Eisley : Currents and More Sampler. 10 Essential Albums for Starting a Jazz Collection. If I’ve seen it once I’ve seen it a hundred times. Someone just getting into jazz ventures online looking for some music to start with, and is instantly inundated with about 500 different choices. Everyone has their own ideas about the best places to start a jazz music collection, and it can get overwhelming pretty quickly. I know because I was one of those neophytes. So as a public service to all you new jazz lovers out there, here’s one man’s list of recordings that are essential for any new jazz collection. This is not an attempt to chronicle the best jazz records ever. Rather, it showcases some of the more popular movements and artists in the genre, and should serve as a good starting point for further exploration. #10. To start a jazz collection with any artist other than Satchmo would be foolishness.
I know that this style and sound (usually referred to as Traditional Jazz) is not for everyone, but it’s critical to hear where the music started in order to appreciate where it went. Chill Music - Weed. ► For What It's Worth by Buffalo Springfield | yes...mom took acid. | bogartthatblunt | 8tracks. ► Brianstorm by Arctic Monkeys | 99 workout songs that haven't been overplayed. | evansmusic | 8tracks. Oh So Fresh! Music. ► Wayward Bob by Bonobo | THC + LSD | redbatrecords | 8tracks. The 50 Best Albums of the Decade (2000-2009) 10. M.I.A.: Arular [Interscope] (2005) In a decade largely defined by South Asia’s geo-political emergence, Sri Lankan-raised Maya Arulpragasam seized the moment. Her thrilling, slang-tangled debut connected musical and political rebellion, forcing the first world to acknowledge the third. This was dance music about hostage situations. This was Fear of a Black Planet for a new century. This was serious. M.I.A. sang like a schoolgirl skipping through a hopscotch court while sniper fire rang out overhead—not oblivious to the danger, just defiant.
Nick Marino 9. 8. 7. 6. 5. 4. 3. 2. On that level, Yankee has come to represent everything that’s wrong with the music business: tone-deaf executives, a gross misunderstanding of online music, an institutionalized pandering to the lowest common denominator that obstructed the release of a timeless rock classic. “Some of it at the time seemed very topical,” Bither says. The album asked questions both of its audience and its corporate backers. 1. Listen to Music Curated by Music Experts. Mix 20 millions songs !