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Over the past ten years or so I have been making handcoloured emblems by painting with watercolours copies of woodcuts and engravings from printed books and some manuscript drawings. In colouring these I made use of my intensive study of the original coloured manuscripts of the 15th to 18th centuries, which have been the main focus of my research over the past years. I have often found that by contemplating and meditating on these handcoloured images one can resonate with and enter into the complex symbolic world of alchemy.
L’encre qui disparaît et réapparaît
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