Cassetti famosi in mostra Robot di Mario Botta, realizzato per Alias nel 1989, al Museo Poldi Pezzoli di Milano. Fino al 25 aprile il Museo Poldi Pezzoldi di Milano ospita la mostra “Quasi segreti” dedicata al design di cassetti e cassettiere. La mostra è stata organizzata in collaborazione con Inventario, un progetto editoriale dell’azienda di lampade Foscarini. Gli oggetti raccolti nell’esposizione sono stati disegnati da famosi designer come Mario Botta (che ha disegnato la cassettiera del 1981 Robot), Ettore Sottsass (Ventisette cassetti, 2001) e Shiro Kuramata (Side1, 1970). Il museo Poldi Pezzoli nasce come casa museo del collezionista Gian Giacomo Poldi Pezzoli ed è stato aperto nel 1881; nelle mostre organizzate nel museo le opere esposte sono inserite all’interno dell’arredamento della casa. La casa editrice Corraini ha curato il catalogo della mostra, che oltre al saggio del curatore Beppe Finessi e alle immagini e descrizioni degli oggetti esposti, contiene una rassegna di altre cassettiere famose.
Olin Black Striped Cotton Dhurrie Rug Prices and availability are subject to change from the time and date that you print this page. 10/11/2016 5:36:48 AM For Customer Service, please call (00+1) 630.369.4464 Read what people are saying. Our reviews are verified for authenticity. Learn More. Write a Review Keep it looking its best. You've put a lot of care into choosing your furnishings. Professional cleaning recommended. What you need to know. Non-Furniture Items We will accept merchandise returns of non-furniture items within 90 days of customer receipt. Stock Furniture Items If you are not satisfied with your Stock furniture purchase, you must contact us within 7 days of delivery or pickup to arrange a return. Stock Plus and Custom Furniture Items We require a 50% deposit for all Stock Plus and Custom furniture items. Please note: Crate and Barrel stores are unable to accept returns from international orders purchased online at crateandbarrel.com through our global partner, Borderfree.
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Muslim Tour Packages Rhode Island Furniture Exhibit at Yale (and Why It's Relevant Today) - Woodworking | Videos | Plans | How To This September, I attended a symposium that kicked off an exciting new exhibit at Yale University’s Art Gallery: Art and Industry in Early America, Rhode Island Furniture 1650 to 1830. The show represents painstaking research by Patricia A. Kane and her colleagues: Dennis Carr, Nancy Goyne Evans, Jennifer N. Johnson and Gary R. Sullivan. A decade and a half of research went into this exhibit with some interesting outcomes. The question that I am sure you’re asking is why is Rhode Island furniture relevant today? What was called “the point” in the northern part of Newport became the equivalent of an eighteenth century flash mob of ship carpenters, joiners and, most importantly to this narrative, cabinetmakers. All of the towns in Rhode Island were destroyed between 1675-76 in King Phillip’s War, a war with the local Native Americans. Two Quaker families important to Rhode Island cabinetmaking purchased lots on the point in 1724-25. Finish is also an indicator.
Fast Fashion Is the Second Dirtiest Industry in the World, Next to Big Oil - EcoWatch “The clothing industry is the second largest polluter in the world ... second only to oil,” the recipient of an environmental award told a stunned Manhattan audience earlier this year. “It’s a really nasty business ... it’s a mess.” Since 2011, the Greenpeace Detox campaign has challenged some of the world's most popular clothing brands to eliminate all releases of hazardous chemicals. Photo credit: Jonas Gratzer / Greenpeace While you’d never hear an oil tycoon malign his bonanza in such a way, the woman who stood at the podium, Eileen Fisher, is a clothing industry magnate. On a warm spring night at a Chelsea Piers ballroom on the Hudson River, Fisher was honored by Riverkeeper for her commitment to environmental causes. When we think of pollution, we envision coal power plants, strip-mined mountaintops and raw sewage piped into our waterways. Globalization means that your shirt likely traveled halfway around the world in a container ship fueled by the dirtiest of fossil fuels.