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DIY: Pressed Seaweed Prints: Remodelista. Older DIY: Pressed Seaweed Prints by Justine Hand Issue 34 · Summer Wrap-Up · August 27, 2014 Newer Issue 34 · Summer Wrap-Up · August 27, 2014 As a native Cape Codder, I've always been fond of seaweed.

DIY: Pressed Seaweed Prints: Remodelista

Above: Any project that starts with "Step 1: Head to the beach," is going to be A-OK with me. Materials • Seaweed• Bucket of seawater• 140 lb. watercolor paper• Cardboard sized to cover your paper• Weed cloth or other mesh fabric sized to cover your paper• A medium-size artist's paintbrush•Two pieces of wood sized to cover your paper• Something heavy, such as books, to use as weights Step 1: Gather your specimens and then place them in your sink or a bucket filled with clean seawater.

Step 2: Fill another bucket with two inches of water. Step 3: Carefully lift the paper out of the water, tilting it this way and that so the water drains away but you still maintain your design (more or less). Step 6: After several days, remove the weights and layers to reveal your prints. The Results By Alexa Hotz. Attributes. Our newest installment of “Attributes” comes from Hila Shachar, a freelance writer and the woman behind Le Projet D’Amour.


I always gobble up Hila’s work, whether it be poetry, film critiques, or just general observations on art and culture. Hila has a new book coming out in August on the cultural extensions of classic literature, which I am equally eager to read. I’m thrilled that Hila has agreed to share her portrait-on-objects with us, and she describes her cherished mementos with her usual thoughtful, articulate prose. Thank you so much for sharing, Hila! Sylvia Plath’s Collected Poems: Plath was one of the first poets to make a profound impact on me. Outside. Artefacts: My grandfather is a historian. Graduation ticket: When I got home from my PhD graduation ceremony, I went to place my ticket and program in a box where I keep mementos. Old family photos: I get really attached to photos and these are some of my favorites of my mother, my father, and my grandfather.

Formafantasma's Natural Botanica Vessels Look Like Archaeological Artifacts. We recently showed you Formafantasma’s crafty vessels made from flour, agricultural waste and limestone, but the design studio has developed another amazing set of archaic-looking objects.

Formafantasma's Natural Botanica Vessels Look Like Archaeological Artifacts

Commissioned by Plart, Formafantasma created ‘Botanica’, a collection made from natural polymers with vegetal and animal origins. Using rosin, dammar, copal (a sub-fossil state of amber), natural rubber, shellac, bois durci, and other natural materials, Formafantasma developed a quirky, biodegradable, and very innovative line. Another project from Design Academy of Eindhoven‘s graduates, Botanica was commissioned by Plart, an Italian foundation dedicated to scientific research and technological innovation for the recovery of works of art in plastic. Designed as if the oil-based era never existed, Formafantasma researched methods dating back to the 18th and 19th century, when scientists started experimenting with animals and plants in search of plasticity. . + Formafantasma Photo © Luisa Zanzani. Israeli Designer Talia Mukmel Makes Funky Objects from Earth, Flour, Sand and String Talia Mukmel's ephemeral earth, water, flour, sand and string Terra-cotta containers – Inhabitat - Green Design Will Save the World.

Inspired by the crafts and basic materials used by African tribes, Israeli designer Talia Mukmel created a series of the funky, bumpy containers seen above.

Israeli Designer Talia Mukmel Makes Funky Objects from Earth, Flour, Sand and String Talia Mukmel's ephemeral earth, water, flour, sand and string Terra-cotta containers – Inhabitat - Green Design Will Save the World

Made using knotting techniques like macramé and materials like earth, flour, sand and water, the decorative objects actually look more like bread or mozzarella than home decor. Quirky, biodegradable and ephemeral, Mukmel’s innovative “terra-cotta” containers mix old traditions, easily available materials and experimental new techniques. To make these fantastic objects, the young designer first crafted macramé containers using a heat-proof tough string. Then she mixed and rolled the sand, water and earth with flour, which helps bind everything together, and wrapped the string basket with the dough. Lastly, she baked her creations in the oven for a few minutes. + Talia Mukmel Photo © Talia Mukmel. African Textiles. In Focus: How to use "Furoshiki" [MOE] The Blog: CONFETTI SYSTEM. Okay, I have to admit - I have a slight obsession with the color gold and all things that shine and sparkle.


So when I opened the home page of CONFETTISYSTEM, I shook in my little booties with excitement. CONFETTISYSTEM is composed of artists Nicholas Andersen and Julie Ho. They create these beautiful installations and confetti items for major brands like J.Crew and have been featured all over the world (so, I may be a little late to the party but I had to share anyway). Enjoy your confettigasm. (How fantastic is THAT!? How great would it be to have this duo decorate a wedding reception?!