation, polyrhythms, syncopation and the swung note.[1] Jazz has also incorporated elements of American popular music.[2] As it spread around the world, jazz drew on different national, regional, and local musical cultures, giving rise to many distinctive styles: New Orleans jazz dating from the early 1910s, big band swing, Kansas City jazz and Gypsy jazz from the 1930s and 1940s, bebop from the mid-1940s, Afro-Cuban jazz, West Coast jazz, ska jazz, cool jazz, Indo jazz, avant-garde jazz, soul jazz, modal jazz, chamber jazz, free jazz, Latin jazz, smooth jazz, jazz fusion and jazz rock, jazz funk, loft jazz, punk jazz, acid jazz, ethno jazz, jazz rap, cyber jazz, M-Base and nu jazz. In a 1988 interview, trombonist J. J. Definitions[edit] Debates[edit]

Jazz The 1950s saw the emergence of free jazz, which explored playing without regular meter, beat and formal structures, and in the mid-1950s, hard bop, which introduced influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing. Modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments and the highly amplified stage sound of rock. Prominent jazz musician Louis Armstrong observed: "At one time they were calling it levee camp music, then in my day it was ragtime. Definitions[edit] Importance of improvisation[edit] The approach to improvisation has developed enormously over the history of the music. Debates[edit] Etymology[edit] The question of the origin of the word jazz has resulted in considerable research, and its history is well documented. Race[edit]

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