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What made Michael Asher extremely relevant to architecture has to do with his work’s spatial concerns and their contextual narratives, particularly site specific and situationist manipulations of space often in a dialog with the viewer via the sculptural platforms. As Duchamp did with his readymades, Michael Asher also sought to connect art with people. Except in Asher's case they were decidedly engaged more direct interdependencies between art and architecture — Architect's Newspaper "They felt some of those things were too flashy and not in keeping with the kind of the culture of Facebook, so they asked us to make it more anonymous.
