Cath Riley M.A. Fine Art. B.A. Recent EXHIBITIONS Royal Academy Summer Exhibition, London. Recent Clients include Nike, GQ, M&C Saatchi, 5th 3rd Bank, The Economist, The New York Times, Bladonmore. I have work in private collections in England, America and Switzerland, and in public public collections, including the Arts Council, Banksfield Museum, North West Arts and Granada Television. Include: Crafts magazine, Interiors magazine, Subversive Stitch. Bronze Award Winner, [two years in succession], Society of Dimensional Illustrators, U.S.A. The emphasis, and main body of my work, has always been of a three-dimensional nature, but over the last few years, I have given time to develop and explore new skills, particularly the use of pencil on paper to produce some of the pencil drawings which are here on this site. The drawings are part of an on-going evolutionary process of exploration and development, and thus serve only to mark and represent a particular stage in my abilities and understanding.
Anzenberger Gallery - dust Dust as a by product of civilisation, the enemy of a sterile society, a constant presence hidden in corners, nooks and crannies. Also, a microcosm made up of multiple components, a combination of different colours, textures and structures, a construct reproducing itself. Every bit of dust is different, each space produces it's unique type of dust, depending on its nature and its individual use. Over the last two years Klaus Pichler had been looking for accumulations of dust, fluff and grime in various locations in and around Vienna. In commercial premises, factories, private properties, doctor's surgeries etc. etc. > see more photographs Place Hacking John Kenn John Kenn’s Website See more art by John Kenn on this site Thanks to OvO for finding this artist!
NAGAI HIDEYUKI official site - NAGAI HIDEYUKI official site BevShots... art. distilled. Andrea Joseph (Weekly Story Theme: Romance) There is no other love like an illustrator’s hand and its pen. These two spend hours together everyday, inseparable, and when they are not together, the hand years for the cool grip of its beautiful slender pen. Andrea Joseph hand knows this feeling well, and his hand and its pen have been committed to each other for years now, and now on Creative Tempest they renew their vows.
Neon Luminance ‹ From The Lenz Landscapes lit up by glow sticks, lasers, road flares, headlamps, and moonlight. Click Image to view in Full screen. Like a freak midnight rainbow, this ongoing series of lit waterfalls titled Neon Luminance is part of a collaboration between Sean Lenz and Kristoffer Abildgaard over at From the Lenz. The duo dropped high-powered Cyalume glow sticks in a variety of colors into various waterfalls in Northern California and then made exposures varying from 30 seconds to 7 minutes to capture the submerged trails of light as the sticks moved through the current. via Colossal We are looking to display these in contemporary art galleries around the world. fromthelenz@gmail.com
Wafaa Bilal In the widely marketed video game Quest for Saddam, players fight stereotypical Iraqi foes and try to kill Saddam. Al Qaeda did its own take, creating an online video game using the structure of Quest for Saddam but adding a new "skin" to turn the game into a hunt for Bush: "The Night of Bush Capturing." Now artist Wafaa Bilal has hacked the Al Qaeda version of the game to put his own more nuanced spin on this epic conflict. In The Night of Bush Capturing: A Virtual Jihadi, Bilal casts himself as a suicide-bomber in the game. After learning of the real-life death of his brother in the war, he is recruited by Al Qaeda to join the hunt for Bush. Virtual Jihadi is meant to bring attention to the vulnerability of Iraqi civilians to the travesties of the current war and racist generalizations and stereotypes as exhibited in games such as Quest for Saddam; along with vulnerability to recruitment by violent groups like Al Qaeda because of the U.S.'
Kevin Ragnott Contact Blog | Facebook | Copyright 2010 KCRWorks Arthouse Page 1 Arthouse Page 2 Arthouse Page 3 Arthouse Page 4 Arthouse Page 5 Arthouse Page 6 Arthouse Page 7 Arthouse Page 8 Arthouse Page 9 Arthouse Page 10 Arthouse Page 11 Arthouse Page 12 Arthouse Page 13 Propulsion laser Un article de Wikipédia, l'encyclopédie libre. La propulsion par laser est un type de propulsion spatiale étudié depuis les années 1970 dans lequel l'énergie est fournie au vaisseau spatial par un laser de forte puissance situé sur Terre ou en orbite. Les travaux sur ce mode de propulsion se sont développés en particulier dans le cadre du projet américain de guerre des étoiles. L'objectif est actuellement de mettre au point des microsatellites utilisant cette technique (lightcraft) et pouvant être placés en orbite et manœuvrés à très faible coût. Un système de lancement laser Historique[modifier | modifier le code] Les précurseurs[modifier | modifier le code] L’idée de la propulsion par laser pour le transport spatial (ou encore LP – Laser Propulsion dans la littérature internationale) remonte à 1972. De 1975 à 1980[modifier | modifier le code] Cette période a connu les recherches les plus intensives en matière de propulsion par laser. Les chercheurs (tels A. Seuil d’irradiation Le Laser.
Comics, Quizzes, and Stories Trevor Henry Pages from the Moleskine of Canadian illustrator and designer Trevor Henry. Trevor started sketches in late 2008 when he first discovered the wonder of the Moleskine sketchbook. See the rest at Trevor’s website or Behance. Find this post useful? Brixton Art Gallery