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2014 Shape Up — L & G Studio. A3P, association pour la promotion du papier peint | Coaching pose. Il existe aujourd'hui 2 types de papiers peints : Les papiers peint intissé La colle est appliquée directement sur le mur et non plus sur le papier peint. Fini la table à tapisser ... Plus d'information en images et en vidéo sur www.intisse.com Découvrez plus de papiers peints Les papiers peints classiques Laissez vous guider par les "pas à pas" photos et vidéo de ce site pour une pose réussie. About. | aimko. Aimko is an agency specialized in creating collaborations with the creative industries. For brands, companies and institutions, we design, produce and distribute new types of contents and experiences in the fields of art, entertainment and sport. We are moved by editorial and creative challenges and push the media boundaries to engage the public. Our creations span live & digital experiences, architecture & product design, still & moving images.

Our Paris office is home to collaborations with international talents and organizations. Since our inception in 2011, we have brought to life projects across Europe, Middle East and Asia. *our clients: adidas, Blizzard Entertainment, BNPP Masters, Citadium, FFT, Guerlain, Hennessy, Krug, Louis Vuitton, Ministere de la Culture, Qela, Qatar Foundation, Roland Garros, World Innovation Summit for Education – WISE, Yacht Club de Monaco.

AELFIE. Aelfie X Studio Proba. Agnes Martin. The Islandsacrylic and graphite on canvas, 72" x 72" (182.9 cm x 182.9 cm). Unbeckoning Grass, 1958. oil on canvas, 40" x 40" (101.6 cm x 101.6 cm). Untitled #10, 2002. acrylic and graphite on canvas, 60" x 60" (152.4 cm x 152.4 cm). Untitled #3, 2003. acrylic and graphite on canvas, 60" x 60" (152.4 cm x 152.4 cm). Untitled #9, 1999. acrylic and graphite on linen, 12 x 12 (30.5 x 30.5 cm). Untitled, 1959. oil on linen, 12 x 12" (30.5 x 30.5 cm). Untitled, 1962. graphite on aquatint proof, 12-1/2 x 12-3/4” (31.8 x 32.4 cm). Untitled, 1961. pencil on aquatint, 12-3/4" x 12-3/4" (32.4 cm x 32.4 cm).

Untitled #3, 1995. acrylic and graphite on canvas, 60 x 60" (152.4 x 152.4 cm). Untitled, 1955-1956. oil on canvas, 48" x 36" (121.9 cm x 91.4 cm). Untitledoil on canvas, 46-1/2" x 66-1/4" (118.1 cm x 168.3 cm). Untitled #2, 1992. acrylic and graphite on linen, 72 x 72" (182.9 x 182.9 cm). Untitledoil on gypsum board, 48" x 72" (121.9 cm x 182.9 cm). Al Que Quiere. Anselm Reyle. ARHOJ. Hello / News Blog / Interiors / Flow / Where to buy / Press / About Little Bird Jar / Wooden container Totem Box / wooden box Big Bird Jar / Wooden container Prism / crystal paperweight S/S 2015 / Catalogue Lille / Newborn Baby Box Sip Cup / espresso cup Yuki / Flower vase Pearl / porcelain ball A/W 2014 / Catalogue Soft Rock / art project S/S 2014 / Catalogue Sing / porcelain container Orb (porcelain) / moneybank Chawan / stoneware bowl Pyramid / ceramics Melting Mug / porcelain mug Ghost Light / Candle holder Orb / money bank Pen / Pencil holder Hamaya / Symbolic arrow Ghosts / ceramics Umami Mart series / art prints Danish Art Prints / Prints Umami Mart / Interiors Brass Monkey / tiki mug Lava People / ceramics Little Bird Jar *Totem Box *Big Bird Jar *Prism *S/S 2015 *Lille *Sip Cup Yuki Pearl A/W 2014 Soft Rock S/S 2014 Sing Orb (porcelain) Chawan Pyramid Melting Mug Ghost Light Orb Pen Hamaya Ghosts Umami Mart series Danish Art Prints Umami Mart Brass Monkey Lava People.

