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Oratorio

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Minor difference between opera and oratorio. Notable composers. Broadcast Yourself. Definition of oratorio. Oratorio. History[edit] 1600, origins of the oratorio[edit] Although medieval plays such as the Ludus Danielis, and Renaissance dialogue motets such as those of the Oltremontani had characteristics of an oratorio, the first oratorio is usually seen as Emilio de Cavalieri's Rappresentatione di Anima, et di Corpo. Monteverdi composed Il Combattimento di Tancredi e Clorinda which can be considered as the first secular oratorio. 1650–1700[edit] By the mid-17th century, two types had developed: Lasting about 30–60 minutes, oratorio volgares were performed in two sections, separated by a sermon; their music resembles that of contemporary operas and chamber cantatas. oratorio latino (in Latin) – first developed at the Oratorio del Santissimo Crocifisso, related to the church of San Marcello al Corso in Rome.

The late baroque oratorio[edit] In the late baroque oratorios increasingly became "sacred opera". The oratorio in Georgian Britain[edit] The Victorian oratorio[edit] 20th-century oratorios[edit]