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Jujutsu

Jujutsu
Jujutsu (/dʒuːˈdʒuːtsuː/; Japanese: 柔術, jūjutsu listen , Japanese pronunciation: [ˈdʑɯɯ.dʑɯ.tsɯ]) is a Japanese martial art and a method of close combat for defeating an armed and armored opponent in which one uses no weapon or only a short weapon.[1][2] The word jujutsu can be spelled as ju-jitsu/jujitsu, ju-jutsu. "Jū" can be translated to mean "gentle, soft, supple, flexible, pliable, or yielding." "Jutsu" can be translated to mean "art" or "technique" and represents manipulating the opponent's force against himself rather than confronting it with one's own force.[1] Jujutsu developed among the samurai of feudal Japan as a method for defeating an armed and armored opponent in which one uses no weapon, or only a short weapon.[3] Because striking against an armored opponent proved ineffective, practitioners learned that the most efficient methods for neutralizing an enemy took the form of pins, joint locks, and throws. History[edit] Origins[edit] Development[edit] Description[edit]

Jeet Kune Do Jeet Kune Do, also Jeet Kun Do, and abbreviated JKD, is an eclectic and hybrid martial art system and philosophy of life founded by the martial artist Bruce Lee[2] (1940-1973) 1960 with simple and direct, or straightforward, movements and non-classical style. Jeet Kune Do practitioners believe in minimal movements with maximum effects and extreme speed. The system works by using different "tools" for different situations, where the situations are divided into ranges, which is kicking, punching, trapping, and grappling, where we use techniques to flow smoothly between them. It is referred to as "a style without style" or "the art of fighting without fighting" as said by Lee himself. Unlike more traditional martial arts, Jeet Kune Do is not fixed or patterned, and is a philosophy with guiding thoughts. In 2004, the Bruce Lee Foundation decided to use the name Jun Fan Jeet Kune Do (振藩截拳道) to refer to the martial arts system that Lee founded; "Jun Fan" was Lee's Chinese given name.

Judo History and philosophy[edit] Early life of the founder[edit] The early history of judo is inseparable from its founder, Japanese polymath and educator Jigoro Kano (嘉納 治五郎, Kanō Jigorō?, 1860–1938), born Shinnosuke Kano (嘉納 新之助, Kanō Shinnosuke?). Kano was born into a relatively affluent family. His father, Jirosaku, was the second son of the head priest of the Shinto Hiyoshi shrine in Shiga Prefecture. Jigoro Kano had an academic upbringing and, from the age of seven, he studied English, Japanese calligraphy (書道, shodō?) Early attempts to find a jujutsu teacher who was willing to take him on met with little success. In 1877, as a student at the Tokyo-Kaisei school (soon to become part of the newly founded Tokyo Imperial University), Kano learned that many jujutsu teachers had been forced to pursue alternative careers, frequently opening Seikotsu-in (整骨院? Founding of the Kodokan[edit] In February 1882, Kano founded a school and dojo at the Eisho-ji (永昌寺?) Judo versus Jujutsu[edit]

Hapkido The art adapted from Daitō-ryū Aiki-jūjutsu (大東流合気柔術) as it was taught by Choi Yong-Sool (Hangul: 최용술) when he returned to Korea after World War II, having lived in Japan for 30 years. This system was later combined with kicking and striking techniques of indigenous and contemporary arts such as taekkyeon, as well as throwing techniques and ground fighting from Japanese Judo. Its history is obscured by the historical animosity between the Korean and Japanese people following the Second World War.[1][2][3][4] Name[edit] Hapkido is rendered "합기도" in the native Korean writing system known as hangul, the script used most widely in modern Korea. The character 合 hap means "coordinated" or "joining"; 氣 ki describes internal energy, spirit, strength, or power; and 道 do means "way" or "art", yielding a literal translation of "joining-energy-way". Although aikido and hapkido are believed by many to share a common history, they remain separate and distinct from one another. Choi Yong-Sool[edit]