Arne Jacobsens eget sommerhus - modernisme - Art patriarchs John Baldessari and Ed Ruscha pick out Los Angeles' brightest creative talent | Art | Wallpaper* Magazine. At the Guggenheim: On Kawara's Obsessive Daily Records. How do you enter the immense body of repetitious work left by the late On Kawara? You might approach it as an effort to document existence: through five solid decades the Japanese artist marked the elemental components of his days on earth—the dates, the locations, the paths he traveled, the times of day he awoke, the sheer fact of his life’s continuation for one more day. “On Kawara – Silence,” the artist’s current retrospective at the Guggenheim, presents Kawara’s work as just this: a record of time, place, and habit as the systems that govern our daily lives. The museum’s unique layout amplifies Kawara’s output, generating significance through the sheer mass of material presented. The Guggenheim’s High Gallery offers a prelude of sorts to Kawara’s best-known works in Title (1965), a triptych of early riffs on the date paintings that show more conceptual freedom than his later series.

Exhibition view, courtesy of the Guggenheim Museum Kawara’s persistence is staggering. Atelier belge — Studio. CHARLIE SCHUCK PHOTOGRAPHY & MOTION. Commissions — Tin & Ed. Conran - Home. CONSTRUIRE. Cremaster 1 . part 3 . Matthew Barney. Denise scott brown. Design. Design. Lit MaisonFR/EN Bonnesoeurs s’oriente vers le design en éditant le « lit maison » créé par Thélissa. S’il en fallait une… S’il fallait une ultime preuve de l’implication de bonnesoeurs dans le monde très concurrencé de la décoration, alors la voici : Le « lit maison » !

Cette création définit à elle seule leur style tout en légèreté et en fonctionnalité, tout en pureté et en ingéniosité… Fabriqué en France, dans des matériaux naturels, le « lit maison » colle à la personnalité de Lélia et Thélissa : de la qualité plutôt que de la quantité. Si le « lit maison » rencontre un tel succès c’est parce qu’il a été dessiné avec le cœur… Maman de 2 enfants, Thélissa souhaitait offrir à ses petits monstres sacrés non pas un lit mais un paradis… Pur et sécure, il s’impose comme un îlot du bien-être… Au ras du sol pour éviter la chute, assez large pour accueillir la lecture du soir, assez pur pour laisser libre court à diverses interprétations, ce lit est une bénédiction estampillée bonnesoeurs ! Design File 006: Dan Friedman. In this series, Matthew Sullivan (AQQ Design) highlights some designers that you should know, but might not.

Previously, he looked at the work of Luigi Caccia Dominioni. Dan Friedman: Born in Cleveland, Ohio, 1945. Died in New York City, 1995. The best a designer can do is consistently offer forthright attempts at communication, by way of an open and multifaceted mind. Friedman was central to the 1980s New York scene. Left: Friedman's 1988 Fountain table for the Formica Corporation. Left: the Corona chair for Neotu (1991). Although Friedman didn't necessarily endorse the label postmodern, it's not incorrect to associate his work with that movement's preoccupations. One thing is clear when thinking about Dan Friedman, and this should be taken as a model of sorts: He had scope—he had a really wide scope that he effectively welded to an ethical fortitude and an educated talent.

Left: the Wave Hill fruit basket for Neotu (1991). Left: Primal Screen (1984). Design File 006: Dan Friedman. Donald Judd. Driesotten.be. Driesotten.be. El Altiplano - Daniel Kukla. El Altiplano Fullscreen At over 12,000 feet above sea level in the arid highlands of southern Bolivia, exists an area where the crust of the salty earth presses into the dome of the sky. This high altitude gives rise to an inhospitable environment seemingly devoid of life. However, it is this very climate that exerts an ever-changing influence on the stark landscape and drives otherworldly life forms to adapt and thrive. Though recently this area has become increasingly visible to the world for underlying lithium deposits residing under the Salar de Uyuni or salt flats, which comprise a vast area of this landscape.

