Basic Photography Tips
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Learning Photography - Using Manual Exposure - Part 1 : Â© Stephen J. Kristof - www.freephotographylessons.weebly.comMoving Image Archive > Community Video > Learning Photography - Using Manual Exposure - Part 1 View movie View thumbnails Run time: 9 minutes 57 seconds Play / Download ( help (23.2 M) 512Kb MPEG4 (32.6 M) Ogg Video (175.7 M) MPEG4 All Files: HTTPS
Here are some easy, but essential tips on achieving the best (and by best, I mean the sharpest) results from your digital camera. If I had a nickel for every time someone with a new camera blamed the camera itself as the reason why their pictures aren't coming out as crisp as those seen in photo books, magazines for even this site, I'd be able to pay someone to write this guide for me. Unfortunately, I don't. So here I am. The Camera or the Photographer ?
Photography as both a profession and a hobby is an incredibly expansive topic that covers a remarkably vast range of subjects from science and art. No matter where you lie on the professional spectrum, there is simply always more to learn. We spent countless hours scouring the web for the best content we could find and share with you, and today we’ll help you expand your knowledge with 100 photography related tutorials!
The "Sunny 16" Rule and Other Camera Basics For some of the younger crowd it may seem hard to believe, but until the late 1960s very few photographers used electronic exposure meters. Most relied on experience (or secretly used printed exposure guides). Some photographers (us "Old-Timers") still prefer to work with the old mechanical cameras, and know that it pays to have some of the basics in your head, because the essential photographic facts, formulas and rules can help you get good shots, even when the fanciest of meters fail. The "Sunny 16" Rule The basic exposure rule for an average scene taken on a bright, sunny day is to use f/16 at a shutter speed equivalent to one over the ISO setting; that is, f/16 at 1/100 sec (or the nearest equivalent, 1/125) at ISO 100, etc. In other words, the shutter speed will vary according to the ISO you are using.
Edit Edited by Lewis Collard, Monica, Caidoz, Krystle and 4 others If you are bewildered by your Nikon digital SLR's numerous buttons, modes, and settings, and don't feel like reading through hundreds of pages of camera manual , don't worry, you're not alone. The following steps will guide you through the few settings you should care about and the basics of using every Nikon digital SLR ever made,  from 1999 right up to today. Edit Steps A note on nomenclature
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I’m beginning to warm up to cheesy stock photos… have you noticed that I’ve used some super cheesy ones the last few days? I’ve spent several days searching all over the Internet to find the very best 21 up-and-coming photography websites. Each of the sites on this list are well deserving of a good read.
Haselblad 503CW with Ixpress V96C digital back , an example of a professional digital camera system A digital camera (or digicam ) is a camera that takes video or still photographs by recording images on an electronic image sensor . Most cameras sold today are digital, [ 1 ] and digital cameras are incorporated into many devices ranging from PDAs and mobile phones (called camera phones ) to vehicles.
Pentax K-x 23.6 x 15.8 mm CMOS image sensor digital SLR camera Digital single-lens reflex cameras (also named digital SLR or DSLR ) are digital cameras combining the parts of a single-lens reflex camera (SLR) and a digital camera back , replacing the photographic film .
Contrast & key If you are using picture-editing software or a traditional darkroom to make your black-and-white photos, contrast and key are aspects you can emphasize or minimize in ways that are impossible in color pictures. High-contrast (an extreme range between bright and dark) scenes may confine a viewer's attention to one element, while a low-contrast (with a narrow brightness range) scene may convey serenity and peace. You may also hear the terms high key (predominately light tones) and low key (predominately dark tones) in relation to black-and-white photography.