Tapper's Delight: 20 Challenging Tapping Licks. Guthrie Govan guides you through 20 challenging tapping licks! Fretboard tapping has earned a bad name in certain sectors of the guitar community. Some players dismiss it as a technique suitable only for perpetrating the worst possible kind of overblown, unmusical histrionics, preferably played through a wall of amps that “go to 11.” If you feel that way, then you probably haven’t even managed to read this far. But for those of you who are still undecided about tapping, I would urge you to view the technique simply as an easy way to play notes you could never reach otherwise.
If you think of your tapping fingers as extensions of your fretting hand, you’ll find it easier to imagine how this technique can benefit virtually any style of playing. Track Record In the world of rock, Van Halen’s self-titled 1978 debut album heralded a tapping craze that soon caught on like wildfire. Tone Technique • If you’re hammering a note, the force of your hammering motion will dictate its volume. Muting. Guitar Effects. Solder Like a Pro. Given the DIY nature of this issue, I thought it would be appropriate to address good soldering technique. Because we have a limited amount of space, I won’t talk too much about tools, you can read about them in Dirk Wacker''s article this month, but suffice it to say you’ll want a decent soldering pencil (a small type of soldering iron) of at least 25 watts, though 40-60 watts is probably better.
You’ll also want a stand to hold the iron when not in use, a damp sponge, and some solder. You should also have some basic hand tools, such as wire strippers, needle-nose pliers, wire cutters and something to hold the wire in place while a solder joint cools. You can use a small screwdriver for this, although there are tools sold specifically for this, available through an electronics supply house. Step 1: Prepare the Joint Don’t hold the wire with your hands. Step 2: Clean the Tip Use a good soldering iron and keep the tip clean – you can use the damp sponge for this. Peterson Stroboflip tuner. The Peterson StroboFlip™ is the first tuner to feature a wide variety of classic temperaments and new Sweetened Tunings ™ never before available!
Whether you want to tune a harpsichord to a 200-year-old temperament for a specific piece of music or set the intonation on your guitars, the StroboFlip is the ideal tool! With its unparalleled 0.1 cent accuracy and myriad presets, this tuner can be used to tune or set up your instrument to its own particular needs, improving both the instrument and your sound. Dedicated Tuning Options for All Genres The StroboFlip is the first tuner to feature Sweeteners™ - preset perfect fifth intervals for violin, viola or cello; perfect thirds for Dobro® or resonator guitars; tuning and intonation presets for the Buzz Feiten Tuning System® for guitar, bass, and acoustic guitar; and both Buzz and Peterson Sweetened settings for 12-string guitar.
The StroboFlip is the ultimate tool for obtaining the best sound out of your instruments! BOUCLES DE MASSE GUITARE | Blog Guitar N' Blues. Comme son nom l’indique, la boucle de masse forme une boucle. C’est à dire que le signal de masse peut passer d’un point à un autre de deux manières différentes (ou plus). Cette boucle se traduit concrètement par du buzz dans le son. Ce n’est pas systématique, cela dépend entre autre de la sensibilité du matériel utilisé. Si ce buzz se coupe lorsqu’on touche les cordes, c’est que c’est un problème de masse ! Dans la majorité des cas, il suffira de supprimer la ou les boucles pour supprimer ce buzz^^ C’est très rare de trouver une guitare du commerce sans boucle de masse. Ci dessous, j’ai matérialisé une des boucles en rouge.
