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Xataka Foto - Así debe ser un contrato para la cesión de derechos en retratos. 12 photography cheat sheets that will change your life. PanoTools NG. Fisheye Support. A fisheye lens can be used either for its distortion, or (with some postprocessing) as an ultra wide lens.

Fisheye Support

More about fisheye projection: [1] I'd like to implement in Magic Lantern some routines which make it easier using fisheye lenses as UWAs. Correcting the fisheye lens distortion is sometimes called defishing. Defishing methods Edit Fisheye -> Rectilinear Edit You can convert a fisheye image to rectilinear projection => you get the same image as if you would get with a "normal" lens The resulting image usually looks ugly, exaggerating stuff in the corners, but mathematically correct (i.e. with straight lines perfectly straight).

Recargando tu carrete de 126 con película de 35 mm en Trucos en Magazine. Si por fin has conseguido un carrete de 126 ¡¡recárgalo una y otra vez con tu película favorita y úsalo con tu Agfamatic o Kodak Instamatic!!

Recargando tu carrete de 126 con película de 35 mm en Trucos en Magazine

Quizá ya te hayas cansado de dar vueltas por Internet y por El Rastro buscando carretes de formato 126 para usar en tu cámara. Una buena idea es recargarlo con la película de 35 mm que prefieras. Magic Lantern: Focus Peak. Focus- ¿qué? Te habrás preguntado. How to Add Dynamic Clipping Warnings to Photoshop. There are two types of clipping you probably try to avoid introducing into your images during post-production: luminosity clipping (when the brightest areas of an image become white, or when the darkest areas become black), and channel clipping (when the data within an individual channel becomes compromised).

How to Add Dynamic Clipping Warnings to Photoshop

Both forms – unless you’ve made a deliberate decision to clip your data – are something to avoid. As you’ll probably know, Photoshop doesn’t make this easy. The only tool that provides direct feedback on any clipping within an image is the histogram, but it isn’t completely accurate, nor is it dynamic: it updates after you implement a change rather that providing feedback during an adjustment. And while there are quite a few ways that allow you to accurately measure clipping – more of which below – none of the methods are either especially convenient or automatic.

Parámetros de las cámaras 3d y sus ajustes fotográficos. Las cookies nos permiten ofrecer nuestros servicios.

Parámetros de las cámaras 3d y sus ajustes fotográficos

Al navegar por nuestra web, aceptas el uso que hacemos de las cookies. Acepto Leer más. The free camera encyclopedia. GUILLERMO LUIJK >> TUTORIALES >> UNIWB. DISPLAY DE LA CÁMARA FIEL AL RAW. Todos sabemos lo útil que resultan la consulta del histograma así como la información relativa a las posibles áreas quemadas de la imagen que nos proporcionan nuestras cámaras.


En especial si se realiza una exposición basada en el derecheo del histograma, echar un último vistazo a estos datos resulta muy interesante y casi podría decirse obligatorio. Enhancing Detail and Dynamic Range in Lightroom 4. In this Lightroom 4 tutorial, we will be showing you how to enhance the detail and expand the dynamic range of a single raw image using the Lightroom 4 Preset System and techniques that we teach on the Lightroom 4 A to Z DVD.

Enhancing Detail and Dynamic Range in Lightroom 4

As always, for those that may not have the LR4 Preset System, we will show you each step of the process as we walk through this Lightroom 4 edit. The goal and vision is to create an image with enhanced detail, contrast, and dynamic range without crossing over into the “overdone HDR” territory. Mixology Recipe and Tutorial For those that already have the SLR Lounge Lightroom 4 Preset System, we will be using the following presets and brush settings. (For those that may not have the LR4 Preset System, don’t worry, we will cover all of the relevant settings in detail below using screen shots with the appropriate values): MY MIXOLOGY > 00 Standard ImportMY MIXOLOGY > 25 HDR StrongBASE ADJUSTMENTS > 02 Darken Shooting the Image.

Free Practice & Portfolio RAW Image Files For Retouchers. How to Process Your C-41 Film at Home. After almost two years of shooting film nonstop and more than $1,000 worth of expenses on processing and prints, I needed to reconsider my budget and find a way of being able to shoot more and pay less.

How to Process Your C-41 Film at Home

I thus began to process my C-41 rolls at home. It’s extremely easy to do and I‘ll show you today how to do it, step by step. First off, this is what you‘ll need (after you incur these small first expenses, processing at home is almost for free): A film-developer tank (a lot of people trust Jobo Tanks, I got an AP because they are cheaper)ScissorsA trash bag (or another nice-sized bag that doesn’t have any dust in it)The film you want to processMeasuring toolsA funnelTetanal C-41 Rapid Kit (they come in liquid and powder form for 1 or 5 litres of working solution.

Ok, first of all, you need to know that C-41 is a normed process. There are different ways to process C-41. Second, the chemicals will weaken pretty fast. Third, try to avoid useless air-contact with your chemicals. P.S. Vladimir Yuzhikov. Displacement Maps for Graphics in Photoshop CS4. One of the most creative ways to use the Displace filter in Photoshop is to “map” an imported graphic so it follows the contours of an object in a photo; for example, adding an Illustrator logo to a photo of a T-shirt in a realistic way.

Displacement Maps for Graphics in Photoshop CS4

Add the editability of vector smart objects and you have a match made in heaven. 1 PREPARE THE PHOTOGRAPH First we need to choose and prepare the photograph onto which we’ll add our logo.