. * handmade book with archival pigment based prints on vellum resting on a plexi glass lightbox, (edition of 2) book unfolded: 6" x 8" x 38" Ello | daniel_triendl. FILEP MOTWARY. Fine Jewelry Earrings For Women by NYC Designer Mociun. Flat Studio. Florence Deau - Interior Designer | Architecte d'intérieur décoratrice. Franz west. Féérie disco lumineuse pour le bain à 9,82 € Féérie disco lumineuse pour le bain à 9,82 € Gaetano Pesce. Galerie Alexandre Guillemain | Artefact Design - Jacques DUMOND - Designer et décorateur. Gary card.iology: JW Anderson X TOPSHOP pop up. Herbert bayer: man crush and other stuff. I love me some some Herbert Bayer. Everyone knows his seminal Bauhaus graphic and photo work, and as great as that material is, I decided to try to show you some more obscure stuff.

I could have gone on and on, but these were some of my favorites.... There's Herbie in 1960. He would have been 60. He died in 1985. Herbert Bayer Kiosk for selling cigarettes Exhibition pavilion for selling toothpaste (?) Open streetcar station with newsstand Advertising sign for electric industry Ideas about the "extended field of vision" Another ideas about the "extended field of vision" Very Residents. I believe these were from the exhibition "Das Wunder Des Lebens" Berlin Office for an Art Director New York I love how it looks, and would probable feel like, a pool. Drawing for an entrance to the exhibition "Modern Art in Advertising: Designs for the Container Corporation" Art Institute of Chicago Drawing for a marble garden at the Aspen Institute for Humanistic Studies Very Sottsass circa 1980. Aspen Grove Cemetery Kaleidoscreen. Home. Home Design Accessories and Designer Products | Cooper-Hewitt Shop. IDO Diffusion - Décoration et création en tissus, cuir, mobilder, tapis, moquette.

Ill Studio - Home. Illumination. Illumination. In situ | SYLVAIN WILLENZ. Info - Al Que Quiere. Interiors + Inspiration. Jorge Penadés: Structural Skin — Thisispaper — What we save, saves us. Jorge Penadés: Structural Skin — Thisispaper — What we save, saves us. Karla Black. Opening reception: Saturday, March 1, 6 – 8 PM David Zwirner is pleased to present its first exhibition with Karla Black. On view at 519 West 19th Street in New York, the Glasgow-based sculptor presents a large-scale powder floor and a cellophane window, both made specifically for the space, as well as hanging and standing works made from paper. Black creates abstract sculptures using a combination of everyday materials including powder, soap, gels, and pastes, along with more traditional media such as plaster, chalk, paint, and paper.

Carefully arranged on the floor or suspended from the ceiling, they are typically made on site and include direct evidence of the process of their creation through fingerprints and dust. Delicate, messy, sensuous, and visceral, they testify to a physical experience of the world that lies beyond metaphorical and symbolic references. Poised between form and anti-form, they emerge like transitional states or naturally occurring sediments.

Karolina Tarkowska » Design. Kellybehun.com. Kellybehun.com. Knauf and Brown. Le Blog sur les Pop-Up Stores et l'univers de l'éphémère. Lennon, Weinberg, Inc. Light Installations by Liz West. Lookatwakawaka. Loopholes by Atelier belge. Magdalena Tekieli Design. MALONE - alex p white. In collaboration with Strauss Bourque Lafrance//////////////////////////////////////////// Material Pendant - COCO LAPINE DESIGNCOCO LAPINE DESIGN. This material pendant from Noergaard Kechayas comes (as the name suggests) in different materials: cork, concrete, marble, oak, terracotta and aluminium. I think the black marble is my favourite, how about you ? Deze ‘material pendant’ van Noergaard Kechayas, wordt (zoals de naam het al doet vermoeden) in verschillende materialen vervaardigd: kurk, beton, marmer, eik, terracotta en aluminium.

