pour quel âge les films de Miyazaki, du studio Ghibli INDEX Ghibli : vous trouverez une présentation pour chaque film, avec une petite analyse du contenu. Arrietty, le petit monde des chapardeurs (film 5 - 7 ans) Le Château ambulant (film 7 - 10 ans) Le château dans le ciel (film 7 - 8 ans) La colline aux coquelicots (film 4 - 10 ans) Le conte de la princesse Kaguya (film 8 - 13 ans) Les contes de Terremer (film 10 - 12 ans) Iblard Jikan (court-métrage 1 - 6 ans) Je peux entendre l'océan (film 2 - 11 ans) Kiki la petite sorcière (film 4 - 6 ans) Mes voisins les Yamada (film 4 - 7 ans) Nausicaä et la vallée du vent (film 10 - 12 ans) On your Mark (cout-métrage 8 - 8 ans) Pompoko (film 5 - 7 ans) Ponyo sur la falaise (film 5 - 5 ans) Porco Rosso (film 5 - 7 ans) Princesse Mononoke (film 10 - 12 ans) Le royaume des chats (film 4 - 6 ans) Si tu tends l'oreille (film 3 - 7 ans) Souvenirs de Marnie (film 7 - 14 ans) Souvenirs goutte à goutte (film 3 - 8 ans) Le tombeau des lucioles (film 12 - 15 ans) Totoro (film 4 - 4 ans) Le vent se lève (film 10 - 12 ans)
Tsai Ming-liang Tsai Ming-liang (Chinese: 蔡明亮; pinyin: Cài Míngliàng) (born October 27, 1957) is a Malaysian Chinese and one of the most celebrated "Second New Wave" film directors of Taiwanese Cinema, along with earlier contemporaries such as Hou Hsiao-Hsien and Edward Yang. His films have been acclaimed worldwide and have won numerous film festival awards. Early life[edit] Tsai was born in Malaysia of Chinese ethnic background and spent his first 20 years of his life in Kuching, Sarawak, after which he moved to Taipei, Taiwan. He graduated from the Drama and Cinema Department of the Chinese Culture University of Taiwan in 1982 and worked as a theatrical producer, screenwriter, and television director in Hong Kong. Career[edit] In 1995, he was a member of the jury at the 45th Berlin International Film Festival.[4] All of his feature films have starred Taiwanese actor Lee Kang-sheng. In 2003, he was voted by UK newspaper The Guardian as #18 of the 40 best directors in the world. Filmography[edit]
Technical Articles | How To Make A Video | Indie Filmmaking You’ve probably seen a dark horror film, a well-lit romantic comedy, and a grim and gritty war movie. Digital effects are sometimes used to colorize the film during post-production, but what gives each of these types of films its unique look and feel is the knowledge of how to light a scene and the type of lighting used on location. There are a couple of simple techniques you can employ that will get your lighting just right for your video. Three-Point Lighting Play around with the interactive lighting scheme below. Key Light This is the most focused, directional light used in the three-point setup. The key light creates the largest amount of light of any of the three and is usually set the furthest away from the subject, being directed in a slightly narrower beam than the others if possible. Fill Light The fill is used to offset the harshness and the sharp shadows that can be caused by the key light. Back Light Bouncing Light Get It Right
Encyclopedia of Earth Hayao Miyazaki - sa filmographie commentée Comme le présente Miyazaki lui-même, le Voyage de Chihiro s'adresse en priorité aux petites filles de 10 ans. En poussant un peu on doit pouvoir aussi englober les petites filles de 8, 9, 11 et 12 ans. Pour ces petites filles, quels que soient leur pays, leur culture, leurs préoccupations, pour elles toutes, Le Voyage de Chihiro est peut-être le meilleur film de l'histoire du cinéma. Vous allez me dire, vous qui me lisez, que le meilleur film de tous les temps dédié aux fillettes de 10 ans ne vous touche a priori pas particulièrement. Mais ce que vous n'imaginiez pas, c'était que l'inconscient et l'imaginaire des fillettes de 10 ans est en grande partie le même que le vôtre. Et ce qui les effraie, ce qui les rassure, ce qui les fait rire, ce qui les émeut, ce qui les fait rêver, ce qui les fait réfléchir, ce qui les fait espérer, tout cela est identique dans votre esprit, et aussi, j'ose le dire, même si le concept est galvaudé au-delà du raisonnable, identique dans votre cœur.
