War/Combat Art
Get flash to fully experience Pearltrees
First World War.com - Propaganda Posters
Each of the nations which participated in World War One from 1914-18 used propaganda posters not only as a means of justifying involvement to their own populace, but also as a means of procuring men, money and resources to sustain the military campaign. In countries such as Britain the use of propaganda posters was readily understandable: in 1914 she only possessed a professional army and did not have in place a policy of national service, as was standard in other major nations such as France and Germany. Yet while the use of posters proved initially successful in Britain the numbers required for active service at the Front were such as to ultimately require the introduction of conscription. Nevertheless recruitment posters remained in use for the duration of the war - as was indeed the case in most other countries including France, Germany and Italy. However wartime posters were not solely used to recruit men to the military cause.
Artists Look at the War on Terrorism
When a war poses for its picture, it leaves to the artist the selection of the attitude in which the artist may desire to draw it. And this attitude is the artists point of view circumscribed by the boundaries of his ability and the nature of the work for which his training and practice have fitted him. J. Andre Smith, artist, 1919 The WAR ON TERRORISM has been viewed by the public in many different mediums, but rarely has it had the opportunity to see a soldier-artists rendition of the conflict, one that provides a unique and personal interpretation of how the experience can be depicted. The artwork included in this online book on the WAR ON TERRORISM provides a visual history from September 11, 2001 to the present.
The Australian War Memorial operates the Official War Art Scheme, the longest running and largest commissioning program of art in Australia. The Scheme makes a rich contribution to Australian art, while playing a significant role in Australia’s interpretation of its wartime history. The term “official war artist” is used to describe artists who have been expressly employed by either the Australian War Memorial or the Army Military History Section (or its antecedents).
Australian official war artists [Australian War Memorial]
Zuber Fine Art - Zuber Gallery, Seeley's Bay - Ted Zuber, War Ar
Honestly, I still don’t know fully. The government representative in this case was the curator of the Canadian War Museum, Ms. Ricki Cameron. First, I was asked on the telephone if selected to act as Canada’s war artist in the Gulf “Would you go?” I replied Yes not really thinking I would later be chosen.
You are viewing a document archived by Library and Archives Canada. Please note, information may be out of date and some functionality lost.
Canadian War Artists - Exhibitions - Library and Archives Canada
Ministry of Defence | About Defence | What we do | Defence Estat
It is appropriate that the central collection of the MOD should contain works of art depicting both twentieth century world wars. Among the best of the early output are those by Muirhead Bone showing naval activity in the Firth of Forth during 1917 and 1918. Activity during the 1939-45 war is also widely represented, and again the concentration is on naval activity rather than on land campaigns. The Collection also includes some wonderful watercolours by Thomas Hennell of the damaged landscape of northern France, as well as some unusual images of Blitz damage in central London. The works of the War artists were presented to the Admiralty and to the War Office in 1946 by the War Artists Advisory Committee.
ARNEST , Bernard: B. Denver, Colorado, 1917. Joined Army Signal Corps in 1941; became war artist in Iceland in 1943, and later, Chief Artist, Historical Section, in the European Theater of Operations (ETO) from 1944 until his discharge as first lieutenant in 1945.
The Artists
The Joe Bonham Project BUSHWICK, BROOKLYN – Storefront (16 Wilson Avenue, Brooklyn) is pleased to announce the final installment of its ambitious summer exhibition schedule featuring THE JOE BONHAM PROJECT, an exhibition organized by guest curator James Panero. Post 9/11, the exhibition brings together the work of wartime illustrators featuring portraits of injured US service personnel by members of the International Society of War Artists and the Society of Illustrators. These works are documentative, accurate, and gripping, yet offer a sensitivity and awareness to the causalities and sacrifice of war.
Fire and Ice
Mozilla Firefox
The term war artist means an artist that has been commissioned to record military activities by a government or quasi-government organisation. In Australia, the Australian War Memorial is the main sponsor of war artists. For most of the 20th Century, it has dispatched artists to accompany Australian Defence Force personnel into operational areas. The first war artist was arguably Will Dyson who in 1916 went to France at his own cost to be with the soldiers in the front line. Not only was he wounded twice, he did so without payment for the better part of two years. After his service, the War Artist scheme in Australia became more organised and a number of other artists were commissioned to undertake the same duties including such luminaries as Arthur Streeton and George Lambert.
A currently touring retrospective of the art of Henry Casselli is an especially significant milestone in his career. When the New Orleans Museum of Art was founded in 1910, it relied upon the city’s independent art organizations to sponsor its exhibition programs. Among them was the Art Association of New Orleans, which has remained active to the present.
Henry Casselli Biography
Posted: April 12, 2003 Michael Fay, a Marine staff sergeant from Virginia, is preparing to leave for Iraq. Like his colleagues, he'll cart around his gear: a gas mask, a gun and rounds of ammunition. He'll also be packing paint. Fay is a combat artist for the Marines, one of two in Iraq, and part of a tradition dating back to the American Revolution, charged with going into war to capture its "essence." "Art articulates like nothing else," Fay said in a phone interview.
JS Online: Combat art tells a story that words, photos cannot
Navy Combat Art is documentary. What artists sent into combat have recorded is memorable, dramatic, and without false heroics. Their works illustrate the intensity of combat as personnally experienced. Unlike the objective camera lens that records the single instant and no more, the artist not only captures instantaneous action, but can fuse earlier moments of the same scene into a compelling image. Observation, insight, elimination of confusing detail, and focusing on the essential can all be compassed by the artist's eye. The Navy Combat Art Program was founded in 1941 because of the insight and persistence of Griffith Baily Coale , a well-known muralist.