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"Open See" : le photographe et les migrants racontent
Extrait de « Open See » : au Bangladesh (Jim Goldberg/Magnum) « Open See », projet multiforme du photographe Jim Goldberg sur les flux migratoires en Europe extrait d’un ensemble plus vaste intitulé « The New Europeans », est exposé à la Fondation Henri Cartier-Bresson. Comme le sujet qu’il couvre, l’errance des populations d’immigrés, la narration photographique a-t-elle atteint un point de non-retour ?Next week I am giving a guest lecture at the Parsons School of Design , specifically an innovation course being taught by BusinessWeek's Bruce Nussbaum. I've been fortunate to establish a relationship with Bruce over the years—ironically all initiated and somewhat sustained by social networks. But the premise of my talk is going to be somewhat different (hopefully) from what we see and hear in the business world which is currently infatuated with the latest and greatest bright and shiny object to hit the scene.
Logic+Emotion: The Micro-Sociology of Networks
Nomad » Blog Archive » DRAFT: Leonardo Education Forum Strategy
I’m not sure precisely what’s driving it – maybe it’s the bracing, clarifying, liberatory aspect of a severe economic downtown – but I sense an absolutely titanic percolation of creativity out there in the world just now. Each day seems to bring word of another genuinely good new idea or way of framing things, something truly worth reckoning with. I’m frankly jealous that so much of this is going on at a moment when – ironically enough, and for the first time in a decade – I’m mired inside the kind of structure that doesn’t lend itself to such investigations, but the optimist in me hopes there may still be one or two ways to contribute to and participate in what is shaping up to be a great fructification.
Of books and unbooks « Adam Greenfield’s Speedbird
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