Pressure point The concept of pressure points is present in old school (17th century) Japanese martial arts and is claimed to have an even earlier history; in a 1942 article in the Shin Budo magazine, Takuma Hisa asserted the existence of a tradition attributing the first development of pressure-point attacks to Shinra Saburō Minamoto no Yoshimitsu (1045–1127).[2] Hancock and Higashi (1905) published a book which pointed out a number of vital points in Japanese martial arts.[3] Exaggerated accounts of pressure-point fighting appeared in Chinese Wuxia fiction and became known by the name of Dim Mak, or "Death Touch", in western popular culture in the 1960s. While it is undisputed that there are sensitive points on the human body where even comparatively weak pressure may induce significant pain or serious injury, the association of kyūsho with esotericist notions of qi, acupuncture, or reflexology is controversial.[4] Types[edit] The nervous system. Pain[edit] Blood and blood pressure[edit] Break[edit]

Rickson Gracie Seminar: Making the Invisible Visible | JiuJitsuMania.com By Andreh Anderson Rickson Gracie stands at the center of the enormous Gracie Academy mat and begins to share. I choose the word share over teach because one gets the feeling immediately that the information he’s transmitting is the essence of his jiu-jitsu—the art that defines him. He isn’t phoning in a series of random techniques to amaze us, he’s letting us in on the very thing that makes his jiu-jitsu the envy of perhaps every world champion that’s rolled with him—he calls it connection. I don’t know whose arm is around my neck, but I perform a technique I just saw Rickson demonstrate. Rickson whistles through his fingers and everyone stops to watch as he calls forward a black belt and asks him to keep his balance. Rickson gathers us around and asks me to grab him around the waist while he pushes into me. Similarly, he shows us how sprawling to stop a double leg takedown requires the same type of connection. We hit the ground for escapes from side control. “Kid, it was amazing.

Brazilian Jiu-Jitsu Brazilian jiu-jitsu (/dʒuːˈdʒɪtsuː/; Portuguese: [ˈʒiw ˈʒitsu], [ˈʒu ˈʒitsu], [dʒiˈu dʒiˈtsu]) (BJJ; Portuguese: jiu-jitsu brasileiro) is a martial art, combat sport, and a self defense system that focuses on grappling and especially ground fighting. Brazilian jiu-jitsu was formed from Kodokan Judo ground fighting (newaza) fundamentals that were taught by a number of individuals including Takeo Yano, Mitsuyo Maeda and Soshihiro Satake. Brazilian jiu-jitsu eventually came to be its own art through the experiments, practices, and adaptation of the judo knowledge of Carlos and Hélio Gracie, who then passed their knowledge on to their extended family. History[edit] Origins[edit] Geo Omori opened the first jujutsu / judo school in Brazil in 1909. [5] He would go on to teach a number of individuals including Luiz França. Gastão Gracie was a business partner of the American Circus in Belém. Name[edit] Some confusion has arisen over the employment of the term 'jiudo'. Prominence[edit] Guards[edit]

Defendu Defendu is a modern martial art developed by William E. Fairbairn and Eric A. Sykes prior to World War II. It is a hand-to-hand combat system based on practical experience mixed with jujutsu and boxing that was developed to train the Shanghai Municipal Police, and was later taught in expanded form to Office of Strategic Services and Special Operations Executive members during World War II.[1] Development[edit] Based on his training in boxing, wrestling, savate, early Judo at the Kodokan in Tokyo, and fights he was involved in during his police work, Fairbairn began to develop his own system of hand to hand combat, calling it "Defendu". Fairbairn was called upon by the British to help train Allied troops in World War II. The original Defendu was oriented towards self-defense and restraint, while the Close Quarters Combat system concentrated on rapid disabling of an opponent, with potentially lethal force. World War II[edit] Post war[edit] See also[edit] World War II combatives Defendu, W.

The Aikido FAQ: Introduction To Aikido What is Aikido? Whenever I move, that's Aikido. O Sensei, Morihei Ueshiba Aikido is a Japanese martial art developed by Morihei Ueshiba (often referred to by his title 'O Sensei' or 'Great Teacher'). On a purely physical level it is an art involving some throws and joint locks that are derived from Jujitsu and some throws and other techniques derived from Kenjutsu. Upon closer examination, practitioners will find from Aikido what they are looking for, whether it is applicable self-defense technique, spiritual enlightenment, physical health or peace of mind. We could attempt to pigeonhole Aikido into a synopsis of X number of words, but that would not do it justice, so we leave the practitioner of Aikido to find out what Aikido is for themselves without any preconceived notions. What are the different styles in Aikido? There are no 'styles' of Aikido. Aikido was originally developed by one man, O Sensei. The "Old" Schools Aiki-Budo Yoseikan Yoshinkan The "Modern" Schools Aikikai Iwama-ryu Yes.

