Electronica. EERO JOHANNES. Eiffel 65. Biography[edit] Formation[edit] We have this little program on the computer that helps us choose the name, and that's how 'Eiffel' came out, but the '65' issue is really strange, because no one actually chose the 65 number. We went to the producer, 'What happened? ' So he started looking for an answer, and what happened was, he was writing a phone number on a piece of paper, and two digits of the phone number ended up on the label copy. That's the piece of paper the graphic artist gets to make the sleeve and all the information on the record. 1998–2005[edit] Eiffel 65 achieved considerable success in Italy, the rest of Europe, United States, and Canada.
Eiffel 65 also made thirty remixes of tracks by other artists like "The Bad Touch" by Bloodhound Gang, Nek's hit single "La vita è" and S Club 7's "Reach" between 1999 and 2002 and in early 2005 a remix of Yo Yo Mundi's "L'ultimo testimone". Bloom 06[edit] Reformation[edit] Zorotl[edit] Members[edit] Discography[edit] Studio albums[edit] EPs[edit] Eiffel65. ATB. Musical career[edit] Early career: 1980s–1997[edit] ATB playing at Club Pacha in New York City ATB in 2004 In the late '80s, André frequented club Tarm Center in Bochum on the weekends to listen to the music of DJ Thomas Kukula (better known as the General Base). Tanneberger started his music career with the dance music group Sequential One. After the great success in his native Germany, Sequential One gradually became known in other countries of Europe. Formation of ATB and Movin' Melodies: 1998–1999[edit] Two Worlds: 2000–2001[edit] Dedicated: 2001–2002[edit] His third album, Dedicated, was released in 2002.
Addicted to Music: 2003[edit] No Silence: 2004[edit] ATB's hits "Ecstasy" and "Marrakech" were included on the album No Silence (2004). Seven Years: 2005–2006[edit] Trilogy: 2007[edit] Future Memories: 2009[edit] The album Future Memories was released on 5 May 2009. Distant Earth: 2011[edit] On 29 April 2011 Distant Earth was released, followed by Distant Earth Remixed on 16 September 2011. ATB. ATB. DJ Olive. Asch in 1992 Associated acts[edit] dj olive. So Me Free, Record blanksdj olive. Homeless Records, Record blanksdj olive. Remix's include work for: vida blueBill Laswellsporangiacelluid mataKompakttelekenetic soulmate48 camerasChoro ClubNettleRinkenMonoZuthe McDadesMedeski Martin & Wood Remixed by WE (TM): Free KittenMedeski Martin and WoodTipsyArto LindsaySoul Slingerthe Dylan group References[edit] External links[edit]
DJ Olive. DJ Olive the Audio Janitor – Free listening, concerts, stats, & pictures at Last.fm. DJ Olive. "HEAPS AS" This is a wicked live example of the Brooklyn Roof Music sound. “Heaps As, Live in Tasmania” was recorded during two live shows in Australia in ‘05 while DJ Olive was on tour: one in Hobart, Tasmania and the other in Perth, Western Australia. This is dance music for wild booty bouncing good times. Never four on the floor these friendly down home rhythms inspire the rough and tumble generation with rugged tracks in a fluid, seamless mix.
Some of the sounds clearly come from Olive’s classic debut full length “Bodega” though generally this is all new material discovered live while freely mixing his unique bag of sound tools in reaction to the crowd. Hip hop instrumental breaks blend with dance hall. Rinsed out accelerated dub and one love baselines roll out as Olive moves the vibe and pushes the floor. Olive’s skillz as an improviser honed through years on the road are unleashed on the dance floor.
DJ Olive is known for many sounds. In 1994, he started up Multipolyomni and We. THE BLOODY BEETROOTS. Josh Wink. Early life[edit] As a youth, Wink studied the piano for three years and took clarinet lessons as a teenager. His interest in DJing began as a 13-year-old, when he became apprentice to a friend, a radio station and mobile DJ in Philadelphia. It was at this time that Wink also became a vegetarian, following in the footsteps of his mother and brother. As a teen, he quickly gained familiarity with DJing equipment and taught himself how to mix beats in 1986. Style[edit] Wink's current style is a mixture of techno, acid, house, drum and bass, and experimental music. In 1996, Rolling Stone writer Frank Broughton observed that "a Josh Wink record takes a series of sampled noises, then twists and warps them through a barrage of sound processors, resulting in a spiraling blend of acidic bass lines and trippy break beats Wink has acknowledged the music of Kraftwerk, 1980s synthpop and late 1980s Chicago house music as major influences on his style.
Recordings[edit] References[edit] Lords of Acid. Their fans formed an online community called the Children of Acid. In 2010 after being silent for almost ten years, Praga Khan announced a new EP, Little Mighty Rabbit, was in the works with a September 2011 release date.[1] Their latest album Deep Chills was released on 10 April 2012. Tracks on the album included "Children of Acid", "Paranormal Energy" with Zak Bagans, and "Pop That Tooshie" with Alana Evans.[2] In October 2013, Lords of Acid announced on their social media accounts that a new album was in the works.[3][4] Band members[edit] Current members Key former members Olivier Adams – synthesizers and programming, drums, vocalsLudo Camberlin (aka Carl S. Other contributors Further information[edit] Lords of Acid also performed under the pseudonyms Channel X, Digital Orgasm and 101, with a less sex-based and more rave-influenced sound.[8] Lords of Acid made a cameo appearance in an adult pornographic film 54, performing "Finger Lickin' Good", "Stripper" and "Stoned on Love Again".
The Prodigy. The Prodigy are an English electronic music group formed by Liam Howlett in 1990. The current members include Liam Howlett (keyboardist and composer), Keith Flint (dancer and vocalist), Leo Crabtree (drums), Rob Holliday (lead guitarist) and Maxim (MC and vocalist). Leeroy Thornhill (dancer and occasional live keyboardist) was a member of the band from 1990 to 2000, as was a female dancer and vocalist called Sharky who left the group during their early period.
Along with the Chemical Brothers, Fatboy Slim and other acts, The Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s and 2000s.[1] They have sold over 25 million records worldwide.[2] The group has won numerous music awards throughout their career, including two Brit Awards—winning Best British Dance Act twice, three MTV Video Music Awards, two Kerrang! Awards, five MTV Europe Music Awards, and have twice been nominated for Grammy Awards.[3][4] History[edit]