Introduction. Man with a Movie Camera: Global Remake. Man With A Movie Camera: The Global Remake - Interview with Perry Bard. Man With A Movie Camera: The Global RemakeInterview with Perry Bard, by Evelin Stermitz, November 2008 Interview with artist Perry Bard on her recent participatory global remake of Vertov’s Man with a Movie Camera.
Perry Bard works with electronic media and lives in New York. Aside from site-specific public works she has exhibited videos and installations at museums such as MoMA, P.S.1., the Reina Sofia, amongst others. The global remake of Vertov's Man with a Movie Camera has been screened internationally: on public LED displays in the UK and Australia, at the Las Palmas International Film Festival, at Joyce Yahouda Gallery in Montreal, Ueno Town Art Museum Tokyo, the National Center for Contemporary Art Ekaterinburg and Moscow, Ars Electronica 2008 and more. Evelin Stermitz: In which aspects did your former works influence your recent Vertov remake and how did you decide to create such an intense global project? ES: Did you have any funding for the project and a specific time frame? The Exquisite Corpse Festival. Life in a Day. Les grands auteurs se lancent dans le cinéma participatif. The Magazine of Independent Film.
Liberty Plaza I meet-up with documentarians Audrey Ewell and Aaron Aites in downtown New York, they introduce me to Joanna Arnow, and Joanna and I are off to Liberty Plaza.
Two streets north of Wall Street — in the former shadow of the World Trade Center towers — Liberty Plaza Park was created in 1968, renamed Zuccotti Park in 2006 for a real estate baron, and then renamed back to Liberty Plaza a few weeks ago by the Occupying Wall Street protesters. The park is one long block long and one short block wide, paved in stone with several colorful flower beds, ringed by New York office towers, and is now the epicenter of the Occupy Wall Street movement … headquarters and camping site for an America, after decades of politically snoozing, is suddenly waking up. Protesters facing Broadway Joanna dashes across Broadway, and using a Panasonic AG-HMC 150, she films a line of demonstrators on the sidewalk facing Broadway. Joanna Arnow Band at Liberty Plaza. 99%: The Occupy Wall Street Collaborative Film (2013.
Star Wars Uncut - The Fan-made Galactic Saga continues. Hi Uncut family! We’ve gotten so many awesome... - Star Wars Uncut. Entertainment Experience International website. Cinéma participatif. Nos ateliers sont régis par le principe de cinéma participatif.
Le cinéma participatif initie un cadre de démocratie participative dynamisée par l’outil audiovisuel et permet d’enclencher des débats, de mobiliser un groupe vers un objectif commun et partagé, tout en mettant l’humain au cœur des préoccupations. Au cours de discussions liées à la création d'ateliers cinéma, Christophe Vallée a fait part de ses réflexions issues de son expérience au sein du groupe Borders. Borders est une troupe de cinéastes (débutants et professionnels) se rendant dans des grandes villes d’Europe afin d’encadrer et d’aider de jeunes cinéastes à réaliser un court-métrage en lien avec l’histoire récente de leur pays. C’est au cours de cette aventure que Christophe a souhaité développer pour les projets à venir la notion de “cinéma participatif”.