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Dessiner rapidement un plan de ville sous illustrator ! Comment dessiner un plan de ville sous Illustrator en 30s Qui n’a jamais eu à redessiner un plan de ville sous illustrator ? Vous recevez généralement un plan scanné en basse définition, avec les indications de votre client à la main dessus. Votre rôle de designer sera de la simplifier, et le rendre compatible avec votre charte graphique. En fonction de la taille de la carte à redessiner cela peut s’avérer vraiment un travail laborieux !

Voici donc notre petite astuce maison. Exporter la carte vectorielle depuis OpenStreetMap 1- Se rendre sur et choisir sa zone, et son zoom. 2- Dans l’onglet « partager » à gauche de la carte, on peut choisir d’exporter sa carte au format « PDF ». 3- Ouvrir le fichier Pdf dans illustrator. Nettoyage de la carte sous illustrator La carte est remplie de détails inutiles, et puis vous allez forcement souhaiter en changer les couleurs, etc. Enfin pour terminer, un petit nettoyage des tracés s’impose. Framework CSS LESS. Editeur CSS : Stylizer.

Créer des triangles en CSS. Bien organiser son CSS. CSS triangle generator. VIDEO COPILOT | After Effects Tutorials, Plug-ins and Stock Footage for Post Production Professionals. Create a Large Face, Cat Illustration from Stock in Adobe Illustrator. I'm not hiding it... I'm a crazy cat lady. When the trend of having t-shirts of large faces of animals, merged into the canvas started, I was going through all the t-shirt design sites to find the perfect one for me. So inspired by that trend, I'd like to show you how to create your own design, from a stock image, in Adobe Illustrator. 1. Step 1 It all starts with a cute stock image. Step 2 So let's bring the stock image over into Adobe Photoshop. I have my crop now, ready to move over to Illustrator. 2. Let's first prepare our document. Then create a new layer, this is where the magic is going to happen.

One of the main reasons to have your kitty looking straight on and with the eyes balanced horizontally, is that we're going to mirror the strokes and shapes you add to the canvas. Use the Line Segment Tool (\) to draw a vertical line down the middle of the portrait. Let me explain the theory behind this. Step 3 Did you know you can apply an effect to a whole layer, not just a shape? 3. 4. Create a Hauntingly Beautiful Cleopatra Mummy in Adobe Photoshop - Tuts+ Design & Illustration Tutorial. Have you found your excuse to paint gore today? Well here it is!

With Halloween just around the corner it's exquisitely tempting to find a balance between horror, gore, and beauty. And in this tutorial, I demonstrate the evolution of a digital painting from start to finish by creating a hauntingly beautiful Egyptian goddess. My tools of choice are Adobe Photoshop CS3 and an off-brand pen tablet I purchased on eBay. My process involves a whole lot of experimentation, a little bit of hope, and a handful of adjustment layers.

The following asset was used during the production of this tutorial. Reference Photo Let's begin! Next, the canvas and de-saturated reference are placed side by side so that it's much easier to look over and draw my subject. Though the background layer is set to the traditional white, I'll be using a gray, round brush with a hard edge to illustrate my sketch. Not quite beautiful yet, but getting there. Simply put, painting in grayscale is a lifesaver! Illustrate a Dramatic, Feather-Infused Portrait in Adobe Photoshop - Tuts+ Design & Illustration Tutorial. Portraits make for a fascinating subject, especially when combined with abstracted natural elements. In this tutorial, I share my portraiture method by painting an ethereal lady enveloped by feathers. My tools of choice are Adobe Photoshop CS6 and my Wacom Tablet (Intuos 3). From sketch to final, I describe various techniques for creating atmosphere, color, texture and detail. Under the 'Assets' section, I include a few of my favorite custom brushes and textures mentioned in the tutorial.

Time to begin! I like setting up my tools to show layers, history, and a navigator. Check out those blobby values. I prefer starting in black and white. I jump right into the facial structure. Compiling references is convenient at this point. I love using Blend Modes for lighting and color effects (particularly Overlay and Soft Light). Here, I add a central glow by laying down a bold, airbrushed highlight on a separate layer. Textures! Using the drip texture, I follow a similar process. Photoshop – Le Split Frequency – S02E12 | F/1.4 – A pleine ouverture. Dans cet épisode on aborde la technique du split frequency qui permet de retoucher la peau ou des textures, changer les couleurs sans modifier l’aspect la matière et le grain de l’image. Ici sont abordés deux exemples : un exemple sur un visage, l’autre dans un parking. Le sommaire Méthode La Base (01.42) Le split frequency va permettre de mettre sur deux calques différents la texture et la couleur. - Dupliquer deux fois le calque d’origine, les mettre dans un groupe nommé « split frequency », un des calque sera nommé « low frequency » (fréquence basse) et le deuxième « high frequency » (fréquence haute). - Prendre le low frequency, aller dans filtre / flou gaussien : 12 (choisir multiple de 3) / ok. - Aller dans « high frequency » puis image / appliquer une image, choisir le calque low frequency, opération soustraction, échelle 2, décalage 128 et passer le tout en lumière linéaire. - Conseil : dupliquer votre split frequency et le mettre en dessous.

Les retouches visage (04.29) Tuto ‹ PIERRE CIMBUREK PHOTOGRAPHY. Graphiste formateur | Création de site Web et tuto vidéo en Graphisme.