Le problème est que cette masse est reliée de 2 façons différentes : 1er chemin : les potentiomètres sont installés sur le blindage en alu ou en cuivre. Dans une guitare, on réalise souvent la masse principale sur le potentiomètre de volume. Il faut que toutes les masses arrivent sur ce point central par le trajet le plus direct. Difficile de faire plus simple^^ Crush The Button. Guitars Rebellion - ESP Custom Shop & Fine Gear. 40 essential blues guitar intros and outros. Image 1 of 41Image 2 of 41Image 3 of 41Image 4 of 41Image 5 of 41Image 6 of 41Image 7 of 41Image 8 of 41Image 9 of 41Image 10 of 41Image 11 of 41Image 12 of 41Image 13 of 41Image 14 of 41Image 15 of 41Image 16 of 41Image 17 of 41Image 18 of 41Image 19 of 41Image 20 of 41Image 21 of 41Image 22 of 41Image 23 of 41Image 24 of 41Image 25 of 41Image 26 of 41Image 27 of 41Image 28 of 41Image 29 of 41Image 30 of 41Image 31 of 41Image 32 of 41Image 33 of 41Image 34 of 41Image 35 of 41Image 36 of 41Image 37 of 41Image 38 of 41Image 39 of 41Image 40 of 41Image 41 of 41 40 essential blues guitar intros and outros Intro 1: Easy acoustic in E Intro 2: Advanced acoustic in E Intro 3: Easy acoustic in G Intro 4: Advanced acoustic in G Intro 5: Easy acoustic in A Intro 6: Advanced in A Intro 7: Easy in E Intro 8: Advanced in E Intro 9: Easy in Gm Intro 10: Advanced in Gm Intro 11: Easy in E (Version 2) Intro 12: Advanced in E (Version 2) Intro 13: Easy in Bb Intro 14: Advanced in Bb Intro 15: Easy in Cm 20 intros...
50 rock guitar licks you need to know. For the past few weeks, Guitar Techniques have been posting sections of this bumper feature showing you how to dramatically increase your rock soloing potential, and boost your fingerboard knowledge at the same time. Here, though, are all 50 licks in the same place for the first time. Scroll down for the full tutorial, and check out the gallery for larger tab… The main focus here in terms of vocabulary is classic rock, which we're going to define for the purposes of this study as pre-Van Halen, so you'll find no eight-finger tapping, no three-octave sweep picked arpeggios and no 32nd-note legato monster licks. What you will find, however, is a choice selection of medium-tempo classic rock phrases that are stylistically diverse, melodically flexible, and display a wide range of articulation and dynamic devices.
They are all also completely useable to guitarists of many levels and in a variety of settings. This study divides the fretboard into five areas, or positions. Scale diagrams. Music Scales. SR Guitars - Vente et personnalisation de guitares électriques - SR guitars. Custom 77. Bill's Blues Junior Modification Pages--Home. Soldano Custom Amplification - Vimperator. News. GUITAR STORIES : MARK KNOPFLER. Sustainiac Home Page. The Electric Mistress Mystery Page. Gilmourish.Com – guitars, effects and amps. Fuzz Central -- Making the world a fuzzier place for 5 years.
Fuzz Central -- Arbiter Fuzz Face. I personally do not think that wiring up PNP transistors (Silicon or Germanium) as negative ground is one of the best ideas. The PNP transistors are simply not meant to function with a negative ground and osciallation and "motorboating" sounds are common results of wiring a Fuzz Face with PNP transistors as such. Here's some more information from R.G.
Keen (GEOFEX): While in theory, the negative ground conversion for FF and other PNP circuits ought to work every time, there are a significant number of times where it causes oscillation, motorboating, etc. Sometimes you can clean this up by putting a big freaking capacitor across the power leads, sometimes you also need a low-impedance 0.1µF ceramic, too, and sometimes you need divine intervention. So, in my opinion, I would always leave PNP transistor-equipped circuits as positive ground.
Vibe Machine V-1. Vibe Machine™ V-1 Regular price: 295$ + $25 / $45 shipping (excl. VAT) 285 € + 13.75 € / 32.5 € shipping (incl. VAT) Enjoy authentic vibe sounds without taking up a ton of space on your pedalboard! Dear friends, After extensive research and development, you now have the chance to test drive a pedal with authentic and defined vibe sounds in a much smaller enclosure. The Vibe Machine™ – currently the world's smallest vibe pedal. All our custom photocells are matched with a specially constructed tester which means you really get an exceptional rotating vibe sound.
