Brooklyn Street Art Posted on April 7, 2014 “After photographing in the mosh pits for awhile I began to get familiar with patterns in the music. Eventually it got to the point where I could sense the moment coming when things would really cut loose and go berserk,” says painter Dan Witz about his process and method for catching the moment when the roiling mass of hardcore music fans hit the perfect state of frenzy. “NY Hardcore Paintings”, opening this past Saturday night and on view currently at The Jonathan Levine gallery in Chelsea, presents Witz with his new body of convulsing bodies and to say they are a revelation is only part of the story. Dan Witz “NY Hardcore” Jonathan LeVine Gallery (Photo © Jaime Rojo) With this many pieces displayed at once you begin to see mosh pits more as a cultural phenomenon, sociological study, and expression of the cognitive polarity produced when marginalized subculture creates communal gatherings. Dan Witz “NY Hardcore” Jonathan LeVine Gallery. Posted on April 6, 2014
Vandalog – A Street Art Blog expositions temporaires-Rennes Eyes On Walls | Urban Art INTERESNI KAZKI We declare the world as our canvas106 of the most beloved Street Art Photos - Year 2012 Click on a photo and you make it bigger and can post a comment on it. And thats some of the most beloved Street Art Photos posted in 2012 on Street Art Utopia! A member of Street Art Utopia on Facebook wrote two year ago this nice piece about the future: – My son, do you want to hear something strange? – Yes! – You know the new tree painting we did on the garage last week.. – What? – Well, yes, many were. – Was art forbidden? – Well no, but it had to be in special buildings only. – Wow.. – Yes, my son. Graffiti Art Magazine Street Art, art with impact! EDITO #70 | May-June 2023 At a time when water usage restrictions have never been applied so early in the season, the questioning of climate change raised by Kurar in Surbanisation on the cover of GraffitiART #70 is extremely topical.Kurar’s commitment conveys urgent messages, through stencils, spray cans and brushes, about the environment, ethics, and social issues… For Petite Poissonne, her talent for catchphrases heightens the impact of her aphorisms. In a graphic world all his own, Shaka deconstructs the human figure in style that is a blend of hyperrealism and anthropology. As for the multi-skilled Gwendoline, she sets off to conquer vast urban spaces. Long live Street Art!
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