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Famous artists. Van gogh. Warhol. Roy lichtenstein. James rosenquist. Wendy sharpe. Picasso. Case study: PICASSO. Willem de kooning. Ai weiwei. 草泥马祖国 Fuck your motherland. Duchamp. Beuys. Dia Art Foundation - Sites. West 22nd Street between 10th and 11th AvenuesNew York City. Introduction 7000 Oaks by Lynne Cooke with statements by Joseph Beuys I believe that planting these oaks is necessary not only in biospheric terms, that is to say, in the context of matter and ecology, but in that it will raise ecological consciousness-raise it increasingly, in the course of the years to come, because we shall never stop planting.1 Thus, 7000 Oaks is a sculpture referring to peoples' life, to their everyday work.

I wish to go more and more outside to be among the problems of nature and problems of human beings in their working places. I think the tree is an element of regeneration which in itself is a concept of time. The planting of seven thousand oak trees is thus only a symbolic beginning. My point with these seven thousand trees was that each would be a monument, consisting of a living part, the live tree, changing all the time, and a crystalline mass, maintaining its shape, size, and weight. Notes 1. 2. 3. Anthroposophy. Anthroposophy, a philosophy founded by Rudolf Steiner, postulates the existence of an objective, intellectually comprehensible spiritual world accessible to direct experience through inner development. More specifically, it aims to develop faculties of perceptive imagination, inspiration and intuition through cultivating a form of thinking independent of sensory experience,[1][2] and to present the results thus derived in a manner subject to rational verification.

In its investigations of the spiritual world, anthroposophy aims to attain the precision and clarity attained by the natural sciences in their investigations of the physical world.[1] History[edit] The early work of the founder of anthroposophy, Rudolf Steiner, culminated in his Philosophy of Freedom (also translated as The Philosophy of Spiritual Activity and Intuitive Thinking as a Spiritual Path). By the beginning of the twentieth century, Steiner's interests turned to explicitly spiritual areas of research. Etymology[edit] Nude Descending a Staircase, No. 2. Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time. Before its first presentation at the Parisian 1912 Salon des Indépendants, it was rejected by the Cubists as too Futurist.

Yet the work was exhibited with the same group at Galeries J. Dalmau, Exposicio d'art cubista, in Barcelona, 20 April–10 May 1912,[1] and subsequently caused a huge stir during its exhibition at the 1913 Armory Show in New York. Description[edit] Background[edit] Duchamp submitted the work to appear with the Cubists at the 28th exhibition of the Société des Artistes Indépendants, Paris, 25 March through 16 May 1912. Duchamp's brothers, Jacques Villon and Raymond Duchamp-Villon, sent by the hanging committee, asked him to voluntarily withdraw the painting, or paint over the title and rename it something else. I said nothing to my brothers. Provenance[edit] Paul cezanne.