The Vibe Machine is incredibly practical for every pedalboard due to its small footprint. Leslie®, buffers and all the great vibe sound options When you connect an expression or volume pedal to the Vibe Machine, the oscillation speed can be changed by foot. TFC™ (Traffic Control) output is active only when the V-1 is turned on. Your pedal If there are no Vibe Machines available you can sign up to our waiting list for your Vibe Machine. Guitar Bridges: The What And The Why | Seymour Duncan Blog. Guitars are stringed instruments, and as with all instruments that utilize strings, there has to be a fixing point for them.
These points are called bridges and they come in several forms and shapes. Generally speaking, there are two major types of bridges: fixed bridges and moving bridges (the latter generally but erroneously called tremolos). Let’s take a look at the different types of bridges and what kind of unique feature they have. Fixed Bridges Fixed bridges are common amongst acoustic guitars, semi-acoustic guitars and many solid body guitars. They all share a common thread in their design, being that the tension of the string isn’t momentarily changeable halfway during playing. Wraparound This design uses a metal bar that’s fixed to the body. Telecaster ‘Ash Tray’ Bridge This design is a bit more complicated than the wraparound bridge. Tune – 0 – Matic/Stop tail combination 2 Tek This bridge is a very complicated design.
Tremolo Bridges Bigsby This system was designed by Paul Bigsby. The Tonal Centre - Tonality. May 2007. Algebra of Tonal Functions. © 2005 Gennady Wohl. The article is written for project COMMATOR. The English translation of the original text has performed Mykhaylo Khramov. Translator thanks Gennady Wohl, who kindly has agreed to explain mathematical aspects of a theme, offered to him. Translator also thanks Vadim Bondar for the help and will be glad to any criticism which improve translation quality. In offered notes you'll find brief description of M. 1. Let's assume that in some key T means tonic, D - dominant, М - mediant, d - subdominant, m - submediant. Let f1 be some function; the tone to which f1 corresponds we'll assume to be tonic; and in the new key the tone to which function f2 corresponds we'll assign in relation to initial tonal function f1f2. Let's note, that Dd=Mm=T; and corresponding numerical equations are 3·(1/3)=1 and 5·(1/5)=1. 2.
Let's consider free Abelian group F with two generators D and M; the unit of group we shall designate as T. Examples: 4. 5. Example: k=12. 6. 7. Guitar For The Practicing Musician Backissues. Make: Kit Reviews | The Ultimate Kit Guide - Vimperator. GuitarKitBuilder - Vimperator. Cornford - News & Info - Vimperator. Please select to view our Aluminum Electric Guitars - Vimperator. GuitarGeek — The Guitar Rig Database - Vimperator. DiscoFreq's Effects Database - Vimperator. Learn the Ukulele, Banjo or Mandolin with Andertons! - Vimperator. Andertons News Archive We've been busy putting together three 'No-Nonsense' guides for Guitarists that want to learn the Ukulele, Banjo or Mandolin. We really concisely tell you how to tune your instrument up including how to use a guitar as a reference pitch for tuning. We also show you a handful of chords to get your started and show you a few bars of a song to put those chords into practise.
There's even a small paragraph about playing technique and how to adapt Guitar playing techniques to your new instrument in terms you'll understand easily Andertons 'No-Nonsense' Guides Ukulele No-Nonsense Get Started Guide for Guitarists Mandolin No-Nonsense Get Started Guide for Guitarists Banjo No-Nonsense Get Started Guide for Guitarists Write a comment < Back to list of news articles. Vox Humana Guitar Centre Online-shop - Vimperator. Laney Amplification | Welcome - Vimperator. Vox Humana Guitar Centre Online-shop - Vimperator. Vimperator. Freestompboxes forum. Musical Practice and Performance - Stack Exchange. Stewmac.
JEM. Instru / Matériel. The Jazz Information Resource. Slide.