Music Tech Tutorials | Ableton Live, Reason, Logic, Cubase, Pro Tools, FL Studio, DJ Tutorials, Reviews, Previews, Interviews & much more The Covert Operators Adobe Flash Tutorials – Best of « Smashing Magazine Although usability evangelists often consider Flash to be a usability nightmare, used properly, Flash can provide users with a rich and interactive interface which would be impossible otherwise. Today Flash is the de-facto standard for interactive elements on the Web as most users install Flash plug-in by default. And in fact, there are many paths creative designers can take to create a more interactive and user-friendly interface. Searching for ‘flash tutorials’ via Google & Co. won’t provide you with the results you expect. This article provides hand-picked professional Flash tutorials which can enrich your design skills and improve the quality of your works. Animation and Effects Link Flash Tutorial Create Water Wave Effect Animation Using Masking Tween1We’re going to make a flash animation water wave effect and we going to move step by step to give you a clean explanation about how to make a water wave effect in flash using masking technique. Images and Videos Link Basic elements Link
Feature: 004 -FM Synthesis : Part 1 @ SonicState.com Some discussion of ratios is included in the video. When using a virtual analog, you probably won't have an option to set ratios between modulator and carrier. Instead, you'll set the pitch of the modulator by adjusting its pitch setting. If that sounds at all like gibberish, it won't after you watch the video. 30 Comments... inside synthesis Advanced Programming Techniques for Modular Synthesizers Table of Contents 1 Introduction 1.1 The Purpose of this Document 1.2 Acknowledgements 2 Oscillator Waveform Modification 2.1 Sync 2.2 Frequency Modulation Techniques 2.3 Wave Shaping 2.4 Vector Synthesis 2.5 Wave Sequencing 2.6 Audio-Rate Crossfading 2.7 Wave Terrain Synthesis 2.9 FOF Synthesis 2.10 Granular Synthesis 3 Filter Techniques 3.1 Resonant Filters as Oscillators 3.2 Serial and Parallel Filter Techniques 3.3 Audio-Rate Filter Cutoff Modulation 3.4 Adding Analog Feel 3.5 Wet Filters 4 Noise Generation 4.1 White Noise 4.2 Brown Noise 4.3 Pink Noise 4.4 Pitched Noise 5 Percussion 5.1 Bass Drum Synthesis 5.2 Snare Drum Synthesis 5.3 Synthesis of Gongs, Bells and Cymbals 5.4 Synthesis of Hand Claps 6 Additive Synthesis 6.1 What is Additive Synthesis? 6.2 Resynthesis 6.3 Group Additive Synthesis 6.4 Morphing 6.5 Transients 6.7 Which Oscillator to Use 7 Physical Modeling 7.1 Introduction to Physical Modeling 7.2 The Karplus-Strong Algorithm 7.3 Tuning of Delay Lines 7.4 Delay Line Details 7.6 String Modeling 15.2 Yamaha DX7
Designing Sound Remix Hotel Miami 2009 Videos | Remix Hotel Miami 2009 Domain Name www.emusician.com/remixmag/video/rh_miami/2009 Does Not Exist In The Database DotNetNuke supports multiple portals from a single database/codebase. It accomplishes this by converting the URL of the client browser Request to a valid PortalID in the Portals database table. Web Server Processing When a web server receives a Request from a client browser, it compares the file name extension on the target URL resource to its Application Extension Mappings defined in IIS. Creating Sound How to make DIY noise with feedback loops. DIY Noise With Feedback Loops You're interested in noise. Noise as an experimental music genre (if we can loosely call it that). With experimental music, time limits, radio edits, record company agendas, and expectations are not a factor. It's more important to try new things. Or nothing except effects to feed the effects, as in a "no input" source where a mixer's AUX sends are used to create a feedback loop with effects processing the loop. WARNING: This stuff gets loud so be careful or you'll blow your speakers or destroy your (or someone elses) ears! A simple feedback loop like the one above will give you an almost instant "screeching" sound. EQ's are good for bringing up feedback frequencies outside of the original "screech" range. Distortions will sustain the feedback and further mold it depending on the response of the pedal. Delays can cancel out certain frequencies and accent others depending on the delay "time" setting and feedback (repeats). This is a very basic example.
Forgive me Lord, For I have Synth: A Guide to Subtractive Synthesis - Zeros and Ones Subtractive synthesis is easily the most important type of synthesis you will come across. Why? Because everything that falls under the subtractive umbrella term has gone on to directly influence other types of synthesis such as additive, wavetable, frequency modulation and nearly anything else you can think of. The term is descriptive as it’s about sculpting sounds from harmonically rich waveforms using filters, envelopes, LFOs and amplitude shaping, and it’s the sound of quite literally thousands of records dating from the sixties right up until now. Let’s start out by having a look at the front panel of a few common analog synths. Moog Minimoog Where better to start than with where it all began – the Minimoog. Can’t afford the thousands these go for on eBay now? I’ve highlighted two key features of subtractive synthesis in red and blue. This section contains anything that generates a tone. Next, let’s look at our blue section, which the Moog calls Modifiers. Roland SH-101 Korg MS-20 LFOs
www.maxforlive.com - The Free Max for Live Device Library URL Link in Flash CS3 (ActionScript 3.0) In ActionScript 2.0, we used to click on the button and give it onclick properties. In ActionScript 3.0 all the ActionScript is specified in the actions panel for the frame not for the button itself. We need to click the frame on the timeline and open the actions panel. We should NOT click the button instance and give the actions. Creating a URL Link in Flash CS3 (ActionScript 3.0) Click on the keyframe in the ‘logo’ layer. Below is the explanation of the customizable portions of the code to create a URL link in Flash CS3: Test the movie, you will see that the website opens when the logo is clicked. Go to Step 6 >>