SOUND HEALING
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La Monte Young, Marian Zazeela, Pandit Pran Nath, MELA Foundation
Pandit Pran Nath La Monte Young Marian Zazeela Jung Hee Choi Charles Curtis Terry Jennings Angus Maclise Richard Maxfield Just Alap Raga Ensemble The Theatre of Eternal Music Kirana Center Teaching Program
:: STICHTINGKOSENRUFU ::
What is the "Kosen-Rufu Foundation? The Kosen-Rufu Foundation was founded in 2003 by internationally acclaimed professional musician and entertainer Joseph Bowie. The original workshop concept was designed for musicians, however the curriculum quickly developed into a program for children and adults not only focusing on musical skills but social and personal development.
One of the most quoted platitudes about music is “It's a universal language”. This is way too simplistic - you have to struggle to learn another music system. But 40ish years ago a methodology for creating a truly global music emerged and has continued developing. Improvised music is not a style, but the methodology means that Norwegians, Argentines and Australians can all be playful together. The practitioners have different personalities and backgrounds, but an improvising group works as a community without preconception.
Free Improvisation & Experimental Music Resource
The Conspiracy In Music (video and article)
There is something supremely mysterious about musical sounds and vibrations that enthrall us as human beings. Why do these sounds mean so much to us and why can they provoke in us the strongest emotions? The power of music is obvious to all, but as in all things, the use of that power can be for both good and evil. If good music can heal the mind, body and soul of Man, soothe the savage beast in Man, what could another kind of music, that is designed for an evil purpose, do to the mind, body and soul of Man?
Abstract In this preliminary study a synthesizer was retuned to the “Perfect Circle of Sound™” (PCoS) in advance of investigations measuring neuro-physiologic responses in humans to varying frequencies of sound. 528Hz, a central wave form in the original Solfeggio musical scale, was used to begin construction of an octave determined to most reasonably approximate a standard melodious scale. Among the PCoS notes only 417Hz and 741Hz frequencies required exclusion due to their dissonance within the scale. This study evidences standard tuning in “A”=440Hz frequency is equivalent to the 741Hz F# frequency in the Solfeggio. Both frequencies may be bioenergetically degrading to human energy systems. The chance this precise association between the ancient and modern scales might have happened by chance, versus by sinister imposition, is discussed.
Synthesizer Re-tuning to the Perfect Circle of Sound™: