background preloader

Why "Start With the Action" Messes Up So Many Writers

Why "Start With the Action" Messes Up So Many Writers
By Janice Hardy, @Janice_Hardy If I took a poll for the most common writing advice, “start with the action” would make the list. Which it should, as it’s great advice. But it’s also like “show, don’t tell.” This can be especially hard on new writers, because they can feel like they’re doing everything right and not getting anywhere with their writing. Maybe it’s the movie industry and all those summer blockbusters, but say “action scene” and most people are going to envision something Michael Bay-ish—car chases, fights, explosions, people in dire straits. Openings where the reader doesn’t care = bad. Thus the problem with this wonderful, yet often frustrating, advice. Let’s break down these four not-so-simple words and explore what “start with the action” really means. Simple version: Start with something happening—characters physically doing something to achieve a goal. Timeframe: Within the first few pages. Sounds crazy simple, right? That something doesn’t have to be a crisis. Nope.

Overcoming the 10 Biggest Obstacles to Creating By Leo Babauta Every day I struggle with the resistance to writing, and every day I lose the struggle … but then I beat the struggle. I lose more often than I win, but I win every day. And that’s what matters. Do you face this resistance, and struggle with procrastination? Let’s talk about creating that habit, and how to overcome the obstacles that get in the way of the creation habit. Today I’ll share the main obstacles and what I do to overcome them. What stands in our way of the creation habit? Distractions. You’re doing this for a reason that should be as important as saving the life of a loved one, or it’s not worth doing. If it’s important, you have it in you. Help with the Creation Habit If you’d like more help with the habit of creating, join me and a few thousand others in my Sea Change Program in November who are forming the Create Daily habit. The program is free for a week, then $10 a month, and you get: Join us here: Sea Change Program

Guide for Writers: Latin Phrases It’s a matter of taste and style, but not long ago American writers attempted to demonstrate their credentials to the world by including Latin and French phrases within works. A dash of Latin was expected of the moderately educated throughout the Western world. annus mirabilis - wonderful year arbiter elegantiae - judge of the elegant; one who knows the good things in life bona fides - good faith; credentials carpe diem - sieze the day; enjoy the present casus belli - cause justifying a war caveat emptor - buyer beware cui bono? caeteris paribus - all things being equal de facto - of fact; it is de gustibus non est disputandum - no disputing tastes; there is no accounting for taste Dei gratia - by the grace of God Deo gratias - thanks to God Deo volente - God willing dis aliter visum - it seemed otherwise to the gods Dominus vobiscum - Lord be with you dulce et decorum est pro patria mori - sweet and seemly it is to die for one’s country ecce homo - behold man ex cathedra - with authority

How to Write a Synopsis of Your Novel by Glen C. Strathy* To sell your novel, you may need to know how to write a synopsis, even if you are a pantser-type novelist who can write a whole novel without making an outline first. Agents and publishers will often ask for a synopsis along with sample chapters before they request a complete manuscript. The biggest mistake most people make when they try to write a synopsis for the first time is to create a bare bones plot summary, along the lines of “First this happens, then this happens, then this happens...” Imagine, for example, if a sports writer described a hockey game as “First one team scored. What makes a hockey game or a novel mesmerizing is not a step-by-step description of what happens, but the emotions that accompany the actions, the anticipation, fear, hope, excitement, and disappointment at each turn of events. If you used Dramatica theory to create an outline for your novel before you started writing, writing a synopsis for your finished novel should be an easy task.

How to Flesh out a Country or Region in Your Fantasy RPG World Edit Article Edited by Zach Haffey, Maluniu, Glutted, Nicole Willson and 5 others Hello game master/fantasy author. This is a guide to organizing and sorting out the finer details and aspects of a specific country or region of your world: a format for the living details that help you and your players delve in to the role-playing aspect of your game. Ad Steps 1Short Introductory Summary - Give a one or two paragraph overview of the region or country, highlighting something unique or unusual about it and where it is geographically in your world.Ad 2Life, Society and Culture - This section should detail the culture(s) of the people who populate the region. Tips And for other topics, your providing these details will inspire ideas for larger, overarching plot-lines and the workings of still other regions of your land. Warnings

Character Trait Chart Character Trait Chart and Personality Components It can sometimes be helpful to make a Trait Chart for each character. This is especially helpful during the early stages of character development, before the character becomes as real to you as your mother. There are several charts of this sort available, some extremely detailed and some containing only facts and figures. To use this chart, print it out and make a copy for each of your characters. Full name - a character's name is very important. Besides the character's official name, we also need to know what he is called (and, perhaps, what he prefers to be called). Date of Birth/Age - we should carefully consider assigning our character a birthday. Address - this can be as detailed or as vague as you wish, but it should answer a few questions: does the character live in a large city, the suburbs, a small town or deep in the country? Height - this doesn't need to be specific. Smell - everyone has a smell. Questions? Custom Graphics by:

The Thirty-Six Dramatic Situations The Thirty-Six Dramatic Situations is a descriptive list which was created by Georges Polti to categorize every dramatic situation that might occur in a story or performance. To do this Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations. Publication history[edit] “Gozzi maintained that there can be but thirty-six tragic situations. This list was published in a book of the same name, which contains extended explanations and examples. The list is popularized as an aid for writers, but it is also used by dramatists, storytellers and many others. The 36 situations[edit] Each situation is stated, then followed by the necessary elements for each situation and a brief description. See also[edit] References[edit] External links[edit]

Fiction Writing Mistakes Take advantage of our Instructor of the Month deal and get all of James Scott Bell’s bestselling books on writing (and more) for one heavily discounted price. Order Now >> The best fiction writers write like they’re in love—and edit like they’re in charge. First drafting should be a wild and wonderful ride, full of discovery, dreams and promises. Having reviewed hundreds of manuscripts over the years, I’ve identified the five mistakes that most regularly turn up. 1. Chief among the most common problems, in first chapters especially, are scenes presenting characters who are perfectly happy in their ordinary worlds. But readers actually engage with plot via trouble, threat, change or challenge. Seconds before our truck slams into the tree, I remember the first time I tried to save a life. Or it can be something quieter, a single item that is off kilter, as in the opening of Sarah Pekkanen’s The Opposite of Me: Lights were never on this early. I decided this was too happy. “Oops,” Stan said.

25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes. 15. 16. 17. 18.

A Simple 4-Step Process for Writing Your First Book in 100 Days It's on a lot of people's bucket lists, along with "go to space” or “walk through Central Park naked.” Okay, maybe that’s just my bucket list. Related: 5 Truths to Contemplate Before You Start Writing Your Book But my guess is, somewhere on your list too is the desire to write a book. I also know that the very thought of writing a book generally feels like a monumental task, probably something akin to launching a rocket into orbit. But I just did it. And now, look -- I'm not a professional writer. Here's that same simple, four-step process that you too can follow to get your book written in the next 100 days. Step one: Commit like Arnold. Have you ever seen old videos of Arnold Schwarzenegger? Are you? I want to have six pack abs. One of my all-time favorite quotes comes from Michael Jordan, who said, "Some people want it to happen; some wish it would happen. Step two: Define your word count. How many words do you want your book to be? For example, I wanted my book to be 100,000 words.

Character Trait Cheat Sheet - Kris Noel In order to create a relatable character, you must think about them as having several layers. Knowing and choosing character traits is important because you don’t want them to be one dimensional. It’s all not as simple as saying “this person is mean” or “this person is kind”. I’ve listed some examples of character types: Adventurer: high levels of energy, bold, dominant, competitive, fickle, leader. Bossy: confident, competitive, stubborn, close minded, serious, lacks shame or guilt, wants a high status. Creator: artistic, observant, persistent, sensitive, introverted, becomes easily absorbed, enthusiastic, likes his or her own company. Extrovert: outgoing, talkative, not easily intimidated, expressive, enjoys being with others, seeks social situations. Fearful: driven by fears of rejection, unhappy, withdrawn, avoids stress, uncomfortable in social situations, problems being assertive. -Kris Noel My book My goodreads

9 ways to trick yourself into writing a novel November is National Novel Writing Month (NaNoWriMo, for short). This is the year you complete the book of your dreams. Sometimes all you need is a little motivation. Trick yourself into completing your novel this month by trying one (or all) of the strategies below. 1. Treat yourself. Use the power of positive reinforcement by treating yourself with treats after finishing a specified goal. For example, once you finish a chapter in your novel, reward yourself with Nutella-covered strawberries. Associate the completing of a goal with a desired stimulus in order to acquire a positive association, which will hopefully continue to motivate you throughout your writing process. 2. Deadlines can be a powerful motivator when it comes to writing. First, organize your story into specific parts; this can be done by chapter or scenes, depending on your preference. 3. No, you won't actually die, but the program Write or Die can ruin your life. 4. Take cues from Nathan For You. 5. Image: Richard T. 6. 7.

Synonyms for 95 Commonly Used Words - A Mini-Thesaurus for Writers Synonyms for 95 Commonly Used Words in the English language Source for Comic Source for Synonyms Writers Write offers the best writing courses in South Africa. To find out about Writers Write - How to write a book, or The Plain Language Programme - Writing courses for business, email news@writerswrite.co.za

Creative Writing Prompts: Secrets and Lies for Your Characters Nothing is better (or more fun for the writer) than a story-relevant secret or lie. Give some dilemma beneath the surface story to give your character depth, add suspense and tension, and keep your reader turning the pages. You can drop hints throughout your writing and when the reveal comes—you will surprise, shock, and delight your reader. Creating a character with a strong internal conflict, secret, or burden makes for one compelling read! Below are writing prompts to help you find some ideas for internal secrets, lies (and therefore conflict) for your characters. Write about a broken promise. Write about a secret. Write about a lie that protects. Write about a lie that is told to hurt. Do this brainstorming throughout the writing of your work in progress. Award-winning novelist Kathy Steffen teaches fiction writing and speaks at writing programs across the country.

Seven Tips From Ernest Hemingway on How to Write Fiction Image by Lloyd Arnold via Wikimedia Commons Before he was a big game hunter, before he was a deep-sea fisherman, Ernest Hemingway was a craftsman who would rise very early in the morning and write. His best stories are masterpieces of the modern era, and his prose style is one of the most influential of the 20th century. Hemingway never wrote a treatise on the art of writing fiction. 1: To get started, write one true sentence. Hemingway had a simple trick for overcoming writer's block. Sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. 2: Always stop for the day while you still know what will happen next. There is a difference between stopping and foundering. The best way is always to stop when you are going good and when you know what will happen next. 3: Never think about the story when you're not working. 7: Be Brief.

Related: