Beethoven
Ah, yes...then as now people wanted to be able to see their idols. And what they apparently wanted to see, more than anything else, were the ideals he seemed to represent. Not a mere man. A mere man is how the astonished music critic Ludwig Rellstab described him upon meeting him in 1825. Though surprised that Beethoven appeared to him so ordinary, he had to ask himself "why should Beethoven's features look like his scores?" Beethoven was born only six years before the American Revolution and nineteen years before the French. Beethoven moved easily in aristocratic circles and was often patronized by its members. If Beethoven's uncompromising behavior was what most drew the attention of the Viennese, it would be no surprise if the Beethoven they saw in pictures began somehow to resemble a defiant revolutionary. The nose, apparently, was revised as well, being a bit larger than is commonly represented. michael@pianonoise.com
Classical
Kosta Tавторство помойкив конєктикутеAvant-Garde, Folk, Soundtrack, Psych-Folk, Experimental, Freak-Folk, Unclassifiable, Improv, Sound Art, Contemporary Classical, Instrumental Kosta Tмамамаунав конєктикутеAvant-Garde, Folk, Soundtrack, Psych-Folk, Experimental, Freak-Folk, Unclassifiable, Improv, Sound Art, Contemporary Classical, Instrumental Kosta Tвыездв конєктикутеAvant-Garde, Folk, Soundtrack, Psych-Folk, Experimental, Freak-Folk, Unclassifiable, Improv, Sound Art, Contemporary Classical, Instrumental Kosta Tи не семинарыв конєктикутеAvant-Garde, Folk, Soundtrack, Psych-Folk, Experimental, Freak-Folk, Unclassifiable, Improv, Sound Art, Contemporary Classical, Instrumental Kosta Tсеансв конєктикутеAvant-Garde, Folk, Soundtrack, Psych-Folk, Experimental, Freak-Folk, Unclassifiable, Improv, Sound Art, Contemporary Classical, Instrumental Kosta Tкрючочки ??? Kosta Tиди работай! 1-20 of 4821Per Page: 01 / 02 / 03 / 04 / 05 / 06 / 07 / … / 242 / NEXT »
An die Freude (Beethoven)
O Freunde, nicht diese Töne! sondern laßt uns angenehmere anstimmen, und freudenvollere. Freude, schöner Götterfunken, Tochter aus Elysium, wir betreten feuertrunken, Himmlische, dein Heiligtum! ||: Deine Zauber binden wieder, was die Mode streng geteilt; alle Menschen werden Brüder, wo dein sanfter Flügel weilt. :|| Wem der große Wurf gelungen, eines Freundes Freund zu sein, wer ein holdes Weib errungen, mische seinen Jubel ein! Freude trinken alle Wesen an den Brüsten der Natur; alle Guten, alle Bösen folgen ihrer Rosenspur. ||: Küsse gab sie uns und Reben, einen Freund, geprüft im Tod; Wollust ward dem Wurm gegeben, Und der Cherub steht vor Gott! ||: Seid umschlungen Millionen. ||: Freude, Tochter aus Elysium! Seid umschlungen, Millionen! Nach der "Urtext"-Ausgabe von Max Unger (Leipzig: Ernst Eulenburg, n.d. Schluss-Chor über Schillers Ode an die Freude letzter Satz der Symphonie Opus 125, von L. van Beethoven Clavier-Auszug und vier ausgesetzte Singstimmen. Basso Soli. CHOR.
Ludwig van Beethoven
Ludwig van Beethoven (baptized December 17 1770, died March 26 1827) was a German composer who lived predominantly in Vienna, Austria. He was a major musical figure in the transitional period between the Classical and Romantic eras. Beethoven is widely regarded as one of history's greatest composers. Sourced[edit] I want to seize fate by the throat. About Beethoven[edit] Another equally true saying of Schumann is that, compared with Beethoven, Schubert is as a woman to a man. Attributed[edit] Whoever tells a lie is not pure of heart, and such a person can not cook a clean soup." External links[edit] Wikisource has original works written by or about:
