Ammit Ammit (/ˈæmɨt/; "devourer" or "soul-eater"; also spelled Ammut or Ahemait) was a female demon in ancient Egyptian religion with a body that was part lion, hippopotamus and crocodile—the three largest "man-eating" animals known to ancient Egyptians. A funerary deity, her titles included "Devourer of the Dead", "Eater of Hearts", and "Great of Death". Ammit lived near the scales of justice in Duat, the Egyptian underworld. In the Hall of Two Truths, Anubis weighed the heart of a person against the feather of Ma'at, the goddess of truth, which was depicted as an ostrich feather (the feather was often pictured in Ma'at's headdress). If the heart was judged to be not pure, Ammit would devour it, and the person undergoing judgement was not allowed to continue their voyage towards Osiris and immortality. Once Ammit swallowed the heart, the soul was believed to become restless forever; this was called "to die a second time". See also[edit] References[edit]
Maat The earliest surviving records indicating Maat is the norm for nature and society, in this world and the next, were recorded during the Old Kingdom, the earliest substantial surviving examples being found in the Pyramid Texts of Unas (ca. 2375 BCE and 2345 BCE).[2] Later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth and their attributes are the same. After the rise of Ra they were depicted together in the Solar Barque. After her role in creation and continuously preventing the universe from returning to chaos, her primary role in Egyptian mythology dealt with the weighing of souls that took place in the underworld, Duat.[3] Her feather was the measure that determined whether the souls (considered to reside in the heart) of the departed would reach the paradise of afterlife successfully. Maat as a principle[edit] Winged Maat Maat and the law[edit] Maat wearing feather of truth See also[edit]
Sekhmet In Egyptian mythology, Sekhmet /ˈsɛkˌmɛt/[1] or Sachmis (/ˈsækmɨs/; also spelled Sakhmet, Sekhet, or Sakhet, among other spellings) was originally the warrior goddess as well as goddess of healing for Upper Egypt, when the kingdom of Egypt was divided. She is depicted as a lioness, the fiercest hunter known to the Egyptians. It was said that her breath formed the desert. Sekhmet also is a Solar deity, sometimes called the daughter of the sun god Ra and often associated with the goddesses Hathor and Bast. Etymology[edit] Sekhmet's name comes from the Ancient Egyptian word "sekhem" which means "power or might". History[edit] Bust of the Goddess Sakhmet, ca. 1390-1352 B.C.E. The warrior goddess Sekhmet, shown with her sun disk and cobra crown from a relief at the Temple of Kom Ombo. In order to placate Sekhmet's wrath, her priestesses performed a ritual before a different statue of the goddess on each day of the year. Festivals and evolution[edit] In popular culture[edit] See also[edit]
Ancient Egyptian concept of the soul Ib (heart)[edit] To ancient Egyptians, the heart was the seat of emotion, thought, will and intention. This is evidenced by the many expressions in the Egyptian language which incorporate the word ib, Awt-ib: happiness (literally, wideness of heart), Xak-ib: estranged (literally, truncated of heart). This word was transcribed by Wallis Budge as Ab. In Egyptian religion, the heart was the key to the afterlife. It was conceived as surviving death in the nether world, where it gave evidence for, or against, its possessor. Sheut (shadow)[edit] A person's shadow or silhouette, Sheut (šwt in Egyptian), is always present. The shadow was also representative to Egyptians of a figure of death, or servant of Anubis, and was depicted graphically as a small human figure painted completely black. Ren (name)[edit] Ba[edit] Ba takes the form of a bird with a human head. The 'Ba' (bꜣ) was everything that makes an individual unique, similar to the notion of 'personality'. Ka[edit] Akh[edit] Akh glyph Notes[edit]
Anubis Anubis (/əˈnuːbəs/ or /əˈnjuːbəs/;[2] Ancient Greek: Ἄνουβις) is the Greek name[3] for a jackal-headed god associated with mummification and the afterlife in ancient Egyptian religion. According to the Akkadian transcription in the Amarna letters, Anubis' name was vocalized in Egyptian as Anapa.[4] The oldest known mention of Anubis is in the Old Kingdom pyramid texts, where he is associated with the burial of the pharaoh.[5] At this time, Anubis was the most important god of the dead but he was replaced during the Middle Kingdom by Osiris.[6] He takes names in connection with his funerary role, such as He who is upon his mountain, which underscores his importance as a protector of the deceased and their tombs, and the title He who is in the place of embalming, associating him with the process of mummification.[5] Like many ancient Egyptian deities, Anubis assumes different roles in various contexts. Portrayal[edit] Embalmer[edit] Perceptions outside Egypt[edit] Birth[edit] Gallery[edit]
Apep Development[edit] Ra was the solar deity, bringer of light, and thus the upholder of Ma'at. Apep was viewed as the greatest enemy of Ra, and thus was given the title Enemy of Ra. Also, comparable hostile snakes as enemies of the sun god existed under other names (in the Pyramid Texts and Coffin Texts) already before the name Apep occurred. The etymology of his name (ꜥꜣpp) is perhaps to be sought in some west-semitic language where a word root ꜣpp meaning 'to slither' existed. A verb root ꜥꜣpp does at any rate not exist elsewhere in Ancient Egyptian. Battles with Ra[edit] Set speared Apep The sun god Ra, in the form of Great Cat, slays the snake Apep[5] Tales of Apep's battles against Ra were elaborated during the New Kingdom.[6] Since everyone can see that the sun is not attacked by a giant snake during the day, every day, storytellers said that Apep must lie just below the horizon. In a bid to explain certain natural phenomena it was said that occasionally Apep got the upper hand.
