A Super-Sized Cocoon Made of Packing Tape That You Can Curl Up In | Wired Design Numen/For Use's tape installations are like a massive cocoon humans can crawl through. Numen/For Use They create the pieces by wrapping tape around pre-existing architectural elements. From there, it’s really just a matter of following the natural pattern of the space. They use a wider form of packaging tape. Humans can crawl through openings in the tape. Most of the structures can easily hold 15 people. On any given structure, Katzler estimates they’ll use six to nine miles worth of tape. <div class="slide" data-slide-id="631405" ><img title="" alt="" width="650px" src=" data-image-width="1000" data-image-height="750" /><p class="caption">Numen/For Use's tape installations are like a massive cocoon humans can crawl through. Numen/For Use’s best projects often begin with a simple question: Can you crawl on it or in it? As the tape structure became thicker, a bold, amorphic form began to take shape.
LES MEILLEURS EXEMPLES DE STREET ART Ce qui est fabuleux avec l’art urbain, c’est que c’est l’art qui vient à vous et vous surprend au tournant d’une rue. Ces créations rendent nos espaces gris et impersonnels vivants, bien loin de nos écrans. Voici donc une petite sélection pour votre inspiration. Certains des exemples les plus étonnants du street art. L’immense quantité et la variété de ces créations confirme que la rue peut être l’un des meilleurs espaces de création. Claire C.
Intersections par Anila Quayyum Agha L’artiste américaine Anila Quayyum Agha, qui est née et a grandi au Pakistan, nous livre cette magnifique oeuvre baptisée « Intersections » ayant le pouvoir de transformer une simple pièce en un palais féérique. Cette oeuvre réalisée avec des panneaux de bois sculpté est inspirée de l’Alhambra, qui est pour l’artiste, un vrai symbole de mixité entre l’art, la culture orientale et occidentale. Pour en savoir plus sur Anila Quayyum Agha, cliquez ici Photos © Anila Quayyum Agha Pin It Pin It
Studio Olafur Eliasson Variable 4 Variable 4 is an outdoor sound installation that translates weather conditions into musical patterns in real time. Using meteorological sensors connected to a custom software environment, the weather itself acts as conductor, navigating through a map of twenty-four specifically-written movements. Every aspect of the piece, from broad harmonic progressions down to individual notes and timbres, is influenced by changes in the environment: wind speed, rainfall, solar radiation, humidity, tropospheric variance, temperature, and more. The resultant composition is performed over an indeterminate duration through eight loudspeakers integrated into the landscape. More information Read more about Variable 4: About: its structure, score and recording News: current and future events Sites: locations that Variable 4 has taken place Credits: the artists, technicians and sponsors Mailing List
le peuple qui manque - a people is missing Vocal Vibrations: Expressive Performance for Body-Mind Wellbeing Tod Machover, Charles Holbrow, Elena Jessop, and Rebecca Kleinberger. Vocal Vibrations explores the relationships between human physiology and the resonant vibrations of the voice. The voice is an instrument everyone possesses. It is incredibly individual, infinitely expressive, and intimately linked to the physical form. In collaboration with Le Laboratoire in Paris and The Dalai Lama Center at MIT, we are examining the hypothesis that the singing voice can influence mental and physical health through physicochemical phenomena and in ways consistent with contemplative practices. We are developing a series of multimedia experiences, from solo "meditations" to group "singing circles," that explore possible emotional, cognitive, and physical transformations, all in an enveloping context of immersive music. We premiered a vocal art installation at Le Laboratoire in Paris, where it will run from March 28 - September 29, 2014 before coming to Cambridge in the fall of 2014.
Scop Le Pavé Stefan Tiefengraber 2013 - interactive installation exhibited: from 30.01.2014 - at the TIME OUT .01 exhibition ARS ELECTRONICA CENTER Linz/Austria. from 21.11. to 24.11.2013 - PIKSEL Festival 2013 - Bergen/Norway from 30.05. to 09.06.2013 - TO WHOM IT MAY CONCERN - Exhibition - 175 Gallery Seoul/Korea Visitors of the website www.ugsd.net can trigger six hammers and drop them onto a server that is located in the exhibition. This server hosts the website, which also shows a video stream to follow what's happening with the piece. With “User Generated Server Destruction” every user has the possibility to erase one of this servers and thereby shrink the worldwide network for a short moment. Idea, Concept and Realisation: Stefan Tiefengraber Thanks to: 최우람, Dawid Liftinger, Anna Kitzmüller, 김현석, 이진형, 최윤, KART'S Made with tutorials from: www.barryvandam.com (communication server and arduino with node.js) www.denkwerk.com (webcam streaming with node.js) funded by: University of Art and Design Linz
Page d’accueil Bipolar | 7,83 HZ de Véronique Béland Cette oeuvre cherche à reproduire les résonances de Schumann, un phénomène atmosphérique naturel et permanent fait de pics spectraux dans le domaine des extrêmement basses fréquences (ELF) du champ électromagnétique terrestre. Ceux-ci se propagent autour de la Terre sous la forme d’ondes, et comprennent une fréquence fondamentale (7.83 Hz) et quatre harmoniques principales situées entre 14 et 34 Hz. En faisant coïncider ce phénomène avec les recherches en neurosciences, on constate que ce sont les mêmes fréquences qui déterminent le rythme cérébral chez l’être humain: la fondamentale est identique aux longueurs d’onde Alpha émises par le cerveau par état de relaxation profonde ou de méditation, alors que les harmoniques correspondent à la gamme des ondes Beta, produites lors d’une activité cognitive intense. Il y avait d’abord le désir de voir ou d’entendre des choses qui ne sont normalement pas présentes aux sens; l’obsession de ressentir que le vide n’est pas rien.
Anthony Howe's Kinetic Wind Sculptures Pulse And Hypnotize | Video The Creators Project linked up with Anthony Howe, an Eastsound, WA-based painter and sculpture artist to highlight his work in the medium of surreal kinetic wind sculpture that are initially designed in 3D software. "I was bored with everything being static in my visual world," Howe told us. In other words, he believes sculptures don't have to be stoic designs that are lifeless. Howe creates art that lives and moves with nature, and his metal cut-outs give the impression of dancing, real-world screensavers. The artist walked us through the workflow of how his pieces go from 3D models that he designs on his desktop to CAD designs made through Rhinoceros 3D. To make sculptures as hypnotic as Howe, you have to be a somewhat odd fellow and think big, think weird. Get enlightened by Anthony Howe first with GIFs of his kinetic sculptures, but pair the vortex-like visuals with these quotes about art commerce, creation and innovation. "It shocked me that my art became somewhat viral online.