Aikido modern Japanese martial art Aikido (合気道, aikidō, Japanese pronunciation: [aikiꜜdoː], kyūjitai: 合氣道) is a modern Japanese martial art developed by Morihei Ueshiba as a synthesis of his martial studies, philosophy and religious beliefs. Ueshiba's goal was to create an art that practitioners could use to defend themselves while also protecting their attackers from injury.[1][2] Aikido is often translated as "the way of unifying (with) life energy"[3] or as "the way of harmonious spirit".[4] Mitsuteru Ueshiba at the 55th All Japan Aikido Demonstration held at the Nippon Budokan (May 2017) Aikido derives mainly from the martial art of Daitō-ryū Aiki-jūjutsu, but began to diverge from it in the late 1920s, partly due to Ueshiba's involvement with the Ōmoto-kyō religion. Ueshiba's early students' documents bear the term aiki-jūjutsu.[6] Ueshiba's senior students have different approaches to aikido, depending partly on when they studied with him. Etymology and basic philosophy[edit] History[edit]

Martial arts The martial art of boxing was practiced in the ancient Thera. Martial arts are codified systems and traditions of combat practices, which are practiced for a variety of reasons: self-defense, competition, physical health and fitness, entertainment, as well as mental, physical, and spiritual development. Variation and scope[edit] Martial arts may be categorized along a variety of criteria, including: By technical focus[edit] Unarmed Grappling Weapon-based Those traditional martial arts which train armed combat often encompass a wide spectrum of melee weapons, including bladed weapons and polearms. Sometimes, training with one specific weapon will be considered a style of martial arts in its own right, which is especially the case in Japanese martial arts with disciplines such as kenjutsu and kendo (sword), bojutsu (staff), and kyudo (archery). By application or intent[edit] Combat-oriented Health-oriented Spirituality-oriented Martial arts can also be linked with religion and spirituality.

Taiji Quan Medical research has found evidence that t'ai chi is helpful for improving balance and for general psychological health, and that it is associated with general health benefits in older people.[2] Overview[edit] . T'ai chi ch'uan theory and practice evolved in agreement with many Chinese philosophical principles, including those of Taoism and Confucianism. T'ai chi ch'uan training involves five elements, taolu (solo hand and weapons routines/forms), neigong & qigong (breathing, movement and awareness exercises and meditation), tuishou (response drills) and sanshou (self defence techniques). It is purported that focusing the mind solely on the movements of the form helps to bring about a state of mental calm and clarity. Some other forms of martial arts require students to wear a uniform during practice. The study of t'ai chi ch'uan primarily involves three aspects: Name[edit] T'ai chi ch'uan / Taijiquan is formed by the combination of three Chinese characters (hanzi): Historic origin[edit]

Southern Dragon Kung Fu The movements of the Southern Dragon style (Chinese: 龍形摩橋; pinyin: lóng xíng mó qiáo; Cantonese Yale: long4 ying4 mo1 kiu4; literally "dragon shape rubbing bridges") of Shaolin Boxing are based on the mythical Chinese dragon. The Dragon style is an imitative-style that was developed based on the imagined characteristics of the mythical Chinese dragon. The Dragon played an influential and beneficial role in Chinese culture. An amalgam of several creatures, including monitor lizards, pythons and the Chinese alligator, the polymorphic dragon was a water spirit, responsible for bringing the rains and thus ensuring the survival of crops. The dragon was symbolic guardian to the gods, and was the source of true wisdom. This latter feature most likely resulted from the observation of the living reptilian counterparts which, usually at rest, seem to be in a near constant state of contemplation. History[edit] Methods and Philosophy[edit] Techniques[edit] Overview[edit] Basics[edit] [edit] Notes[edit]

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