Ancient Egyptian creation myths The sun rises over the circular mound of creation as goddesses pour out the primeval waters around it Ancient Egyptian creation myths are the ancient Egyptian accounts of the creation of the world. The Pyramid Texts, tomb wall decorations and writings, dating back to the Old Kingdom (2780 – 2250 B.C.E) have given us most of our information regarding early Egyptian creation myths.[1] These myths also form the earliest religious compilations in the world.[2] The ancient Egyptians had many creator gods and associated legends. Thus the world or more specifically Egypt was created in diverse ways according to different parts of the country.[3] Common elements[edit] Another common element of Egyptian cosmogonies is the familiar figure of the cosmic egg, a substitute for the primeval waters or the primeval mound. Cosmogonies[edit] Hermopolis[edit] Heliopolis[edit] Memphis[edit] The Memphite version of creation centered on Ptah, who was the patron god of craftsmen. Thebes[edit] References[edit]
Osiris Osiris (/oʊˈsaɪərɨs/; also Usiris), is an Egyptian god, usually identified as the god of the afterlife, the underworld and the dead. He was classically depicted as a green-skinned man with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive crown with two large ostrich feathers at either side, and holding a symbolic crook and flail. Osiris is first attested in the middle of the Fifth dynasty of Egypt, although it is likely that he was worshipped much earlier;[4] the term Khenti-Amentiu dates to at least the first dynasty, also as a pharaonic title. Osiris was considered not only a merciful judge of the dead in the afterlife, but also the underworld agency that granted all life, including sprouting vegetation and the fertile flooding of the Nile River. Etymology of the name[edit] Osiris is a Latin transliteration of the Ancient Greek: Ὄσιρις, which in turn is the Greek adaptation of the original theonym in the Egyptian language. Appearance[edit] Ram god[edit]
Egyptian mythology Egyptian mythology is the collection of myths from ancient Egypt, which describe the actions of the Egyptian gods as a means of understanding the world. The beliefs that these myths express are an important part of ancient Egyptian religion. Myths appear frequently in Egyptian writings and art, particularly in short stories and in religious material such as hymns, ritual texts, funerary texts, and temple decoration. The details of these sacred events differ greatly from one text to another and often seem contradictory. Mythology profoundly influenced Egyptian culture. Origins[edit] The development of Egyptian myth is difficult to trace. Another possible source for mythology is ritual. In private rituals, which are often called "magical", the myth and the ritual are particularly closely tied. Much of Egyptian mythology consists of origin myths, explaining the beginnings of various elements of the world, including human institutions and natural phenomena. Definition and scope[edit]
Duat This article is about the Egyptian underworld. For the evergreen tree, see Jambul. For the aviation weather service, see DUATS. In Egyptian mythology, Duat (pronounced "do-aht") (also Tuat and Tuaut or Akert, Amenthes, Amenti, or Neter-khertet) is the realm of the dead. The Duat is the realm of the god Osiris and the residence of other gods and supernatural beings. What we know of the Duat principally derives from funerary texts such as Book of Gates, Book of Caverns, Coffin Texts, Amduat and the Book of the Dead. A section of the Egyptian Book of the Dead written on papyrus showing the Weighing of the Heart in Duat where Anubis can be seen on the far right, the scales are shown with the feather balance, and Ammit awaits hearts that she must devour – the presence of Osiris at the gateway to the paradise of Aaru dates the papyrus to a late tradition of the myth. The geography of Duat is similar in outline to the world the Egyptians knew. References Bibliography Faulkner, R. External links