photographes
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Sometimes when she’s taking pictures, Sonia Soberats forgets she cannot see. Until 1986, Ms. Soberats was like many single immigrant mothers — living in Queens, working two jobs and watching her two children grow into flourishing adults. Life began to crumble, though, when ovarian cancer was diagnosed for her only daughter.
Visions of a Blind Photographer
Today's New York Times front page, showing Silva's photograph A war photographer who was severely injured by a landmine in Afghanistan has returned to the front page today (28 July) with a picture in the New York Times. The image accompanies an inside-page story about the closure of the Walter Reed Medical Centre in Washington, where Portuguese-born Joao Silva has been recovering from his injuries for seven months. Silva was working for the New York Times, embedded with the US military in Kandahar Province, when he stepped on the mine on 23 October last year, losing both his legs below the knee.
Injured war photographer returns to front page
La photographe Sarah Caron, témoin d'un monde fébrile - culture-match
culture-match | vendredi 12 août 2011 Paru dans Match Photographe d'exception et grand reporter, habituée des pages des plus grands magazines internationaux dont Paris Match, Sarah Caron a fait du monde son terrain d'exploration. Ses deux ouvrages « Le Pakistan à vif » et « Pakistan / Land of Pure » nous font pénétrer dans les zones tribales pakistanaises et témoignent de la rigueur de son regard, sensible sans sensiblerie.
It's been nearly 10 years since the U.S. war in Afghanistan began back in October 2001. Journalists and photographers flocked to Kabul and Tora Bora as the first bombs fell. The iPhone had not yet been invented; it would be another three years until anyone knew what Facebook was. Back then, Afghanistan was a war of necessity, a war of revenge. A decade later, Osama bin Laden -- the erstwhile target of the U.S. invasion -- is dead.
The War in Hipstamatic - An FP Photo Essay
Alors qu’on écrit encore, à longueur de colonnes, que le photojournalisme est mourant, les révolutions du monde arabe révèlent une nouvelle vague de photojournalistes. Le credo de Neus : On ne sait pas encore comment, mais c'est possible ! Au tout début de la révolution tunisienne, le vendredi 14 janvier dernier, Lucas Dolega est mortellement touché par une grenade lacrymogène tirée à bout portant par les policiers du régime de Ben Ali. Dix jours plus tard, au cimetière du Père Lachaise où on l’enterre, dans la foule présente, il y a peu de « vieux », et beaucoup de jeunes photographes.