Ang Lee Ang Lee OBS(Chinese: 李安; pinyin: Lǐ Ān; born October 23, 1954) is a Taiwanese-born American film director, screenwriter and producer.[1][2] Early life[edit] Childhood and education[edit] "I was never a citizen of any particular place... My parents left China to go to Taiwan. We were outsiders there. Lee studied in the Provincial Tainan First Senior High School (now National Tainan First Senior High School) where his father was the principal. After finishing Taiwan's mandatory military service, Lee went to the US in 1979 to study at the University of Illinois at Urbana-Champaign, where he completed his bachelor's degree in theater in 1980. During graduate school, Lee finished a 16mm short film, Shades of the Lake (1982), which won the Best Drama Award in Short Film in Taiwan. Life after graduation[edit] Lee's NYU thesis drew attention from the William Morris Agency, the famous talent and literary agency that later represented Lee. Career[edit] Debut from Taiwan[edit] 1999 onward[edit]
Reverse Key Lighting @ Evan E. Richards I used to work with a cinematographer named Rob Draper (Halloween 5, The Spitfire Grill). He was having me practice one day by shooting a product shot for a whisky bottle. I had set the bottle up in front of a seamless backdrop and put a light in front of the bottle at about a 45 degree angle. Rob came in to see how I was doing. His first comment was “What made you put the light in front of the bottle rather than behind the bottle?” Reverse Key Lighting is also called “short lighting” or “narrow lighting”. Reverse Key Lighting can be used in closeups And in wider shots Outdoors Indoors It can be used in animation In a two shot With a lot of fill light Or very little fill light One of the strengths of reverse key lighting is the way the shadows falloff across the face. When you place the key light on the other side though, the light rakes across the face and you can see the light falling off into shadow on the side of the face closest to the camera.
Hayao Miyazaki : “J'ai été très gâté, j'ai pu accomplir tout ce que je voulais” “Le vent se lève…” sera son dernier long métrage. Le cinéaste japonais, que nous avons rencontré à Tokyo, nous explique pourquoi. Cette fois c'est bien fini. Juré, craché, Hayao Miyazaki ne fera plus de longs métrages d'animation. Extrait de Mon voisin Totoro (1988). L'homme, qui nous accueille trois mois plus tard dans son grand chalet de bois à un jet de pierre des studios Ghibli, n'a pourtant rien d'un vieillard chenu usé par le labeur. Sorti en juillet dernier au Japon, Le vent se lève… y a rencontré un énorme succès (plus de six millions d'entrées, 85 millions de dollars de recettes), un peu moins cependant que son film précédent, Ponyo sur la falaise. Au pays du Matin calme, le portrait avantageux du concepteur du Zéro, que certains considèrent comme un criminel de guerre, n'a pas fait recette. Bande annonce du Vent se lève, il faut tenter de vivre, en salles en France le 22 janvier 2014. Pourquoi évoquer la vie de Jiro Horikoshi dans votre nouveau film ? Vous êtes né en 1941.
Mira Nair Mira Nair (born 15 October 1957) is an Indian film director, actress and producer based in New York.[1] Her production company is Mirabai Films. She was educated at the prestigious Miranda House of Delhi University and then at Harvard University.[2] Her debut feature film, Salaam Bombay! (1988), won the Golden Camera award at the Cannes Film Festival and was a nominee for the Academy Award for Best Foreign Language Film. She used the proceeds of the film to establish an organisation for street children, called the Salaam Baalak Trust in India.[3] She often works with longtime creative collaborator screenwriter Sooni Taraporevala, whom she met at Harvard. She has won a number of awards, including a National Film Award and various international film festival awards, and was a nominee at the Academy Awards, Golden Globes, BAFTA Awards and Filmfare Awards. Career[edit] At the beginning of her career as a film artist, Nair directed four television documentaries. Personal life[edit] Awards[edit]
TEN SIMPLE KEYS TO PLOT STRUCTURE Structure is something that every agent and executive in Hollywood talks about, and that all of us teachers/authors/consultants/gurus/whatever go on and on about, to the point that it can seem complicated, intricate, mysterious and hard to master. So I want present plot structure in a way that simplifies it – that will at least give you a starting point for properly structuring your screenplay without overwhelming you with rules and details and jargon. Here are what I consider ten key elements of structure – ten ways of looking at structure that will immediately improve the emotional impact – and commercial potential – of your script. THE SINGLE RULE OF STRUCTURE I once got to work with long time television writer Doug Heyes, who used to say that there is only one rule for achieving proper plot structure: What’s happening now must be inherently more interesting than what just happened.
Des Tigres couverts de boue Mangas de Miyazaki > Des Tigres couverts de boue Doromamire no tora (Des Tigres couverts de boue) est un manga de Miyazaki en six épisodes et 33 pages, peint à l'aquarelle. Il est fondé sur les mémoires Des Tigres dans la boue du lieutenant Otto Carius, le célèbre conducteur de tank allemand qui a détruit plus de 150 tanks pendant la seconde guerre mondiale. Né en 1922, Carius commence sa carrière militaire comme fantassin puis rejoint la 20ème division Panzer en 1941, durant l'agression envers la Russie. En savoir plus sur Otto Carius et sur le mythique Tigre. Le manga de Miyazaki raconte les exploits de Carius et de son Tigre pendant la campagne d'Estonie, où il a lutté contre l'avancée de l'armée soviétique. Bien que Doromamire no tora devait à l'origine durer 3 épisodes, il en a fallu six à Miyazaki pour conclure son histoire. Pendant son voyage en Estonie / Déjeuner avec Otto Carius Le manga a été réédité en 2002 dans Miyazkai Hayao: Mousou Notou "Doromamire no Tora".