Une histoire de la performance sur la Côte d'Azur de 1951 à nos jours / Villa ARSON. ECLAP Connecting stages, Best Practice Network | ECLAP Connecting stages. [BE] SARMA (base de données / textes critiques sur la danse et la performance) In het Nederlands Sarma is a laboratory for discursive practices and expanded publication in field of dance, performance and beyond. Sarma collects and organizes discursive practices. By compiling author based or thematically related text anthologies, published online on our website. But also by curating festivals, by providing dramaturgical assistance to performers, by organizing workshops, discussions, lectures, installations and research projects.
Sarma is a breeding ground for artists and theoreticians to collaborate on shared problems and premises. Sarma was initiated in 2000 by Myriam Van Imschoot and Jeroen Peeters. Publications about Sarma An overview of all Sarma's activities until April 2010 can be found in the article Sarma: het archief als discursieve werkplaats that was published in De Witte Raaf on January 1, 2011. FANA (Fonds d'Archives Numériques Audiovisuelles en danse contemporaine) En un modèle innovant, la plateforme FANA Danse & Arts vivants s'avance dans le champ des patrimoines numérisés audiovisuels liés aux arts vivants comme une ressource en ligne sans équivalent permettant de consulter des fonds d'archives audiovisuelles exhaustivement constitués autour d'un artiste, chorégraphe, metteur en scène, performeur ou d'une compagnie contemporaine.
Avec plus de 680 vidéos ou enregistrements sonores soit 454 heures accessibles sur simple demande, 1496 fiches détaillées et des outils pour explorer les documents, la plateforme présente actuellement en ligne quatre fonds liés à des chorégraphes majeurs des scènes des 20e et 21e siècles : • Fonds Dominique Bagouet - Carnets Bagouet • Fonds Ingeborg Liptay - Compagnie Ici Maintenant • Fonds Olivia Grandville - Compagnie La Spirale de Caroline • Fonds Mark Tompkins - Cie I.D.A. Dominique Bagouet - Carnets Bagouet Aperçu sur le fonds Dominique Bagouet - Carnets Bagouet avec les vidéos en libre accès : ▾ Plus.
[FR] ACTE : Equipe EsPAS (Esthétique de la Performance et des arts de la scène) L. Angelino (dir.), Quand le geste fait sens, Mimésis, 2015 mars 8, 2016 Lucia Angelino (dir.), Quand le geste fait sens. Mimésis, 2015. Préface de Renaud Barbaras Avec les textes de: Cécile Angelini, Lucia Angelino, Anne Boissière, Jean-Marc Chouvel, Barbara Formis, Laurent Perreau, Frédéric Pouillaude, ... Lire la suite + PERFORMANCES/SCENES DU REEL #1 : Geste, théâtralite et anti-théâtralité : La performance au-delà du spectacle ? Septembre 27, 2017 Institut ACTE (Arts, Créations, Théories, Esthétiques), UMR 8218 Université de Paris 1 Panthéon-Sorbonne et CNRS Laboratoire ELLIADD, Université de Bourgogne-Franche-Comté Equipe PTAC (Pratiques et théories de l’art contemporain), EA 7472, Université ...
Lire la suite + Corps Dessinant novembre 14, 2016 Les 3 et 4 décembre 2016, de 13h30 à 17h30 Collection permanente Organisé en sept sections thématiques, le ... Lire la suite + janvier 20, 2016 Lire la suite + [FR] Le Laboratoire du GESTE. [INT] International Society for Gesture Studies (ISGS) [INT] PERFORMANCE PHILOSOPHY. [INT] PSi: Performance Studies international. Over the past decades, performance has developed as an umbrella term for scholarly as well as artistic research engaged with a wide variety of topics. The research conducted under this umbrella term is interdisciplinary and is strongly rooted in the interaction between theory and practice. It is a dynamic field of encounters rather than a discipline grounded in one particular methodology or tradition.
PSi represents this field and stimulates its development by initiating conferences and other events, by means of awards and bursaries, by facilitating the circulation of information and knowledge, through working groups dedicated to important issues in the field of performance research, by means of an archive and oral history project, and with a network and a lexicon aimed towards the further development of performance research and education in a global context. [INT] Contemporary Performance Network. [US] Contemporary Performance. Welcome to Contemporary Performance, a social network and community organizing platform providing artists, presenters, scholars and festivals a platform to meet, share work, and collaborate.
The term Contemporary Performance is used to describe hybrid performance works and artists that travel between the fields of Experimental Theatre & Dance, Video Art, Visual Art, Music Composition and Performance Art without adhering to one specific field’s practice. Editor In Chief: Caden Manson is a director, media artist, and teacher. He is co-founder of the media ensemble bigartgroup.com and network, blog, and publisher, contemporaryperformance.com. He has co-created, directed, video- and set designed 18 Big Art Group productions. Editor: Jemma Nelson is co-founding member of Big Art Group and co-editor of Contemporary Performance. In this site you will find: W | W.