Writing Characters Using Conflict & Backstory Seven Steps To Creating Characters That Write Themselves Creating characters that are believable takes time and discipline. Creating dynamically real individuals and not imposing your own thoughts and impressions upon them is not easy to do, and is often the difference between a novel or screenplay that sits in a closet and one that finds its way around town and into the hands of audiences. Spending your time building your characters before they enter the world of your story makes the process of writing an easier and more enjoyable ride, and creates a finished product that agents, publishers, producers and readers can truly be excited by. You must first agree to operate from the understanding that the three-dimensionality of your characters is not created magically. The complexity that you desire comes through: 1. The first key to deepening your work is finding the major motivators in the lives of your characters that drive their actions. 2. 3. 4. 5. Emotions are extreme. 6. 7.
Society of Children's Book Writers and Illustrators How to Make a Storyboard Before a house is built, the architect draws a plan of the house. Similarly, in creating a book, the illustrator first draws a plan--the storyboard. The story board is a two dimensional model, with all the pages of the book laid out on one piece of paper. Figure 1. Now mark the page numbers clearly below the appropriate squares. In planning a picture book, stick with 32 pages whenever possible, as this is the length most publishers prefer. descriptive words chart 102 Resources for Fiction Writing « Here to Create UPDATE 1/10: Dead links removed, new links added, as well as Revision and Tools and Software sections. Are you still stuck for ideas for National Novel Writing Month? Or are you working on a novel at a more leisurely pace? Here are 102 resources on Character, Point of View, Dialogue, Plot, Conflict, Structure, Outlining, Setting, and World Building, plus some links to generate Ideas and Inspiration. 10 Days of Character Building Name Generators Name Playground The Universal Mary Sue Litmus Test Priming the idea pump (A character checklist shamlessly lifted from acting) How to Create a Character Seven Common Character Types Handling a Cast of Thousands – Part I: Getting to Know Your Characters It’s Not What They Say . . . Establishing the Right Point of View: How to Avoid “Stepping Out of Character” How to Start Writing in the Third Person Web Resources for Developing Characters What are the Sixteen Master Archetypes? Building Fictional Characters Fiction Writer’s Character Chart Speaking of Dialogue
Novel Writing Help 6 Ways to Hook Your Readers Although I consider myself an avid reader, I must admit I have a short attention span when it comes to getting into books. If you fail to grab my attention in the first few lines, I start spacing out. Most readers are like me. Here are a few things I find annoying in the first lines of a story: Dialogue. The last thing you want to do as a writer is annoy or bore people. (N.B. 1. Put a question in your readers’ minds. “Those old cows knew trouble was coming before we did.” 2. By starting at an important moment in the story, your reader is more likely to want to continue so he or she can discover what will happen next. “It was dark where she was crouched but the little girl did as she’d been told.” 3. Description is good when it encourages people to paint a picture in their minds. “Last night I dreamt I went to Manderley again.” 4. The promise of reading more about a character you find intriguing will, no doubt, draw you into a story’s narrative. 5. 6.
Stephen King's Top 20 Rules for Writers Image by the USO, via Flickr Commons In one of my favorite Stephen King interviews, for The Atlantic, he talks at length about the vital importance of a good opening line. “There are all sorts of theories,” he says, “it’s a tricky thing.” We’ve talked so much about the reader, but you can’t forget that the opening line is important to the writer, too. This is excellent advice. Revision in the second draft, “one of them, anyway,” may “necessitate some big changes” says King in his 2000 memoir slash writing guide On Writing. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. See a fuller exposition of King’s writing wisdom at Barnes & Noble’s blog. Related Content: Stephen King Creates a List of 96 Books for Aspiring Writers to Read Stephen King Writes A Letter to His 16-Year-Old Self: “Stay Away from Recreational Drugs” Ray Bradbury Offers 12 Essential Writing Tips and Explains Why Literature Saves Civilization Kurt Vonnegut’s Eight Tips on How to Write a Good Short Story
Create A Plot Outline In 8 Easy Steps By Glen C. Strathy How would you like to create a plot outline for your novel in less than an hour that is emotionally compelling and dramatically sound? It's easier than you think. The secret is to incorporate the 8 Basic Plot Elements. Sound intriguing? I'll describe each of the eight elements in turn. On the other hand, if you already have a draft for a novel, that you're looking to revise, then ask yourself, as we go through these elements, whether you have included them in your story. 1. 15K+Save The first element to include in your plot outline is the Story Goal, which we covered in detail in the previous article, The Key to a Solid Plot: Choosing a Story Goal. For instance, let's say we want to write a story about a 38-year-old female executive who has always put off having a family for the sake of her career and now finds herself lonely and regretting her choices. There are many ways we could involve other characters in this goal. ... a mother who wants her to be happier. 2. 3.
Writers Online Writing Fiction: How to Structure a Killer Novel Ending There are more than a few writers and teachers out there, many of them orders of magnitude more famous than I am (not hard to do), who don’t like to compartmentalize or even attempt to define the sequential parts and essential milestones of a story’s plot structure. Too formulaic, they say. Takes the fun and creativity out of it, they claim. A write-by-the-numbers strategy for hacks, a vocal few plead. When they do talk about how to write a book and, more specifically, story structure, they tend to dress it up with descriptions that are less engineering-speak in nature—“the hero’s journey” … “the inciting incident” … “the turn”—and are more appropriate to a lit class at Oxford. Makes them sound—or more accurately, feel—more writerly. What’s interesting is that the stories these writers create, especially if they’re published, and especially the stories they use as examples in their teaching, follow pretty much the same structural paradigm. Thank God for screenwriters.
10 Amazing Historical Conflicts That Are Completely Forgotten History While some wars and skirmishes stand out and are immortalized in television, art, and film, history is full of thousands of fascinating conflicts that most have never heard about. The following are just 10 of these. 10The Battle Of Bloody Bayc.1480 This just might be the mother of all father versus son conflicts. After King James I of Scotland was captured and held prisoner in England in 1406, Scottish barons gained tremendous authority over the people. Everything was to change, however, when John Macdonald took over as ruler of the clan. With Angus Og and his father John commandeering either side, the two armies met in an extraordinarily violent and murderous skirmish that took place off the coast of Mull. 9The Lusitanian War155–139 B.C. When the army under praetor Servius Sulpicius Galba and proconsul Lucius Licinius Lucullus occupied the land of the Lusitani, a small Celtic tribe, the Lusitanians offered a treaty of peace to the Romans along with willful submission. Dr.
25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! — about characters: 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes.
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