Copyright

Music law Music Law refers to legal aspects of the music industry and certain legal aspects in other sectors of the entertainment industry. The music industry includes record labels, music publishers, merchandisers, the live events sector and of course performers and artists. The terms "music law" and "entertainment law", along with "business affairs", are used by the music and entertainment industry and should not be thought of as academic definitions. Indeed, music law covers a range of traditional legal subjects including intellectual property law (copyright law, trademarks, image publicity rights, design rights), competition law, bankruptcy law, contract law, defamation and, for the live events industry, immigration law, health and safety law, and licensing. Definitions[edit] A "compilation" refers to work formed from already existing materials in a way that forms its own original work, including collective works." Copyright[edit] Publishing[edit] Licensing[edit] Business[edit] Rees, Stuart M.

¿Qué son los derechos de autor? - Ayuda del Legal ¿Qué tipos de obras están sujetas a derechos de autor? Los derechos de autor otorgan a su titular el derecho exclusivo de usar la obra, con algunas excepciones. Cuando alguien crea una obra original y la fija en un soporte físico, automáticamente se convierte en el titular de los derechos de autor de dicha obra. Hay muchos tipos de obras que pueden estar protegidas por derechos de autor. Por ejemplo: Obras audiovisuales, como programas de televisión, series, películas y vídeos online Grabaciones de sonido y composiciones musicales Obras escritas, como lecciones, artículos, libros y composiciones musicales Obras visuales, como pinturas, carteles y anuncios Videojuegos y programas de software Obras dramáticas, como obras de teatro y musicales La Copyright Office (oficina de derechos de autor de EE. ¿Puedo usar contenido de una obra protegida por derechos de autor? Los titulares de los derechos de autor tienen derecho a controlar la mayoría de los usos que se hacen de sus obras. No. 1. 2. 3.

WGAW Registry Welcome to WGAWRegistry.org, the official script and screenplay registration service of the Writers Guild of America, West and world's number one intellectual property service. Since 1927, the Writers Guild of America, West Registry has been the industry standard in the creation of legal evidence for the protection of writers and their work. When you register your script prior to submitting it to agents, managers, or producers, you document your authorship on a given date should there be unauthorized usage. The WGA, West is the home to nearly 12,000 of Hollywood's leading TV and screenwriters, but you do not need to be a WGAW member to use this vital Guild service. Registration can be used as a supplement to a U.S. copyright, and it's fast, easy and convenient to register online. For more information, go to our details page or read our FAQ.

Recording Industry Association of America Unauthorized Copying is Against the Law Copyright law protects the value of creative work. When you make unauthorized copies of someone’s creative work, you are taking something of value from the owner without his or her permission. Most likely, you’ve seen the FBI warning about unauthorized copying at the beginning of a movie DVD. Though you may not find these messages on all compact discs or music you’ve downloaded from the Internet, the same laws apply. Federal law provides severe civil and criminal penalties for the unauthorized reproduction, distribution, rental or digital transmission of copyrighted sound recordings. What the Law Says and What it Means Making unauthorized copies of copyrighted music recordings is against the law and may subject you to civil and criminal liability. What the Courts Have to Say Common Examples of Online Copyright Infringement: You make an MP3 copy of a song because the CD you bought expressly permits you to do so. Internet Copying Copying CDs

Las redes sociales Ingrid Nass de Ledo Editora Sin lugar a dudas una de las grandes revoluciones sociales que ha traído Internet son las redes que conectan a la gente en todo el planeta. The Harry Fox Agency Copyright Questions and Answers The following are a series of questions that have been asked of me at one time or another through email. People are concerned about what they can and cannot do in terms of copyright. I knew some of the answers and others I did not. After contacting a copyright expert at a local university, I was able to put together the answers to some of these common questions. Please note... What is a copyright, anyway? The Internet is public domain, so isn't everything fair game? So, is making a link to another copyrighted page against the law? What do I put on the page? This page © Copyright 1997, Dr. You may think you only need the circle c or the word copyright alone. Wait, don't I have to send a form to the government too? How do I register with the Copyright Office? Can I just send in a disc? Do I have to register all my pages alone? How long will my copyright last? I'm just a kid. But the Internet is global. I call my site "Dog Breath". This one site has a great image, but it's copyrighted.

MPEG The IA California Locals have been working with a large coalition of guilds, unions, producers, small businesses and other associations to promote the enhancement and expansion of California’s production tax incentive program. One component of this Alliance’s efforts is the creation of an online petition to show our legislators the vast amount of public support for the passing of AB 1839, the California Film and Television Job Retention and Promotion Act. Click here to view all Guild articles. Editor Affonso Gonçalves has led a charmed life in New York independent film. Born in Brazil, he studied at the London International Film School for three years before attending the American Film Institute for two and a half years. Motion Picture Editors Guild President Alan Heim, A.C.E., dedicated the Guild’s revamped Training Room as the Dede Allen Seminar Room on Saturday, April 5 at the Guild’s Hollywood offices.

What's Your Question? Q: What are the for a slideshow? A: Depends on if the was ever (or still is) and whether you're using a sound recording of the or performing it from sheet music. ... Read More » Source: answers.yahoo.com Q: Lyrics & . A: The person or people who wrote the lyrics may lay claim to the , unless specified under a contract as a work-for-hire, in which case the party doi... Source: www.ehow.com Q: Will using this violate ? A: I would try it and cite it in the description box. Q: Parodies and . A: Section 106 of the grants a songwriter exclusive control over her . Q: Why don't covers violate ? A: They do, if they're not licensed. Source: wiki.answers.com

Writers Guild of America East: Home Song Lyrics & Copyright Laws In the case of a work-for-hire, the copyright extends for 90 years after the lyrics were first published, or 120 years after they were created, whichever comes first. Otherwise, the copyright extends for 70 years past the death of the last living creator. Copyright Basics for Musicians - Music Copyright Law Entertainment Law March 2009 By Jon M. Garon* The Musician's Law and Business Guide Copyright rules define much of the music business, shaping the practices that drive recording and touring deals. For a new song or other work, copyright begins at the moment of fixation — when the music and lyrics have been set down on paper, recorded, or stored on a computer. The copyright in the composition is distinct from the copyright in the sound recording. While not required, registration of published music or recordings has a number benefits. Registration is also simple. There is little or no value to registering a composition until it has been published. By industry tradition, the copyright in the composition is managed by music publishing companies while the sound recordings are managed by the record labels. The copyright will continue to protect the composition for seventy years beyond the life of the author. Cover songs reflect the limited exclusivity provided by copyright. Jon M.