background preloader


Facebook Twitter

Amanda Karsberg. B.FIESS. B.FIESS / works / ceramic compositions. B.fiess / works ceramic compositions lp : ub : pc :: th lp : ub : pc :: ct lp : ub : pc :: gh lp : ub : pc :: ew lp : ub : pc :: pk bc : dd : db :: yw bl : dd : do :: fs bp : dd : pb :: rl bp : dd : ps :: tb bp : dd : ww :: pr bp : ss : ph :: nw fp : sb : tc :: or gp : fs : sd :: pb ic : sb : ps :: gd iw : wp : dd :: lb rp : hd : dd :: ag sc : dd : wp :: ob sc : fb : sd :: bf sc : fb : sd :: bp sc : fb : sd :: or sc : fb : sd :: rf sc : fb : sd :: te sp : pp : pd :: bd sp : pp : pd :: jb sp : pp : pd :: of sp : pp : pd :: os sp : pp : pd :: po sp : pp : pd :: rr sp : pp : pd :: tb sp : pp : pd :: tv sp : pp : pd :: yf dt 1 hr 1 hr 2 ev : tl : bp sb : gt : po :: a dt : st : rp ep : gt : vt :: sr1 set:m2 set:m3 set:m4 set:m5 set:m6 o/r s 1 o/r s 2 o/r s 3 o/r s 4 saca a saca b capsules capsule 1 capsule 2 capsule 3.

BARI ZIPERSTEIN. Bottle Spice Grinder Set. Carreau à décor d'engobe. Un article de Wikipédia, l'encyclopédie libre. Les carreaux estampés seront fabriqués au Moyen Âge jusqu'au XVIe siècle. Longtemps ignorés, les carreaux historiés anglais puis français du Moyen Âge seront enfin étudiés à partir du XIXe siècle[2] puis refabriqués sur les mêmes motifs en plein Gothic Revival anglais. Les carreaux encaustiques du XIXe siècle utilisent un procédé de moulage à deux coups. La couche d'«incrustation» est moulée en premier. Pour de multiples couleurs, un moule avec des cavités pour chaque couleur est utilisé et les couleurs individuelles sont soigneusement remplies. Cette argile colorée est ensuite placée face vers le bas dans un moule qui est rempli à nouveau avec la couleur du corps.

Les carreaux sont ensuite cuits. Histoire[modifier | modifier le code] Église St Oswald's, Ashbourne, Derbyshire, Angleterre. En Angleterre et aux États-Unis[modifier | modifier le code] Les « carreaux encaustiqués » ont joui à deux périodes d'une grande popularité. Ceramic and Copper French Press. Ceramic housewares, jewelry, and art objects created by April Brimer – The Pursuits of Happiness. Ceramic Steamer. Collaborators + friends - Front + Main. How to create your own terrarium with Michael and Darroch Putnam! A peek at the studio of designer and maker Shay Spaniola of bunglo! San Francisco-based maker Molly M shares how to get your products in the stores you love! A behind-the-scenes look at our collaboration with textile designer Margo Selby Meet the duo behind west elm’s biggest collaboration to date! Remembering Williams-Sonoma founder Chuck Williams. A behind-the-scenes look at the making of Apotheke’s candles!

A peek behind the curtain at Alma Chocolates! A look at the history behind one of America’s oldest woolen mills. A peek inside the Brooklyn studio of ceramicist Re Jin Lee. We teamed up with And North for a cocktail party in Upstate New York Meet the local makers who will be selling their work at west elm West Hartford! West Elm teamed up with the ASPCA for animals in need—and you can help! A special dinner party to celebrate our collaborators! A look at our Brooklyn FEED dinner and how to host your own! Donabe Japanese Pot. Doug Johnston — Home.

Experimental Vases. FIELD & SEA / Collection of Loveliness. Housewares | Bzippy & Co. How To Stock Your Stuff in Great Stores - Front + Main. In 2009, Molly McGrath put her architecture career on hold and started selling her own laser-cut jewelry. It was a decision that paid off—now Molly has lines of housewares, art, jewelry and stationary that she sells through 200+ shops in the US, Canada, Australia and New Zealand. She’s one of the most popular and widely represented makers in west elm’s LOCAL program, so we asked her how she built such an amazing network of shopkeepers. Here are her tips for finding great stores to represent you. 1. Know yourself and know your stores. Make sure there’s a synchronicity between your work and the store. I subscribe to the philosophy of Wiener Werkstätte—an alliance of artists, architects and designers who worked together in early 20th century Vienna. 2. I’ve met so many makers over the years at craft fairs, retail and wholesale shows, and online.

