background preloader


Facebook Twitter

Rabots noisette VÉRITAS, Rabots VÉRITAS, Outils à main - Pyrograveurs - Bordet. Véritas nous propose une ravissante collection de rabots « Noisette ».

Rabots noisette VÉRITAS, Rabots VÉRITAS, Outils à main - Pyrograveurs - Bordet

À quoi peuvent-ils servir et quels sont leurs avantages ? C’est avant tout un rabot de précision pour la mise en forme. On serait tenté de penser qu’il n’est utilisable que sur de petites surfaces, c’est vrai, mais pas seulement. Les luthiers utilisent couramment ce type de rabots pour creuser et galber les tables d’instrument. Les ébénistes spécialisés dans les petits objets, les restaurateurs de petits mobiliers, les passionnés de modélisme sont autant d’utilisateurs de cet outil. Les caractéristiques Les semelles mesurent 38 x 16 mm.Corps en acier.Inclinaison du fer à 45°.Fer en HSS de type A2.Rayon de courbure de 12 mm.Le pommeau en Bubinga est réglable en hauteur.

Toutes les références : 741105 - 741106 - 741107 - 741108 - 741109. Galerie de Ben © Making. When preparing to make an instrument, one must first of all consider one's choice of materials and create a strategy of design.


The rough flitches of wood used for the front and back plates are glued together with joints that must last perhaps for hundreds of years. Volutes and Violins by Åke Ekwall for the Nexus Network Journal vol.3 no.4 Autumn 2001. Åke EkwallHantverkargatan 9S-777 30 Smedjebacken SWEDEN INTRODUCTIONFrom 1957 to 1965, I carried out an extensive investigation into how the violin acquired its singular shape.

Volutes and Violins by Åke Ekwall for the Nexus Network Journal vol.3 no.4 Autumn 2001

The results of my research were published as The Art of Drawing a Violin [1994]. One aspect of violins that I studied was the strong spiral line of the f-holes and scroll (Figure 1). Spiral patterns in art are found from early times in many different parts of the world. The idea of such a figure, it seems, derives from natural forms: shells, climbing plants, the tails of reptiles, an elephant's trunk, ram's horn, locks of hair, etc.

So much, more or less, one can gather from various present-day works of reference. I posed the last question, somewhat cautiously, to a modern manufacturer of draughtsmen's curves, the firm of A.W. Vitruvius's principle of construction is shown in Figure 3a. If we call Vitruvius's volute a mainly 90° volute, then Alberti's construction (Figure 4), can be called a 180° volute. Sergei Muratov. The Art Of The Violin Design. ПредисловиеСкрипка, вопросы истории происхожденияСкрипка как конструкцияГеометрия скрипкиРеконструкция страдивариевского метода построения скрипкиСимволизм скрипкиСкрипка и черепThe Art Of The Violin DesignУлучшение звука скрипкиРеставрация деформированной декиУстановка пружины в скрипке Sergei Muratov.

Sergei Muratov. The Art Of The Violin Design

The Art of the Violin Design Illustrated by Sergei Muratov Copyright(C) 2002-2012 by Sergei Muratov. All Rights Reserved No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means, Иллюстрации к "Постер скрипки Гварнери дель Джезу 1735 года" Журнал "Самиздат": [Регистрация] [Найти] [Рейтинги] [Обсуждения] [Новинки] [Обзоры] [Помощь] Иллюстрации: Связаться с программистом сайта.

Иллюстрации к "Постер скрипки Гварнери дель Джезу 1735 года"

Amazon. The Art of Violin Making. The Art of Violin Making is a major reference book for everyone interested in the history of the violin and its method of construction.

The Art of Violin Making

The Art of Violin Making is both a craftsman’s handbook and an historical reference, bringing into one volume a summary of essential information for the violin maker, player and historian. Part One: The Violin Makers is devoted to separate chapters on the life and work of some of the greatest families of violin makers; the Amati, Stradivari, Guarneri, and the unique genius of Jacob Stainer. These chapters include superb colour photographs of the makers’ instruments. Also included is a chapter covering the work of some leading contemporary violin makers.

Part Two: The Workshop, Tools & Materials provides essential information about the tools, working environment and materials needed by the violin maker. The Authors: Roy Courtnall is a luthier, writer and lecturer in musical instrument technology. Buy direct from the author - Contact me - Click here! Carving a Pegbox and Scroll.

The very first thing that needs to be done here is to obtain very complete templates for the pegbox and scroll you wish to make.

Carving a Pegbox and Scroll

Since tradition is so strong in the violin family, most folks will start with patterns taken from existing instruments. You can either take these directly from instruments or use the patterns included with any of the violin building books or plans available. The series of posters put out by the magazine The Strad have great drawings on the backs that can be used to good effect. If you want to derive your own scroll pattern while staying within the bounds of tradition, take a look at the drawing of scroll and pegbox proportions that appear in Ed. Heron – Allen's book Violin – Making As it was and is. In the following paragraphs I'm detailing the construction of a pegbox and scroll for an electric upright bass (EUB). Another note. Le Bois de lutherie: Erable, épicea, stages de lutherie, archèterie, viole de gambe.