Ik denk dat ik de zwarte marmeren de mooiste vind. Wat vinden jullie ? Matières à découvert | Pauline Deltour. < Back Intervention chez BOFFI CUISINES pendant les Designer´s Days 2013. Thématique : «L´outil de demain» Date: 2013 Les planches à découper sont un outil indispensable dans la cuisine. « Aujourd´hui, elles ne servent plus seulement à couper, trancher, découper, préparer mais aussi à servir et présenter… Ce sont des planches de travail que l´on aime amener sur la table, au milieu des convives, des surfaces sur lesquelles on aime présenter les ingrédients, tout simplement… ».

Marbre, quartz, corian, bois, granit, terrazzo… la palette étendue de matériaux utilisés par Boffi a inspiré ces surfaces de présentation aux formes identiques, mais de tailles variables. Photo credit : Adrien Roudaut. Matthew-barney-cremaster-4-1995avi_thumbs_20110402_065934617074.jpg (JPEG Image, 1024 × 636 pixels) Modern Memphis Design Trend | Yellowtrace. I will tell you nothing new by proclaiming that Memphis is back.

No sir. You all would’ve seen it happening in the last couple of years, but things have really come to a head in the last year, with no signs of it slowing down. Call it the 80s revival (I shudder) if you like – Modern Memphis is back with a vengeance, except this time it comes in varying nuances and often in a slightly more sophisticated version of itself. While this post isn’t supposed to be a lesson in history, I think that a little bit of context might be a good thing. Memphis movement was originally initiated by Ettore Sottsass in the 80s, who gathered a group of fellow designers with a vision to start a revolution against the sober and functional ear of modernist design.

Serendipitously, the group was named after a Bob Dylan blues song, which was playing in the background the day the group was formed. Recently, the Modern Memphis Movement has re-emerged, thanks to a new crop of young designers and makers. Naula workshop | custom high-end furniture manufacturing and unique upholstery. Non-objective painting. Ouno Design » Blog Archive » The Saturday Generation. The Cave Room (above), the Projection Room, and the Xanadu Room (below) are from “The Bloomingdale’s Book of Home Decorating,” 1973, by Barbara D’Arcy. D’arcy was famous for her wild display rooms actually constructed inside the Bloomingdales store in New York in the 1960s and 70s.

All her rooms had the classic 60s emphasis on lounging, pleasure, boldness, and an appeal to the senses that bordered on the psychedelic or the mind-altering – they were an Experience. But there was also a DIY component to D’Arcy’s approach. Many of the room elements were not expensive to build or buy, and that’s because most of her displays were directed at the “Saturday Generation” demographic, which she describes (in a tone that’s only funny because it’s so of its time) in a way that makes it sound a lot like the readership of Apartment Therapy or the current DIY movement in general, to which many of us probably belong: The Saturday Generation.

Update: Barbara D’Arcy died age 84 on May 10, 2012. Ouno Design » Blog Archive » The Saturday Generation. Panto Pop VerPan - Verner Panton. Piahowell. PLAYSHROOM - alex p white. Poorex poor design bartosz mucha. Pop Art Design. Pop Art Design. Postmodernisme architecture. Product Bureau LLCWhat we do. Robert Venturi. Rugs — AELFIE. Sans titre. Sans titre. Sans titre. SHOP — NU SWIM. Site Is Real » Matthew Barney’s Cremaster 3. SLEIW SELLS. Stephanie Specht — Magdalena. Studio of Bryan Ray. Studio Proba. Studio Proba. Studiopepe. Tabletop. Terence Conran - Design Museum. The Old Tom and English | Old Tom & English. Verner Panton Interiors // Restaurant Varna in OBJECTS & SPACES. VERNER PANTON | the Blenheim Gang | popculture automobile. Verner Panton: Genius of Danish Design Part 3. Vesta / 2015. Xavier Veilhan. — LeavesU | Laurent Massaloux.