Lilith in Astrology. Main Page - Lilith - Essays - Links - Contact Lilith in Astrology Any enthusiast of Lilith will eventually stumble upon the fact that Lilith is also used in some special parts of astrology. Although her myths are a recent addition to astrology, many professionals use Lilith and her three aspects in interpreting client's charts. I will do my best attempt to explain, as there is much conflicting information about the Three Liliths in astrology.
Some sites point out that there is merely one Lilith, but I will include them all for the purposes of this essay. First, there is asteroid Lilith. Secondly is the Dark Moon Lilith. Third and last but not least, there is Black Moon Lilith. To explain a little further, the perigee of the Moon is the full moon, round and bright. Okay, back to Lilith in the Moon. And she goes and roams the world at night, and makes sport with men and causes them to emit seed. Lilith's powers are not limited to the Moon, however. The Three Liliths Yahoo! Ancient Greece. <ul><li><a title=" href=" target="_self">Home </a></li><li><a title=" href=" target="_self"> Cultures</a></li><li><a title=" href=" target="_self"> World War II</a></li><li><a title=" href=" target="_self"> Picture Galleries</a></li><li><a title=" href=" target="_self"> Art </a></li><li><a title=" href=" target="_self">Other Resources</a></li></ul> Follow our updates on Facebook or Twitter Pictures on this page are for viewing only.
Site Map. Achilles. In Greek mythology, Achilles (/əˈkɪliːz/; Ancient Greek: Ἀχιλλεύς, Akhilleus, pronounced [akʰillěws]) was a Greek hero of the Trojan War and the central character and greatest warrior of Homer's Iliad. Achilles was said to be a demigod; his mother was the nymph Thetis, and his father, Peleus, was the king of the Myrmidons. Etymology[edit] Achilles' name can be analyzed as a combination of ἄχος (akhos) "grief" and λαός (Laos) "a people, tribe, nation, etc. " In other words, Achilles is an embodiment of the grief of the people, grief being a theme raised numerous times in the Iliad (frequently by Achilles). Achilles' role as the hero of grief forms an ironic juxtaposition with the conventional view of Achilles as the hero of kleos (glory, usually glory in war). Birth[edit] Achilles was the son of the Nereid Thetis and Peleus, the king of the Myrmidons.
However, none of the sources before Statius makes any reference to this general invulnerability. Achilles in the Trojan War[edit] Troilus[edit] Poseidon. There is a Homeric hymn to Poseidon, who was the protector of many Hellenic cities, although he lost the contest for Athens to Athena. According to the references from Plato in his dialogue Timaeus and Critias, the island of Atlantis was the chosen domain of Poseidon.[4][5][6][7] Etymology The earliest attested occurrence of the name, written in Linear B, is 𐀡𐀮𐀆𐀃 Po-se-da-o or 𐀡𐀮𐀆𐀺𐀚 Po-se-da-wo-ne, which correspond to Poseidaōn and Poseidawonos in Mycenean Greek; in Homeric Greek it appears as Ποσειδάων (Poseidaōn); in Aeolic as Ποτειδάων (Poteidaōn); and in Doric as Ποτειδάν (Poteidan), Ποτειδάων (Poteidaōn), and Ποτειδᾶς (Poteidas).[8] A common epithet of Poseidon is Γαιήοχος Gaiēochos, "Earth-shaker," an epithet which is also identified in Linear B tablets.
Another attested word 𐀁𐀚𐀯𐀅𐀃𐀚, E-ne-si-da-o-ne,[9][10] recalls his later epithets Ennosidas and Ennosigaios indicating the chthonic nature of Poseidon.[11] The origins of the name "Poseidon" are unclear. Birth. Golden Age. There are analogous concepts in the religious and philosophical traditions of the South Asian subcontinent. For example, the Vedic or ancient Hindu culture saw history as cyclical, composed of yugas with alternating Dark and Golden Ages.
The Kali yuga (Iron Age), Dwapara (Bronze Age), Treta yuga (Silver Age) and Satya yuga (Golden Age) correspond to the four Greek ages. Similar beliefs occur in the ancient Middle East and throughout the ancient world, as well.[1] The Golden Age in Europe: Greece[edit] [Men] lived like gods without sorrow of heart, remote and free from toil and grief: miserable age rested not on them; but with legs and arms never failing they made merry with feasting beyond the reach of all devils. Plato in his Cratylus referred to an age of golden men and also expounded at some length on Ages of Man from Hesiod's Works and Days. Arcadia[edit] The Golden Age in Rome: Virgil and Ovid[edit] Political significance of the Golden Age[edit] Ages of Man. The Ages of Man are the stages of human existence on the Earth according to Greek mythology. Both Hesiod and Ovid offered accounts of the successive ages of humanity, which tend to progress from an original, long-gone age in which humans enjoyed a nearly divine existence to the current age of the writer, in which humans are beset by innumerable pains and evils.
