This subject is featured in Issue #6 of The Luminous Landscape Video Journal . The Problem Being Solved In nature when doing landscape work that includes sky, especially early or late in the day, the contrast range encountered often exceeds that which film or imaging chips can handle. It's therefore necessary to find a way to reduce the contrast range to something that the camera can handle so that the highlights don't burn out and the shadow areas don't turn inky black. The Traditional Approach The traditional method of dealing with this is to use split neutral density filters ( graduated filters , some call them).
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Return To The Digital Photography Connection Founded in March of 2007 The Digital Photography Connection was formed to share our passion of Photoshop, Lightroom, and Photography with a world wide community. Our goal was to produce Photoshop, Lightroom, and Photograhy video tutorials that would help assist photographers of all skill levels pursue their passion of photography. Our video tutorials cover Adobe Photoshop versions cs2, cs3, cs4, and cs5.
Selective Contrast The purpose of this lesson is to teach you a marvelous technique for adjusting and localizing contrast. Let' look at a simple "after" and "before" picture to illustrate what we are after. The idea here is to make the photo a little more interesting. The "before" photo has been converted from a raw file from the D200 with the histogram showing that all tones were captured.
The Nature, Wildlife and Pet Photography Forum: HDR Blend Tutori