BP&O Logo, Branding, Packaging & Opinion by Richard Baird Introducing...Gabriela Maskrey who makes in-flight magazines sexy with impeccable design Where do you work? I am based in Bordeaux at the moment. I moved here in August from Barcelona after finishing my masters in graphic design and working for almost a year in Javier Mariscal’s studio. Bordeaux is an amazing place; great wine and only one hour away from the Atlantic Ocean (it is vital for me to live in a place near the sea, as I grew up next to it back in Lima). I to and fro to London fairly regularly, sometimes for work but also to get my fix of my friends in my favourite European city. How does your working day start? My day starts usually with a cup of coffee while reading the news from Peru and Europe. How do you work and how has that changed? Back in the day, I used to launch myself into projects with a lot of passion, though maybe a bit too aggressively. Where would we find you when you’re not at work? Would you intern for yourself? I have done my fair share of internships.
Opinions on Corporate and Brand Identity Work UnderConsideration is a graphic design firm generating its own projects, initiatives, and content while taking on limited client work. Run by Bryony Gomez-Palacio and Armin Vit in Austin, TX. More… products we sell Flaunt: Designing effective, compelling and memorable portfolios of creative work. Brand New Conference videos / Individual, downloadable videos of every presentation since 2010. Prints / A variety of posters, the majority from our AIforGA series. Other: Various one-off products. writing Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic DesignRockport: 2009 Women of Design: Influence and Inspiration from the Original Trailblazers to the New Groundbreakers HOW Books: 2008 The Word It Book: Speak Up Presents a Gallery of Interpreted WordsHOW Books: 2007
Libanus Press Lovely Stationery . Curating the very best of stationery design We Love Magazines Another Escape launched earlier this year and number two has just been published. Like last time, it’s divided into four distinct sections – Inspiration, Exploration, Process and Response – and uses these to deal with different aspects of the extraordinary in the ordinary. Octopuses, rehabilitating old machines, beekeeping and the revival of the tango all make appearances as editors Rachel and Jody spread their net wide. A personal highlight is this story about coffee preparation (below). Another Escape is a very gentle, quiet magazine that deserves your attention.
PRINT! PRINT! PRINT! Alex Merto Fake Mâos 31 – Magazine design on Editorial Design Served Graphic design is a form-giving process. The forms it creates don't merely carry content, they become part of it because every choice of typeface and of typographic arrangement, of colour, of spacing, of photographic treatment, of paper, of printing technique, of format and finishing becomes a way of saying something. And every choice has implications for the way in which content is understood and interpreted. Mãos is a publication that is concerned with craft activity, both traditional and contemporary; an activity that involves the skilful use of a wide variety of materials, techniques and applications. In this first 'redesign' issue (the studio was invited to take up the design following the work of 2 previous designers) we implemented the practice of allowing the content to suggest design solutions.
AisleOne - Graphic Design, Typography and Grid Systems Editorial Design Inspiration – Skin Deep magazine This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Accept or Read More Skin Deep is a magazine by graphic designer Tessa Simpson that aims to question the portrayal of women in mainstream media. The imagery inside is a mix of simple film-photography and collage that sits alongside articles on subjects such as shaving and the use of make-up. Also included inside is a photographic insert that focuses on the daily ‘beauty’ routines of women. Share this: Like this: Subscribe to our mailing list Like this post? Related Posts Punased I (The Reds) Illustrated hand-printed books by Valeria Brancaforte Jane Austen ‘Tears’ book cover series What do you think? The Past Recedes zine British Serial Killers zine The Book Design BlogThe Book Design Blog showcases inspirational books, zines and other publication designs.Submit work and get featured. %d bloggers like this:
MAISON NUE - LE JOURNAL [Art] We Love : Jan Dibbets Connu pour ses perspectives corrigées à la fin des années 60, l’artiste néerlandais Jan Dibbets explore les champs de la photographie, du land art et de l’art minimal. [Photography] We Love : Martin Parr Et ca tombe bien , le photographe anglais expose à la Maison Européenne de la photographie à Paris, jusqu’au 25 mai. [Design] We Love : Maxime Velcovsky Maxime Velcovsky est un ceramiste d’origine tchèque. [Art] We Love : Wolgang Laib Wolgang Laib propose une recherche minimaliste dans le champ du Land Art. Il dit lui même : “Pollen is more important than me.” [Photography] We Love : Paul Salveson Between the Shell, le livre de Paul Salveson a remporté le prix Mack de l’année 2013. [Art] We Love Hans Haacke Haas Haacke est un artiste conceptuel allemand dont les œuvres mettent en évidence certains phénomènes physiques et biologiques. Condensation Cube Wide Whit Flow [Photography] We Love Nicolas Coulomb Nicolas Coulomb est un photographe suisse basé à Paris.
John Good - Creative Publishing The John Good group is the largest publisher of theatre programmes in the UK, producing up to six million programmes a year for customers from every corner of the British Isles, including London’s West End. What makes us unique is that we offer a full publishing service that includes graphic design and illustration, editorial and picture research, liaison with production companies, dedicated account management, printing and delivery. As programme publishers we recognise both the artistic value and the importance of programmes as an effective source of income and a unique opportunity to keep your organisation at the forefront of your audience’s mind. Whether your programme is for a touring production, a pantomime or a repertory show, it remains an integral part of the theatre-going experience and can support and enhance any event.