It also helps to attend trade shows. 3. You probably have other designers you love and look up to. 4. 5. 6. Thanks, Molly! J H. KATY KRANTZ. Kira Ni Ceramics - Sold Out. L'atelier des garçons - LEAH JACKSON CERAMICS : Leah Jackson Ceramics. ModernistMoon. O B J E C T // & // T O T E M. Otherwild. Paloma Wool. Past Imperfect, The Art of Inventive Repair. Chinese porcelain plate with staples, c.1710 February 28th, 2016 This early 1700s hexagonal porcelain plate was made in China during the Kangxi Period (1662-1722).

It has an unglazed hexagonal rim and foot rim, with a cobalt blue underglaze garden design and floral border. It measures 9 inches in diameter. After the plate took a tumble, it was put back together using three large metal staples, aka rivets, as well as an unusual pewter plug. Unlike the majority of the staple repairs I come across, the holes drilled to accommodate the staples go all the way through to the front, resulting in a nice dot pattern. With strong graphics appearing on the front and back of the plate, I deliberately display both sides. Whieldon-type creamware teapot, c.1780 February 20th, 2016 This Whieldon-type English pottery drum-form teapot is made of cream colored earthenware and has a brown and green tortoiseshell stained lead glaze.

This similar example has its original lid with tipped flower knop. Pour votre cuisine haut de gamme, choisissez Planceram. Pâte céramique : faïence, terre cuite, grès, porcelaine, néo-céramique : Les pâtes céramiques et le façonnage de l’argile. On peut classer les produits céramiques selon les caractéristiques du produit fini, en distinguant en particulier les tessons poreux ( terre cuite, faïence ) et les tessons non poreux ( grès, porcelaine, vitreous ). Le classement se fait également selon la nature des matières premières utilisées, matières argileuses et matières non argileuses.

Terre cuite On utilise des argiles naturelles, brutes ou légèrement modifiées ( dépierrage, ajout de chamotte ), naturellement colorées par des composés du fer. Le façonnage se fait généralement par extrusion, pressage ou calibrage. La cuisson se fait à basse température ( 900 à 1000°c ), et l’on obtient une assez bonne résistance mécanique tout en évitant des déformations et des retraits de cuisson importants. Le tesson obtenu est coloré, poreux, opaque, terne, relativement fragile.

La faïence Le grès On utilise des argiles colorées ou non et des pâtes plus élaborées ( kaolins, feldspaths, chamotte, silice ). La porcelaine Vitreous Réfractaires. Reform School Home Ec. Saint Heron. Shop | — Tactile Matter. Menu Abstract shapes bowl Studded coral bowl Primitive three leaf vase Black geo shapes Vase Ring handle face mug Half circle coral hook Long handle shapes mug Masque wall hanging Sunset cup sold out 0 items. Shop — Jono Smart. Tea mug in matte grey sold out Display bowl in black Coffee cup in marbled grey Milk pourer in black Sugar bowl in matte grey Tea mug in marbled grey Breakfast bowl in black Small carafe in marbled grey Breakfast set with Grain and Knot spoon.

Espresso cup in black Coffee cup in matte grey Milk pourer in marbled grey Small carafe in black Breakfast bowl in matte grey Small carafe in matte grey Milk pourer in matte grey Espresso cup in marbled grey Wide display bowl in stone Low bowl in stone Milk jug in textured grey Espresso cup in matte grey Coffee cup in textured grey One off large vase in black Small carafe in textured grey Milk pourer in textured grey Large vase in stone Large stone carafe Small carafe in stone Coffee cup in textured stone Large carafe in black Medium water jug in black Espresso cup in stone Large water jug in textured grey Medium carafe in black Sugar bowl in textured grey Large water jug in black Large carafe in textured grey Coffee cup in black Tea mug in black 0 items.

Tournage d'un pot de 50 kg sans peine, par thierry fouquet. Turningearth. What Turning Earth doesWe exclude known toxic substances from use in the studio, including barium and lead We provide pre-mixed glazes so that members do not need to mix their own materials. We conduct all glaze mixing in a vented space away from the main work area We provide gloves for use when glazing.

The vast majority of our glazes are food safe. Non food-safe materials are clearly labelled. We give a clear health and safety induction to anyone using our spray booth. All of the kilns that are located in working areas of the studio are externally vented using Vent-Sure Downdraft vent systems, which prevents substances entering the air during firing. Provide a designated area for food (on the mezzanine). We have COSHH substance sheets in the studio for all the chemicals that we use. Improvements we're planning In 2016 we will install two extraction cabinets for mixing dry materials. In November 2015 we will relocated the glaze spray booth in a ventilated outside shed. Turningearth. Veille internationale septembre 2012 1. VESSELS - Jennie Jieun Lee. Workaday Handmade.