Victor Hugo Victor Marie Hugo (French pronunciation: [viktɔʁ maʁi yɡo]; 26 February 1802 – 22 May 1885) was a French poet, novelist, and dramatist of the Romantic movement. He is considered one of the greatest and best known French writers. In France, Hugo's literary fame comes first from his poetry but also rests upon his novels and his dramatic achievements. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem. Outside France, his best-known works are the novels Les Misérables, 1862, and Notre-Dame de Paris, 1831 (known in English as The Hunchback of Notre-Dame). Though a committed royalist when he was young, Hugo's views changed as the decades passed, and he became a passionate supporter of republicanism;[citation needed] his work touches upon most of the political and social issues and artistic trends of his time. Personal life[edit] Hugo's childhood was a period of national political turmoil. Hélas ! Quoi donc ! Alas! what!
Louis XVI of France The ensuing debt and financial crisis contributed to the unpopularity of the Ancien Régime which culminated at the Estates-General of 1789. Discontent among the members of France's middle and lower classes resulted in strengthened opposition to the French aristocracy and to the absolute monarchy, of which Louis and his wife, queen Marie Antoinette, were viewed as representatives. In 1789, the storming of the Bastille during riots in Paris marked the beginning of the French Revolution. Louis's indecisiveness and conservatism led some elements of the people of France to view him as a symbol of the perceived tyranny of the Ancien Régime, and his popularity deteriorated progressively. His disastrous flight to Varennes in June 1791, four months before the constitutional monarchy was declared, seemed to justify the rumors that the king tied his hopes of political salvation to the prospects of foreign invasion. Childhood[edit] Family life[edit] Louis XVI at the age of 20
Thelema The word thelema is the English transliteration of the Koine Greek noun θέλημα (pronounced [θélima]) "will", from the verb θέλω "to will, wish, purpose." As Crowley developed the religion, he wrote widely on the topic, producing what are collectively termed the Holy Books of Thelema. He also included ideas from occultism, Yoga and both Eastern and Western mysticism, especially the Qabalah.[8] Historical precedents[edit] The word θέλημα (thelema) is rare in classical Greek, where it "signifies the appetitive will: desire, sometimes even sexual",[9] but it is frequent in the Septuagint.[9] Early Christian writings occasionally use the word to refer to the human will,[10] and even the will of God's opponent, the Devil,[11] but it usually refers to the will of God.[12] One well-known example is in the "Lord's Prayer" (Matthew 6:10), “Your kingdom come. Your will (Θελημα) be done, On earth as it is in heaven.” François Rabelais[edit] Francis Dashwood and the Hellfire Club[edit] True Will[edit]
Romanticism Defining Romanticism[edit] Basic characteristics[edit] Defining the nature of Romanticism may be approached from the starting point of the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on untrammelled feeling is summed up in the remark of the German painter Caspar David Friedrich that "the artist's feeling is his law".[7] To William Wordsworth poetry should be "the spontaneous overflow of powerful feelings".[8] In order to truly express these feelings, the content of the art must come from the imagination of the artist, with as little interference as possible from "artificial" rules dictating what a work should consist of. Not essential to Romanticism, but so widespread as to be normative, was a strong belief and interest in the importance of nature. However this is particularly in the effect of nature upon the artist when he is surrounded by it, preferably alone. The term[edit] The period[edit] Romantic literature[edit]
Marie Antoinette Marie Antoinette (/məˈriː æntwəˈnɛt/ or /æntwɑːˈnɛt/; French: [maʁi ɑ̃twanɛt]; baptised Maria Antonia Josepha (or Josephina) Johanna;[1] 2 November 1755 – 16 October 1793), born an Archduchess of Austria, was Dauphine of France from 1770 to 1774 and Queen of France and Navarre from 1774 to 1792. She was the fifteenth and penultimate child of Holy Roman Empress Maria Theresa and Emperor Francis I. In April 1770, upon her marriage to Louis-Auguste, Dauphin of France, she became Dauphine of France. She assumed the title Queen of France and of Navarre when her husband ascended the throne as Louis XVI upon the death of his grandfather Louis XV in May 1774. The royal family's flight to Varennes had disastrous effects on French popular opinion: Louis XVI was deposed and the monarchy abolished on 21 September 1792; the royal family was subsequently imprisoned at the Temple Prison. Early life[edit] The Imperial family was one that thoroughly enjoyed music. Marriage to Louis: 1770–1793[edit]
Game Theory 101: Game Theory Made Easy Les Misérables - Victor Hugo - Book Clubs The book which the reader now holds in his hands, from one end to the other...treats the advance from evil to good, from injustice to justice, from falsity to truth, from darkness to daylight, from blind appetite to conscience, from decay to life, from bestiality to duty, from Heaven to Hell, from Limbo to God. Matter itself is the starting point, and the point of arrival is the soul. —Victor Hugo, Les Misérables Twenty years in the conception and execution, Les Misérables was first published in France and Belgium in 1862, a year which found Victor Hugo in exile from his beloved France. Enemies and admirers throughout the world devoured his works—poetry, political tracts, and fiction—and the effect of these works upon the public was always sensational. The story is set between 1815 and 1832, the years of Hugo's youth. The Revolution and Republic of France had failed to redress the unconscionable social conditions in which many French citizens languished. Related Titles
Madame de Pompadour Early life[edit] Jeanne Antoinette Poisson, otherwise known as Reinette ("little queen") to her friends, was born on 29 December 1721 in Paris to François Poisson (1684–1754) and his wife Madeleine de La Motte (1699–1745). It is suspected that her biological father was either the rich financier Pâris de Montmartel or the tax collector (fermier général) Le Normant de Tournehem.[2] Le Normant de Tournehem became her legal guardian when François Poisson was forced to leave the country in 1725 after a scandal over a series of unpaid debts, a crime at that time punishable by death. (He was cleared eight years later and allowed to return to France.) Her younger brother was Abel-François Poisson de Vandières, who later became the Marquis de Marigny. Poisson was intelligent, beautiful and refined. She later claimed that, at the age of nine, her mother took her to a fortune teller and told that she would one day reign over the heart of a king.[4] Marriage[edit] Introduction to court[edit]
Dunning–Kruger effect Cognitive bias about one's own skill The Dunning–Kruger effect is a cognitive bias in which people with limited competence in a particular domain overestimate their abilities. Some researchers also include the opposite effect for high performers: their tendency to underestimate their skills. In popular culture, the Dunning–Kruger effect is often misunderstood as a claim about general overconfidence of people with low intelligence instead of specific overconfidence of people unskilled at a particular task. The Dunning–Kruger effect is usually measured by comparing self-assessment with objective performance. There are disagreements about what causes the Dunning–Kruger effect. There are disagreements about the Dunning–Kruger effect's magnitude and practical consequences. Definition[edit] The Dunning–Kruger effect is defined as the tendency of people with low ability in a specific area to give overly positive assessments of this ability. David Dunning Explanations[edit] [edit] Statistical[edit]