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Hughie O’Donoghue RA - Painters - Royal Academicians - Royal Academy of Arts
O’Donoghue was born in England but lived and worked for many years in County Kerry, Ireland. He graduated from Goldsmiths in 1982 and was Artist in Residence at the National Gallery, London from 1984-85. His work is characterised by an engagement with the past. He uses figuration and abstraction to explore themes of human identity, memory and experience; and draws on history, mythology and personal records to create works which resonate with emotional intensity.This painting is closely related to a self portrait etching made by Rembrandt in the previous year, 1639. In both the print and the painting the composition is influenced by Raphael's 'Portrait of Baldassare Castiglione' (Paris, Louvre), by Titian's Portrait of Gerolamo (?) Barbarigo in the National Gallery and by Albrecht Dürer's 'Self Portrait' of 1498 (Madrid, Prado). This portrait shows Rembrandt at the height of his career, presenting himself in a self-assured pose wearing an elaborate costume in the fashion of the 16th century. It seems as if Rembrandt refers deliberately to his famous predecessors in this portrait, and thus places himself in the tradition of great ' Old Masters '.
Rembrandt | Self Portrait at the Age of 34 | NG672 | The National Gallery, London
Very accurately! The eye of the viewer can detect any irregularity in a shape that it fully understands. A "square" that does not have sides of equal length, a "circle" that is not circular and an "ellipse" that deviates from perfection is immediately noted as being not what it claims to be - or, more precisely, it is not what the eye expects to see in that situation and is detected as being "foreign". In short, a "circular" circle is accepted in passing and the overall reality of the scene is maintained. The same is true of the ellipse. An ellipse, therefore, must conform to the same rules as a circle - it consists of arcs, it contains no straight lines and, if divided into quarters, each segment is identical to the other three.
DRAWING ELLIPSES at MIKE SIBLEY FINE ART
October 2008
I approached City-Wide Open Studios differently this year. I wanted to make as many visits to disparate locations as possible so I didn't spend as much time as I like talking with artists. For example, where in the past two years I spent part of both Saturday and Sunday at visiting studios on the Erector Square weekend, this year I had to squeeze Erector Square into two or so hours on Sunday before I went to work. I started on Friday with the Hamden AIRS, following that with a visit to Westville.You've taken a huge step in the direction of learning to draw, (and especially learning to draw those hilarious caricatures) and opening the doors to your own creative locomotive! I thank you for your interest and enthusiasm, I applaud you and look forward to joining you on your new venture. On the remainder of this page you'll find a short introduction to the various sections of this book, suggestions on how to get active in your learning , how to practice , what to do when you get in trouble, " realism " in drawing and the pre-instruction exercise .
InsidersArtistLoft
Note: This is a slightly edited version of a talk I gave yesterday at Broome Community College in Binghamton, New York. It’s a simple list of 10 things I wish I’d heard when I was in college. All advice is autobiographical. It’s one of my theories that when people give you advice, they’re really just talking to themselves in the past.
How To Steal Like An Artist by Austin Kleon
life drawing
amazon.co
Product Description Artists will love this book, the definitive guide to capturing facial expressions. In a carefully organised, easy-to-use format, author Gary Faigin shows readers the expressions created by individual facial muscles, then draws them together in a section devoted to the six basic human emotions: sadness, anger, joy, fear, disgust and surprise. Each emotion is shown in steadily increasing intensity and Faigins detailed renderings are supplemented by clear explanatory text, additional sketches and finished work. An appendix includes yawning, wincing and other physical reactions.portraits
Art on the Underground produces posters to accompany every project we do. These are displayed across London Underground. A selection of the posters is available to purchase via the London Transport Museum shop . We are hoping to increase the range available in the near future. The London Transport Museum also sells Art on the Underground publications concerning our projects and history.
Art on the Underground - Shop
Jan - Dec 2012 High up on the roof of the Queen Elizabeth Hall at London’s Southbank Centre, a riverboat appears to have come to rest – grounded, perhaps, from the retreating waters of the Thames below. A unique one-bedroom installation conceived by artist Fiona Banner and architect David Kohn, A Room for London is a visionary landmark inspired by the riverboat captained by Joseph Conrad on the River Congo in 1890, a journey echoed in Heart of Darkness. Throughout the year A Room for London becomes a studio for writers, musicians and artists and a site for a series of live performances and readings broadcast around the world.
new exhibitions of contemporary art / exhibitions
