EMBRYO We Keep On music reviews and MP3. This album can be seen two ways: the fourth album as a successor to FSHG or their fifth or sixth if you'll include their Brain releases, but anyway it is a companion to RockSessions and Steig Aus, and the album's title is such a delight if you know these three albums.
Production-wise WKO is definitely up two notches from the improvisations of the Brain releases, but I wouldn't quite call this a slick production. Released on the BASF label (UA/Liberty dropped them after all) with a superb egg artwork with a cloud almost taking the shape of an Embryo, the group recorded this album is Ascona, Italy under the patronage of Dieter Dierckx. Opening on the Moroccan-laden Abdul Malek fusion track where Embryo sings and scats until heaven arrives. The unusual Don't Come Tomorrow starts out on uneasy Bunka vocals and accompanied by a delightful piano and Mariano's amazing flute, the whole thing underlined by a few tasty licks of mellotron.
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