In the two accounts that survive from ancient Greece and Rome, this degradation of the human condition over time is indicated symbolically with metals of successively decreasing value. [citation needed] Hesiod's Five Ages[edit] Lucas Cranach the Elder, The Silver Age The first extant account of the successive ages of humanity comes from the Greek poet Hesiod's Works and Days (lines 109–201).
Ovid's Four Ages[edit] The Roman poet Ovid (1st century BC – 1st century AD) tells a similar myth of Four Ages in Book 1.89–150 of the Metamorphoses. Ovid emphasizes the justice and peace that defined the Golden Age. Historicity of the Ages[edit] Hecate. Ancient Greek goddess of magic and crossroads Hecate was one of the main deities worshiped in Athenian households as a protective goddess and one who bestowed prosperity and daily blessings on the family.[5] In the post-Christian writings of the Chaldean Oracles (2nd–3rd century CE) she was regarded with (some) rulership over earth, sea, and sky, as well as a more universal role as Savior (Soteira), Mother of Angels and the Cosmic World Soul.[6][7] Regarding the nature of her cult, it has been remarked, "she is more at home on the fringes than in the center of Greek polytheism.
Intrinsically ambivalent and polymorphous, she straddles conventional boundaries and eludes definition. "[8] Name and origin[edit] The origin of the name Hecate (Ἑκάτη, Hekátē) and the original country of her worship are both unknown, though several theories have been proposed. Greek origin[edit] R. Egyptian origin[edit] Anatolian origin[edit] Later development[edit] Iconography[edit] Sacred animals[edit] Functions[edit] Greek mythology.
Greek mythology is explicitly embodied in a large collection of narratives, and implicitly in Greek representational arts, such as vase-paintings and votive gifts. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a wide variety of gods, goddesses, heroes, heroines, and mythological creatures. These accounts initially were disseminated in an oral-poetic tradition; today the Greek myths are known primarily from Greek literature. Archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts.
Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles. Sources Literary sources The poetry of the Hellenistic and Roman ages was primarily composed as a literary rather than cultic exercise. Archaeological sources Survey of mythic history Origins of the world and the gods. Persephone. Persephone as a vegetation goddess and her mother Demeter were the central figures of the Eleusinian mysteries that predated the Olympian pantheon and promised the initiated a more enjoyable prospect after death. Persephone is further said to have become by Zeus the mother of Dionysus, Iacchus, or Zagreus, usually in orphic tradition. The origins of her cult are uncertain, but it was based on very old agrarian cults of agricultural communities. Name[edit] Etymology[edit] Persephone or "the deceased woman" holding a pomegranate.
Etruscan terracotta cinerary statue. National archaeological museum in Palermo, Italy Persephatta (Περσεφάττα) is considered to mean "female thresher of corn," going by "perso-" relating to Sanskrit "parsa", "sheaf of corn" and the second constituent of the name originating in Proto-Indo European *-gʷʰn-t-ih, from the root *gʷʰen "to strike".[8] An alternative etymology is from φέρειν φόνον, pherein phonon, "to bring (or cause) death".[9] The Roman Proserpina[edit]
Pan (god) In Greek religion and mythology, Pan (/ˈpæn/;[1] Ancient Greek: Πᾶν, Pān) is the god of the wild, shepherds and flocks, nature of mountain wilds, hunting and rustic music, and companion of the nymphs.[2] His name originates within the Ancient Greek language, from the word paein (πάειν), meaning "to pasture. "[3] He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is recognized as the god of fields, groves, and wooded glens; because of this, Pan is connected to fertility and the season of spring. The ancient Greeks also considered Pan to be the god of theatrical criticism.[4] The Roman Faunus, a god of Indo-European origin, was equated with Pan. The worship of Pan began in Arcadia which was always the principal seat of his worship.
Representations of Pan on 4th century BC gold and silver Pantikapaion coins Pan is famous for his sexual powers, and is often depicted with a phallus. Christian apologists such as G.