Brushes with strangers. Swissted. Celestino Piatti, 1950s/60s. The Xopiatti “Celestino Piatti’s Animal ABC”, 1966 Poster for a brand of French-flavor cigarettes Graphis Annual 69/70 Ad for Zurich printers specializing in color posters Graphis Annual 58/59 . . . . . . . . . . Poster for a milk drink Graphis Annual 63/64 Book cover for the “The High Tide” Graphis Annual 57/58 “Against coughs, sore throats, hoarseness.” – Poster for a brand of cough drops Graphis Annual 67/68 . . . . . . . . . .
Poster for a Swiss Federal music festival Graphis Annual 67/68 Poster for an international fair in Lyons, France Graphis Annual 64/65 Poster for a local daily that is “optimistic like its readers” Graphis Annual 68/69 . . . . . . . . . . “Beer lends you wings”, Poster for Swiss Association of Beer Brewers Graphis Annual 64/65 Poster for a Swiss mineral water Graphis Annual 58/59 [ All images © ] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . “You can draw an owl a thousand times, and never find out its secret.” — Charley Harper Prints. Letterbox. Swiss Poster Generator. Graphic Design | Visual Communication | Visual Identity | Publication Design.
Identity TIN CAN is a Dutch production company that focuses on the development and production of formats in the field of television, branding, online and events. As shown in the movie, the entire identity consists of two basic elements that constitute the logo; namely a basic typography and four basic lines. Each line refers to one of the four disciplines of their profession. These lines are the main 'format' for the entire identity and are adaptable to different types of content and applications. By Design. Logo Design Love. TANAMACHI STUDIO.
Dana Tanamachi. That’s really great insight. Did you go out on your own at the end of 2011? September 30, 2011 was my last day at Louise Fili Ltd. A couple weeks prior, I had this moment where I questioned if I was doing the right thing. I had jobs lined up, but I was still wrestling with some hard questions. That day, as I was in the middle of a mini-crisis, I got a call from the folks at O Magazine who asked me to design the cover of their February issue.
Yes, they wanted me to hand-letter the entire cover in chalk and they’d photograph Oprah standing in front of my work. I couldn’t stop laughing. They asked me to come in that next Wednesday, but the earliest I could do it was Thursday, which happened to be my last day at Louise’s studio. [Tina] I just saw that cover when I was standing in line at the grocery store the other day and thought, “Dana did that!” Was creativity a part of your childhood? I didn’t take any formal art classes when I was younger, but I was a hardcore crafter. www.katranpress.com/stamp-lecture-proposal.pdf. Standard Form Limited » Templates.
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