Nature and design

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Karl blossfeldt photography. Biomimicry Education Network. Kunstformen der Natur. Plates from Ernst Haeckel's Kunstformen der Natur (Artforms of nature) (1904) Ordered by plate number. 2.

Kunstformen der Natur

LAGI-2012. Hoberman Sphere (Octahedron) Software for lightweight constructions based on nature | Design-4-Sustainability. By: Mirjam Visser, 2012-02-05 15:48:01 UTC Sustainability Aspects: Software to help you design lightweight structure, based on mother nature, with up 70% less material The Story Biomimicry & Lightweight Design With energy conservation being a current hot topic, a lot is talked about lightweight construction.

Software for lightweight constructions based on nature | Design-4-Sustainability

Often, nature has already provided us with the solution. Land Art Generator Initiative :: Renewable Energy Can Be Beautiful. Home | Design-4-Sustainability. Design Spiral - SVID. The biomimicry design spiral is a tool that uses nature as a model and measurement in the creation of systems, products and services.

Design Spiral - SVID

Different species and (eco) systems in nature have found solutions to energy provision, temperature control, resource minimization and many other challenges humans are facing today. The Design Spiral is a method that seeks to make use of the knowledge found in nature. This is a brief description of the steps involved in the method: 1) Identify the function (Image: identifiera funktionen) Center for Biologically Inspired Design at Georgia Tech. SENSORS AND SENSING.

Center for Biologically Inspired Design at Georgia Tech

Organisms sense physical stimuli (e.g, fluid motion, sound pressure, etc) with structures or processing schemes that often are quite different from that employed in human-built systems, particularly because humans are so visually oriented. However, an organism's ability to gather information efficiently is often key to their survival, and organisms must perform these tasks under conditions of limited processing power or materials.

Biomimicry 3.8.