Musician Zoe Keating reveals iTunes, Spotify and YouTube payouts for 2013 | Technology. Want to know how much a musician really makes from digital services like iTunes, Spotify and YouTube? Zoë Keating is one of the more reliable sources. The cellist, who self-releases her music rather than work with a label, has made a habit of sharing details of how her earnings break down between different sources, for the benefit of her peers and the wider debate around digital music payouts. Over the weekend, Keating published her latest set of figures as a public document on Google Drive, splitting her recorded-music earnings from 2013 into sales and streams. In short, 92% of her income last year came from sales – $75,341 – with a further $6,380 coming from streaming services.
Keating’s biggest source of income last year was Apple’s iTunes Store, where sales of 32,170 single tracks and 3,862 albums netted her just over $38,195. Keating also notched up 266,331 streams on SoundCloud and 222,226 streams on her Bandcamp site, neither of which generated royalties for her. Wix.com amia music now created by based on The Artist Lair. Becoming A Pop Star With Zero Experience: How To Hack The Music Industry In Under 8 Weeks. If you like this post, please share on Twitter and share on Facebook. This is a guest post by charts-topping musician Alex Day.
Just over a year ago, I knew exactly what I wanted to get out of life…but I had no idea how to get it. What I wanted was to be a successful musician in the UK with a Top Five single in the charts, my song played on radio and my story in the newspapers–but I didn’t (and still don’t) have is a manager, an agent, a radio plugger, a PR person, or any of the other things people say you need to succeed in music. I didn’t even know how to produce my own music without outside help, and I never played live because I preferred uploading YouTube videos where I could spend time getting it right.
Two months later, my song “Forever Yours” was #4 in the UK on Christmas Day during the highest-selling singles week of the year, having sold 100,000 copies globally. Editor’s Note — Sign up for the Hack the System newsletter if you’d like to learn more incredible hacks. 1. I froze. Vevo boss says intelligent, data-centric services could revive music industry | Media. Intelligent, data-centric services could herald the rebirth of the music industry, Vevo's international senior vice-president Nic Jones has said.
The music video brand reached 4 billion views in 2012, Jones told the MediaGuardian Changing Media summit on Thursday, generating 3 billion of those via its presence on YouTube. Vevo's success has confirmed that users want a combination of build-your-own, discoverable services and curated content, with music providers becoming more savvy in interpreting data to improve their services. "Data is useless unless you can turn it into information and do something with it, but people still want the opportunity to be curated by more than algorithms," he said. "This could be the rebirth of the music industry, and the crucial point is that it is people wanting interaction – they want to see content about how a band started, where they got together, which clubs they go to... discovery is what most people who love music are all about.
" AMIA Singer Songwriter :: Photos. Get The Brain Freeze. Did file-sharing cause recording industry collapse? Economists say no. For the last decade, the movie and music industries have engaged in a relentless struggle against Internet file sharing. One prominent theater of this global conflict has been the UK, which last year saw the passage of the Digital Economy Act. The law, if fully implemented, could allow Internet Service Providers to disconnect "persistent infringers" of the UK's copyright rules from the 'Net.
The zeal with which Hollywood and the recording industry have pursued this ISP-as-cop approach around the world has prompted some ISPs to cry foul. "The notion of disconnection without judicial oversight violates the presumption of innocence," warned the Australian DSL service iiNet in a recent position piece . "As the penalty for possibly minor economic loss (at the individual infringer level) removal of Internet access is, therefore, both inappropriate and disproportionate. " Now comes a paper from the London School of Economics that tries to do more than just challenge the DEA. Nine Inch Nails 2.0. Music/resources. Marketing musical. Amia Franz. Wix.com amia music now created by based on The Artist Lair. Broadcast Yourself.